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Auris Espinal Public Feed

Auris Espinal - Capstone

Posted by Auris Espinal in CTE Senior Capstone · Spry/Ugworji/Ustaris · Wed on Tuesday, May 21, 2024 at 11:44 pm

As part of my capstone project, I undertook a position in a three-person team to carry out Rocketfest, a film and photography festival. In this project, I was the chair of Submissions & Selections and Media Production. Which meant that I was responsible for handling students’ submissions, selecting the final films to be shown at the festival, and editing the film reel for screening.

Throughout the process, we focused on equity, collaboration, and presentation. Some challenges I came across included refining communication skills and designing certificates for Rocketfest’s’ winners, which I overcame through persistence and teamwork.

The final product was a successful event, made possible by the Philadelphia Free Public Library, that showcased students’ talents and encouraged community engagement. As for my personal growth, I improved my editing skills, improved how to communicate with others, and learned valuable time management effectiveness.

Reflecting on the experience, I realized the importance of successful communication and collaboration when taking part in managing a project. Additionally, I gained a deeper appreciation for media production as a way of bringing people together.

Overall, organizing Rocketfest was not only a fun event to be a part of, but also a meaningful experience that strengthened my skills and improved my understanding of teamwork and community involvement.

LINK to Bibliography: https://docs.google.com/document/d/1Cu4GaxE5oVBXLwyB0Kcq5eq4QShzlb_5ZEKEuqxteaQ/edit?usp=sharing

LINK to Rocketfest’24 Films: https://drive.google.com/file/d/1rf8JLeTsjd_eppE4TxbVGo44DwTQGo_r/view?usp=sharing

(Screenshot from experimental film “Eyes Wide Open” by Jet Muhammad from CAPA submitted to Rocketfest)

Tags: capstone, Hernandez/Mack, #21capstone
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Authority Figures

Posted by Auris Espinal in College English · Pahomov/Kirby · B Band on Monday, December 4, 2023 at 8:13 am

There are two types of people: those who sit back and play by the rules, and those who rise up and challenge the rules. Authoritarian methods are often used to control people’s freedom, actions, and maintain order among a population. Most people believe authoritarian techniques will keep people in check because they are afraid of what will happen if they break the rules that hold control over them. However, there will always be people who choose to oppose regimes despite knowing there are implications for disregarding the standards at hand. People will constantly be inclined to have power over those who they deem have a lower authority position than them. There will always be someone somewhere that will go against rules implemented on a particular group because they refuse to have their freedom controlled. These thoughts can eventually spread to those around them that can prove to be worrisome to the oppressors, but sometimes there are people who are only familiar with the option of sitting back, unable to stand up to authority figures and mandatory structures in their lives.

In in book, “One Flew Over the Cuckoo’s Nest,” American novelist Ken Kesey writes about a mental hospital where it doesn’t seem possible for its patients to return to the outside world due to their “craziness” when hope unexpectedly sparks in the patients’ hearts when a new patient arrives with a different aura from what they know and changes the atmosphere around them. The story portrays the ward as a cruel and authoritarian place, where characters such as “Nurse Ratched” (aka, Big Nurse) maintains her persistent authority by overpowering the patients emotionally and psychologically, leaving the ward dead and quiet. Throughout the book, we constantly hear about: Chief Bromden, one of the ward’s longest patients who pretends to be deaf and dumb and the narrator, and Randle Patrick McMurphy, a new patient who fakes having a mental disorder believing the ward would be a better place and encourages the other patients to question the environment and authority they face, characters that are the main focus of the novel and lead the readers to question what is the real approach one should take when in an oppressed society.

On multiple occasions, Kesey writes about the ways McMurphy opposes the rules and guidelines set mainly by Nurse Ratched, showing how troublesome he can be in the course of disrupting the quiet and dead ward she built. However, at the same time, Bromden shows concern and worry when he notices McMurphy is getting in Nurse Ratched’s head.

When McMurphy proposes their TV time be switched to see the world series, he falls angry towards the other patients not voting because they were “…acting too cagey–too chicken shit, he called it” because no one said a thing (103). Billy, another patient, said “…I just don’t think a vote wu-wu-would do any good” and others agree (107). McMurphy doesn’t let this get to him. Their conversation switches to what McMurphy would do to get out of the ward and says “..I guess I could knock the mesh outta one of these windows with a chair…” (107) but Cheswick, another patient, told him “…we were given a demonstration about these screens. A technician picked up a chair…and beat the screen till the chair was no more…Didn’t hardly dent the screen” (108).

