Diyu Liu - Lit Log 1: "Her Fault"
Artist Statement: This image depicts the scene on pages 71-72 of The Handmaid’s Tale. Janine is in the center, small as can be, while the girls around her point accusingly. Janine shrinks under their hurtful gaze, their faces graying into anonymity because their personal identities are not relevant to her pain. They are a single entity that taunt her, not because of who she is, but what was done to her. To them, she has been reduced to a nasty word; comparatively, the girls have been reduced to bullies.
This scene is from Janine’s perspective, so the girls surrounding her are intentionally one-dimensional. Surrounding them are vague shadowy figures with reaching claws. This can be interpreted as both the handmaids-in-training further melting into a concept, a voice, for Janine. Or, as the demon that is girls turning against each other. They are grabbing and clawing, both at Janine, and at the girls. Perhaps they are trying to coax more girls into the bullying. The only thing Janine can register is their incessant chant. “Her fault. Her fault.” Those words are ingrained everywhere in the art, the bright white contrasting the dark reds, burning the etches into Janine. Still, this behavior is unexpected because of the concept of girls supporting girls.
In a world where women are supposed to stick by each other and savor as much power in numbers as they can get, it is jarring for that unity and empathy to be stripped away, especially for a tragedy such as a gangbang. That event was out of Janine’s control, despite however neutral or positive she may have felt. Instead of empathizing with her, they are taught to blame her. Void of support, it feels as though the entire world has turned on Janine. Thus, the piece illustrates the idea that a single phrase can hold the weight of the entire world.
Offred knows this. The other girls know this. They understand the heavy impact of their words and that Janine doesn’t deserve this at all. Still, there is unity in turning against her. In this us vs. her ultimatum, the girls see the damage that Janine takes, and it is less appealing to be in her position or on her side. They are complex creatures in that way, that they know what they are doing is wrong, but justify it through their fear. Their fear that they will be given away, the fear of openly standing against this society and culture of blaming women for sexuality, and the fear that at any moment, they can be her. Janine’s position is one of relief, for at least it’s her that suffers, and not them. But it’s important to note that these girls aren’t evil. They have been pushed into a corner and are doing everything in their power to preserve their sanity. Unanimously despising an innocent is far from the best preservation of humanity, but it’s better than nothing.
Other details worth noting are the overall red color scheme, which is a tie to the red of handmaids, and how the color darkens as the image zooms out.
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