Sound Resonance

Sound Resonance

Animal I Have Become - Three Days Grace

This song paints a picture of the darker side of humanity in all of us, that we all have made choices in our lives that depict us as animals. A time and place where we let the negative aspects of our personality shine through us. This song is about being in that dark place and asking for help getting out of it. Some notable lyrics are “Somebody get me through this nightmare, I can’t control myself” and “So what if you can see the darkest side of me? No one would ever change this animal I have become.” In chapter 13 of The Handmaid’s Tale, When Jaime is relieved that she has been taken advantage of by multiple men, Aunt Helena and the other handmaids blame her for it. On page 72 it reads “Her fault, her fault, her fault, we chant in unison. Who led them on? Aunt Helena beams pleased with us. She did. She did. She did.” What stood out to me was when Offred reflected on their actions later down the page. “We meant it, which was the bad part. I used to think well of myself. I didn’t then.” This connects to the song’s negative perception of one’s self and the hopelessness of becoming better than you are.

Hellbent - Mystery Skulls

Hellbent is all about desires for pleasure and doing what you’re not supposed to, although the lyrics are short they do express a crystal clear view of the message in this song. For example, the lyrics “ I’ve been hellbent, baby. Hellbent on makin’ you love me, too. Even though not what I’m supposed to do. I don’t give a damn.” When thinking of The Handmaid’s Tale, the song reflects what happens in chapter 17 very well. After Offred and Nick break the rules and start kissing intimately, she thinks “It’s so good, to be touched by someone, to be felt so greedily, to feel so greedy.” On page 99. The act of pursuing What you want and having a mutual desire for pleasure mirrors the song and this chapter.

Wolf In Sheep’s Clothing - Set It Off

Wolf In Sheep’s Clothing is all about being a danger, an outlier among the rest, someone coming off as harmless but is a danger. This song could portray Moria from the Aunt’s perspective, about her being a black sheep among the handmaids, how she’s the most dangerous and defective out of them all. The song goes over many themes of betrayal, some notable lyrics are “Oh my god, who am I kidding? Now, let’s not get overzealous here. You’ve always been a huge piece of shit.” These lyrics are reflected in chapter 22 when Offred tries to reenact Moria’s escape attempt, Aunt Elizapteh may harbor most of these feelings especially since she was the one Moria threatened. The song further resonates with Moria because there have been so many times when she has been a nuisance for a while, evidently by her faking sickness in a previous chapter. Overall the song demonstrates the relationship between authority in Gilead and Moria.

Poker Face - Lady Gaga

Poker Face is a very popular song, sung by Lady Gaga herself, about how she manipulates a man to gain what she wants. Similar to the relationship between Offred and The Commander, how she uses him for information while she just has to play her part, This is brought to life in chapter 32 when the Commander is drunk. Proven when she thinks on page 210 “It’s difficult for me to believe I have any power over him, of any sort, but I do; although it’s of an equivocal kind.” This made me think of the lyrics “Love game intuition, play the cards with spades to start, And after he’s been hooked, I’ll play the one that’s on his heart.” This is where the song and the book split because they both hold the idea of power over men to get what they want but have different mindsets about that power. Lady Gaga is more confident in her ability to get what she wants, seeing that it isn’t life or death for her. While Offread is fighting for her life trying to get all the answers she can get. Almost as if this is a card game and Offread is playing for her life while Lady Gaga is playing for fun.

Bumpy Ride - Mohombi

Bumpy Ride is a song of lust and the domination of one partner over another, the kind of song that would be played at a club. The setting in chapter 37 mashes very well with the song because it is a place for high members of this society to feel highly of themselves by flaunting power and women. The lyrics that fit best with this would be “Tell me, who can love you? (Nobody) Hold you? (Nobody) Make your body wine like me, You’ll never find someone like me.” When the commander goes on to fill his ego and shows off Offread to his friends, which then she speculates on page 236 “Perhaps he’s reached the state of intoxication which power is said to inspire…” The power to do what you want and be the best at what you do can be seen as a Lust for power which reflects both this chapter and this song.