McMurphy kept changing the objects with what he would use to break the windows, one after the other when the other patients kept telling him they wouldn’t work, until he brought up “that big control panel…” (108). The patients didn’t believe he could move it because it was extremely heavy. But when McMurphy tried to move the control panel, Bromden narrates, “…for just a second, when we hear the cement grind at our feet, we think…he might do it” (110). He wasn’t successful at making it move a great deal. McMurphy then starts to leave but then “…stops at the door and looks back at everybody…” and says, “But I tried, though…I sure as hell did that much…” (110). The other patients were left in thought.

At the next meeting, McMurphy brings up the suggestion to be revoted on. When ready to vote, the patient’s hands went up, “first one, then another…right down the line…raising not just for watching TV, but against the Big Nurse, against her trying to send McMurphy to Disturbed” (121). McMurphy got the majority of the votes by getting Bromden to raise his hand too. When the time came to watch TV, he and the other patients sat in front of the TV despite Nurse Ratched getting worked up wanting the patients to “…Stop this. Stop!” (125). Bromden states that McMurphy “…knows there’s no better way in the world to aggravate somebody who’s trying to make it hard for you than by acting like you’re not bothered” (103). McMurphy revealed how authoritarian regimes could be challenged through a patient who recognized the unhealthy control other patients’ were under that weren’t helping them get better, and making an impact with his actions.

When considering authority figures and mandatory structures of my life, this was a moment from the novel I resonated with. Throughout my life I’ve constantly seen how people stand up for what they believe in, and though it doesn’t include standing up for others, I consider this to be a similar situation. Reading how McMurphy is aware of the oppressive structure in the ward while making several attempts to convince the patient’s to realize the unjust environment they’re living in and go against it, convinces me that at times people need to challenge the rules that prevent them from being themselves. In contrast, Bromden continuously claims that this oppression can make a negative impact on them. He states, “That’s what McMurphy can’t understand, us wanting to be safe. He keeps trying to drag us out of the fog, out in the open where we’d be easy to get at,” and is something I can understand (112). I’m not one to stand up to authority figures from the fear of making situations worse.

Requests I’ve made apart from wanting to do various activities in the past have been denied multiple times, that I’ve come to be comfortable with not asking or contradicting anything asked of me. I felt that asking for something, even though I already knew the answer was useless. People say one never knows if their parents or whomever they might address for reconsideration there’s a possibility they can change their mind. However, when receiving the same responses and the same reactions when I wanted something more or something to change, I grew tired of asking and eventually decided it was easier to follow the rules and not question anything.

When faced with authoritarian environments and demands, there are multiple ways to go against them. In the long run, we should consider how we go about those situations and consider if they are worth going against. There will be moments when it’s better to comply than to rebel when giving thought to what truly affects us and how much. Even so, we must not be blind to those who try to control us or others just because they believe they can. In the ward, Bromden was one of the many patients that didn’t dare to go against Nurse Ratched because of the implications she had bestowed on them. What they needed to liven up was someone like McMurphy who stood up for what was wrong and wasn’t afraid of going against anybody who seeks to control those they deem don’t have much effect over them.

It’s disappointing to know how cruel people can be towards others who don’t give them a reason to be. People that have had difficult experiences and been rejected time over time will learn and adapt the act of accepting anything they are presented with without question. Even so, there are also other people who won’t allow themselves to be blind to the unjust rules and implications they are expected to meet just to make someone else satisfied. At times, there will be people who will help others they see being taken advantage of, but we cannot expect for someone to always appear and help us with our problems. We should learn how to realize when we are being controlled and find ways to prevent that from happening, but who said it would be easy?

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No Power, No Control

Posted by Auris Espinal in College English · Pahomov/Kirby · B Band on Thursday, October 26, 2023 at 9:12 pm

“You don’t know what it’s like” (179). In The Handmaid’s Tale, through Offred’s thoughts, it is revealed how the world before Gilead started to change into what it is today which in the least is unjust. When I first began reading this book, I didn’t expect to be so confused and trying to find the meaning behind multiple phrases, actions, and events enacted by characters in this novel, but Margaret Atwood has made that impossible. Further, in The Handmaid’s Tale, there are particular sections I could grasp and have strong emotions towards.

In chapter 28, Atwood reveals through the narration of Offred, how before Gilead, the government began to change by stripping women of holding something of value they can depend on to live. I want to specifically concentrate on the event when Offred and the other women at her job were dismissed from their positions, and then when Offred talks to Luke about what was happening. Atwood writes, “I’m sorry, he said, but it’s the law. I really am sorry…I have to let you go, he said. It’s the law, I have to. I have to let you all go. He said this almost gently, as if we were wild animals, frogs he’d caught, in a jar, as if he were being humane…Not fired, ” he said. Let go. You can’t work here anymore, it’s the law. He ran his hands through his hair and I thought, He’s gone crazy. The strain has been too much for him and he’s blown his wiring” (176). In this quote, Offred describes how the director of where she worked came into the women’s workspace to announce that they had to leave because the law demanded it, followed by how Offred describes his tone and what she believes might have been the reason for him saying this.

