The Real Meaning of Being a Feminist

The idea that heavily influenced me when choosing my topic and writing about it, was Trevor’s connection and appreciation to his mother, and also Patricia’s way of living. In Born a Crime, we often see or hear about Trevor admiring his mother for her ways, and that inspired me. If Patricia could be strong and brave (which she’s not supposed to be) during such a bad time, I can too and I wanted to explore that. Trevor explored his own sense of identity in many different ways, but most of the time, it was his racial identity. He did this by feeling around to see where he felt comfortable, where he relates most, and most importantly, just not fitting in anywhere and finding peace and acceptance in that. In chapters 4-6, Trevor has a moment where he believes he fits in most with the black kids at school, because he could unapologetically be himself. Later in the book, he talks about how some black kids don’t accept him, same with the white kids, so he fits in with the “colored” kids, even if that’s not truly who he is, it was just easier. Very close to the end, Trevor goes to jail and decides to stick with the white people because they “look harmless”. It’s like a never-ending cycle for Trevor, and he just usually goes with what he feels that day. A part or quote of Born a Crime that I resonate the most with is “I was blessed with another trait I inherited from my mother: her ability to forget the pain in life. I remember the thing that caused the trauma, but I don’t hold on to the trauma. I never let the memory of something painful prevent me from trying something new.” I relate with this the most because I’ve had terrible things happen to me, but I don’t let it affect my current life. I had terrible social anxiety, still do, but it’s toned down a bit because of the people around me. Trevor’s writing style inspired me a lot, and I tried to copy him in a way. Trevor spaces his paragraphs more often than me, so I tried to space my paragraphs a bit more. Trevor also writes like he’s talking to someone who has no context of anything, which is also something I tried to do. I stayed on the serious side instead of being humorous, which differs from Trevor’s storytelling techniques. I wanted the reader to understand that I do take this subject seriously, and I would hope they would too. My vignette addresses the question of how our cultures influence our identity.

Born A Crime Draft + Artist's Statement - Maralese Morales

Movie Night

In Born a crime a few things connected with my writing that influenced the story. A few examples would be when Trevor Noah had a close friend named Teddy, and when Trevor Noah had wanted to switch classes when he liked being in class B better than class A. In both of these stories they have something in common, both Teddy and class B accepted him for who he was. Both of the people accepted Trevor Noah for who he is and made him feel part of a place where he isn’t judged. That is the same with my friendship group, they accept me for who I am regardless of my flaws. One of my favorite quotes in Born a Crime was in chapter 11 on page 99 “Since I belonged to no group I learned to move seamlessly between groups. I floated. I was a chameleon, still, a cultural chameleon.” This quote did connect to me, this connected with being because growing up I was also the same way. I was part of multiple groups but it didn’t feel like I was part of it. I was there from time to time but I never stayed for too long. My friend group and the habits aren’t the easiest to understand, sometimes we can’t even understand each other but that is a rare occasion. I tried to explain the characteristic traits of my friends the best I could to make sure they understand the way our group works. My friend group can get chaotic sometimes and when we are having a serious conversation about things that are affecting us we have each other’s backs. Identity and belonging haven’t always been the easiest thing growing up. I never really had many true friends, they were more of acquaintances. Growing up, we all kind of just lacked friends. So eventually we all became friends even though most of us attend different schools. The story connects with my identity because my friends influence how I am towards other people. While writing the book Trevor Noah’s very impactful writing style, it’s unique in many ways. His writing style had lots of humorous moments which also makes me want to add a lot of humor into my writing style. I am attempting to give my story a comedic effect.. I also want to make it as entertaining as possible. I adore humor, first because I like making things funny and laid back. I don’t like making my writing stiff, I like to have my personality intertwined with the writing.

Movie night - Google Docs

Fahrenheit 451 Podcast #2 Brainwashed

Brainwashed_--_Podcast_#2
Brainwashed_--_Podcast_#2

Written by Ray Bradbury and published in 1953, “Fahrenheit 451” tells the story of Guy Montag, a fireman whose job is to collect and burn books in a society where any feelings of discomfort from existential crises to mourning loved ones have been outlawed and the priority is happiness by any means necessary.

This podcast we will be discussing the characters, struggles, and world-building of “Fahrenheit 451” through a Marxist lens; with a focus on consumerism and the constant consumption of product, both material and mental.

