Lola Akinsola's Bunch of Drawings

​​​            For this marking period I had a lot of difficulties drawing these pictures. I'm not good at drawing from life and I am absolutely terrible at shading. The most difficult drawing for me was the hand. My hand has two totally different shades and it felt impossible to blend the two shades in like it looks on my hand. So instead of having a nice blend of dark and light shades I had a straight line dividing the two shades, making it look even more unrealistic. I also had a problem matching up where the shades were on my hand. Where the division of shades is on my hand is not a straight line so when I tried so draw the rest of my hand it came out inaccurate due to the confusion of the lines.
               The second most difficult drawing was the clear bottle drawing. The hardest part of this was, of course, figuring out where to shade the dark and light spots of the container. Anyone would think that a clear container has no dark or light spots because it has no color. However, when you look at an actual drawing of one you do see some gray and black shading here and there. Another problem I had with this drawing was the curves of the container. The pitcher that I was drawing had a lot of curves and detail and it was hard to make those visible the same way it was visible when I was drawing it. Also, the lines that went up and down the pitcher were sort of round so it threw me off when I was drawing it and made my lines look crooked.

Surprisingly, the easiest thing for me was the cluster of objects on the table. I personally liked this drawing the best. I did have some trouble drawing it, but it was not as tedious as all of the others. The shapes were much easier to make out than the others. The second easiest was the self-portrait. The problem that I had with the self-portrait however, was the shading of course. I had no clue how to determine the dark and light spots on my face so instead of applying more charcoal to the picture I just tried to bring out as much color from the sides as possible and onto my face and chest. It doesn't look like I shaded it that much but it is better than if I had applied more charcoal to the picture. Lastly, the full portrait that I draw of Trevor was in the middle. It was easy to make out the outside shape, but once I got to the actual detail drawing it became very complex. The eyes and the lips were all uneven and crooked, but overall I think I did okay.