After reading this section, I felt confused and angry. I couldn’t comprehend why the women were being stripped away from their jobs without an explanation just because the law demanded it, and I knew Offred felt the same. I must admit, I’ve never had a job. Even so, I can comprehend how unfair and frustrating it can be to be demanded, as a woman, to leave a duty where we come to earn an income that helps maintain our lives, and at the same time be treated like we don’t deserve it, but still have to respond to such judgment, made by someone else’s demands, implied to be from the government: a law. Furthermore, I’ve seen first-hand how hard my mother works to provide for me and my other two younger brothers, a well-living home due to her hard efforts to keep working, even though every time I see her, she looks exhausted trying to keep up. Moreover, I can positively say it would be a frustrating and complicated time for her if she were to lose her job like those women did.

Additionally, after going home, Offred talks with Moira and Luke about the situation at hand. Moira informed, “Women can’t hold property anymore…it’s a new law” (178). Offred continues to narrate, “…We’ll get through it, he said, hugging me. You don’t know what it’s like, I said. I feel as if somebody cut off my feet. I wasn’t crying. Also, I couldn’t put my arms around him…Hush, he said. He was still kneeling on the floor. You know I’ll always take care of you. I thought, already he’s starting to patronize me. Then I thought, already you’re starting to get paranoid” (179). In these quotes, the reader is made aware of what the law is demanding; how Luke attempts to comfort Offred with words but proves to be useless while seeing how she feels misunderstood, defeated by how her body refuses to show affection, degrading herself for how she is feeling and what she’s thinking about. I empathize with Offred’s reaction. If I were in her place, talking about something I have strong emotions towards with a person close to me, and felt that they were trying to comfort me instead of attempting to understand and listen to what’s at stake, I would feel as if they didn’t care about what I was telling them and that they just wanted to get rid of me. Like Offred, I, too, wouldn’t have been able to hug someone after they indirectly showed me they were in denial of my concerns. From how Atwood shaped each character’s response and their reactions, it made me feel as if I were experiencing the moment. How she uses words and their meanings, the tone of her writing, and how she shapes each conversation make me curious and immersed in her writing.

There are multiple chapters in The Handmaid’s Tale where Atwood wrote moments that trigger one’s emotions towards the novel and raise questions about moments, persuading the reader to continue reading, even if they deem the story a lost cause. In a way, this is how I feel. Yet, for that sole reason, I want to see the end of this novel and see what will be of Offred and those around her that continue to alter her life. What’s more, as far as I’ve reached in the novel, Atwood has shown a mixture of vocabulary, integration of invented words, dialogue, character development in odd ways but understandable on multiple occasions, and the integration of how life takes its course in a corrupted society, led by grim regimes. Taking into account these factors, it raises specific emotions and connections that we see in our world, showing us how power can control those without it; the reason why I choose this option for my second lit log.

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Words That Cannot Be Spoken Are Sung

Posted by Auris Espinal in College English · Pahomov/Kirby · B Band on Sunday, October 15, 2023 at 12:18 am

Playlist (feel free to listen to the songs as you read):

https://youtube.com/playlist?list=PLzHaSBLTLc668JW94hXUiCftIWfjeJ_DL&si=5YBMCy2LjbfERMz0

DAYLIGHT - DAVID KUSHNER

“Oh, I love it and I hate it at the same time, hidin' all of our sins from the daylight.” This song expresses how our souls are split into two. There are two voices, one reminding us of what's right, while another approves of how amusing it would be to move towards wrongdoing. We normally lean towards light, but a part of us is attracted to darkness. In “The Handmaid’s Tale”, while the reader is aware of Offred's thoughts, nothing is certain about her opinions and how she will feel towards certain moments. A specific moment is when Offred reveals her thoughts when she first secretly meets with the commander. “I think about how I approach the Commander, to kiss him, here alone, and take off his jacket, as if to allow or invite something further, some approach to true love, and put my arms around him and slip the lever out from the sleeve and drive the sharp end into him suddenly, between his ribs.” (139 - 140). Offred constantly gives the reader insight into her dark thoughts but pushes them away when she sees the darkness in them. She constantly reminds herself and the readers that there are rules in place where consequences will follow if broken. At times, people start to lean towards the dark side of themselves because it’s a different force, a different experience from their usual lives. In a way, this is an escape from their reality and discovering something exciting they didn’t know they could encounter.