Presented by the Fire 451 Squad: Zoe Kwas, Tayah Brunson, Isabella Torres, Hawa Diakite, and Cameryn Roach

https://youtu.be/g5TeA_9cAcg

Tale of Two Tribes: The Podcast (Ep. 2)

Tale of Two Tribes: The Podcast “Episode Two”

CoHosts: Jakob Cantor, Ami Doumbia, Londyn Edwards, Justine Koffi, Maysa Wright

In Episode Two of “Tale of Two Tribes”, Jakob, Ami, Londyn, Justine, and Maysa discuss their second reading of the novel Homegoing by Ghanian-American author Yaa Gyasi. This time, the five cohosts talk literary lenses (Marxist, Feminist, and New Historical) and what they mean to the overall understanding and plot of the story.

Run Time:

Text to Text Connection:

-4:10: The Handmaid’s Tale by Margaret Atwood (1985, later adapted into tv series of the same namesake in 2017), is a book that takes place in the Republic of Gilead where main character Offred serves as a handmaid whose only job is to bear a child for the Commander and his wife. (To read more, visit https://en.wikipedia.org/wiki/The_Handmaid%27s_Tale)

Book References:

-4:48: Chapter James, pg 101

-5:11: Chapter H, pg 157-158

-7:26: Chapter Kojo, pg 120

-12:25: Chapter Kojo, pg 131

-13:47: Chapter H, pg 167

-18:25: Chapter Kojo, pg 124

The Bluest Podcast Episode 2

Jasir Chavis, Jueni Austin, Lyss Williams, Phoenix Satterfield

In this episode, we look at the next few chapters through a feminist lens. Both of the parents of the main character, Pecola, have their own chapters, with the mother’s chapter (Pauline) first and the father’s chapter (Cholly) second. We explore the gender structures present in their childhoods and their marriage.

Tiger Talk: Slaying the White Tiger Episode 2

In the first episode of Tiger Talk, we discussed the literal and figurative meaning of the prominent theme of lightness vs darkness present in the novel, alongside other narrative symbols that we’ve encountered throughout reading.

In this second rendition of Tiger Talk, we explored the novel through the view of the Marxist lens, analyzing the novel’s discussions around class and wealth. The book’s central metaphor of “The Rooster Coop” alongside the debate between decisions between morally right or not fuel the main topics of this week’s episode.

Tune in to our dynamic group taking down the White Tiger one section at a time, with renowned English students Peter Keo, Michal Czapla, Indiya Johnson, Miranda Sosa and Jacob Prunes serving as the hosts.

Here Here Podcast Episode #2

IMG-1777
IMG-1777

Authors: Fionn Hyland, Lucas Capitolo, Michaela Berger

Welcome to the second episode of “Here Here!” This week, we discuss the events of the book through the Marxist Lens, which examines the financial scenarios in the novel. Since we have been able to learn more about each character, we work to analyze each character, their relationships, and their financial situations. We hope you enjoy!

Books To Sink Your Teeth Into Podcast #2

Wow! A lot has happened while we read deeper into the book. Today, we continue to talk about some of the wild events that have unfolded in the book Dracula. This week we take a look at the literary lenses of this book mainly both the New Historicist Lense and the Marxist. We will use these lenses to help give us a critical look at why certain decisions were made and understand why some of the characters might have acted in a certain way. Make sure to hear from our “sponsor” at the end of the podcast!

The Thought Police

By: Gia Torres, Zoe Zisser, Noor Kreidie, Andrew Bowers, Ida McGrath

In this podcast you will be be listening to the evaluation of the historical lense throughout the book Nineteen eighty-four. As we begin to speak on the lense you begin to see how in depth the time period and the authors mental state that allowed him to write about his experiences and more or less what the future may hold. As we break down certain key points you see how certain historical moments are related to the thoughts and layout of the themes the author held in the sections we have read.

Hope you enjoy our podcast, The thought Police

The Talk Of The Cuckoo's Nest Podcast #2

https://www.wevideo.com/view/2009346077

Partners: Hannah, Kavina, Nile, Gabe, & Mawusse

Title of episode: The Talk Of The Lens

In our second podcast, we took apart the book through four lenses/perspectives: Marxist, Feminists, Phycoanalytics, and New Historics, connecting each lens to one another. through textual evidence, personal thoughts, and real-world connections, we were able to point out the parallel between the book and the ’60s, its power structures, and more importantly: the entanglement with gender and power. Listen in, as we explore and question the book through an insightful discussion.

Pg. 38- Chief Bromden describes her as “machine-like” or the center of power

Pg. 47- How the patients are split up (Chronics, Acutes, Vegetables, etc.)