GOOD GRIEF - BASTILLE

This song talks about missing your loved one while expressing the problem of adapting to their absence. The deep feeling of losing someone and surrounded by sadness. “Every minute and every hour, I miss you, I miss you, I miss you more. Every stumble and each misfire, I miss you, I miss you, I miss you more.” The connection between the book and this song is when Offred talks about Luke. In some moments, she talks about how she misses him. “I wanted to feel Luke lying beside me.” (52). In others, she tries to get around what happened to him after they got separated. “I believe Luke is lying face down in a thicket of bracken…” (104). Another quote I want to include is, “But this is wrong, nobody dies from lack of sex. It’s lack of love we die from.” (103). Thus far, Luke hasn’t been portrayed as being present in Gilead. Even so, through her dreams, Offred still remembers Luke vividly in the moments they shared before Gilead. It’s painfully clear she deeply longs for him and misses his presence because of her frequent returns to the love she received from the people most dear to her.

YOUR’RE SOMEBODY ELSE - FLORA CASH

A song about realizing your loved one is not who you thought they were. The story behind this song is how the main character feels that they were once the other half of their partner's life but recognizes that they’ve been neglected and tries to wrap around the reality of where they stand in the relationship. As a connection to the book, I argue that this song describes the Commander’s Wife's (also known as Serena Joy) emotions as Offred begins to get in the middle of her relationship with the Commander. Moreover, this song also connects to how the Commander feels towards his relationship with his Wife. “There is loathing in her voice as if the touch from my body flesh sickens and contaminates her… Which of us is it worse for, her or me?” (95). After the first ceremony, Offred notices Serena Joy's emotions and reactions and can’t help but question how badly of an impact it had on her. Thus far, Offred mentions how she feels bad towards Serena Joy because she’s going behind her back to meet the Commander which is painfully obvious it is. Her having to witness another woman get with her husband because she is unable to bear children, how that must pain her. And then, “No, he said. She wouldn’t understand. Anyway, she won’t talk to me much anymore.” (158). When Offreds brings up the question about why the Commander did not show the magazines to his Wife this is his response. He too is noticing the change in their relationship and how Serena Joy is slowly drifting away from their relationship; in a way, losing interest in him. Even though, not stated in the book, the readers notice how the Commander and his Wife’s relationship is getting worse due to others coming in between them and the lack of communication and interaction.

WHO I AM - THE SCORE

“I am lost with a direction. I am failure and perfection. Without grace, but I am tired. Of walking life like it's a wire.” This is a reflective song about accepting and being true to oneself. It talks about acknowledging that you’re both good and evil, strong and weak. When considering the characters from The Handmaid’s Tale, Moira is the closest one to resonate with this song. “Moira had power now, she’d been set loose, she’d set herself loose. She was now a loose woman… Moira was like an elevator with open sides.” (133). After knowing what happened with Moira, Offred reflects on how she escaped and was successful when there wasn’t any trace of a possibility. I never could have anticipated Moira’s method of escaping. This was another Moira from how Offred described her as a close colleague in a normal friendship. Female resistance. Gilead wasn’t the place Moira wanted to be in so made her path. Her character is strong and doesn’t overthink what she wants. She’d been seen as having power by the other handmaids because she had done something that they thought of but never exercised due to the regimes that held them in place, which led them to be extremely complacent because of the consequences they were aware would come after if they tried to go against them. In contrast, the reader notices that Moira doesn’t care about those regimes/rules and decides to fight for her life instead of letting others rule it.

HARD SOMETIMES - RUEL

I conclude that this song relates to how Offred is tied to her thoughts. “I don't feel like myself and. I can't help being selfish. Sometimes the pressure gets the best of me.” This song is about struggling with life. It talks about the battle to find happiness and a connection. At times, Offred remembers and dreams about the happy memories when she was beside her loved ones. “In other moments, Offred's thoughts appear dark, thinking about the worst possibilities, hoping they aren’t true at the same time making them sound realistic. “Time’s a trap, I’m caught in it. I must forget about my secret name and all ways back. Live in the present, make the most of it, it’s all you’ve got.” (143). Thus far, having experienced so much, I reason that Offred feels as if she’s been wasting her time thinking about the past, hoping that something will change when in reality there might not be change at all. That she won’t see the people she loves again. She’s decided to focus on her present life and make the best out of her time as a handmaid. It’s not certain, but I noticed a shift in Offred’s train of thought that started with Moira’s actions and her and the Commander’s secret meetings. Even so, I still consider that she will continue going back to her memories because that’s what keeps her going in hopes of a better tomorrow.
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