Drive Film Review

Imagine taking the odd mystery and dark filming tone of "Fight Club" and combining it with the fast pace action and dynamic characters of "Transporter", Nicolas Winding Refn's "Drive" is the outcome. Given the two films' reputation, one could infer that a similar combination of the two could result in an action packed, jaw dropping film, which "Drive" certainly provided; but one could also expect an original storyline and in depth characterization within the plot of the film, which it significantly lacked.

Ryan Gosling's "driver" or "the kid" or whoever his name really was, was an over-exaggerated an uncomfortably sporadic character. The opening scene set up what appeared to be a thrilling scene with a getaway driver who was skilled at what he was doing, but slowly faded into a boring conclusion as driver casually parked a car in a packed sports complex and walked out suspiciously, but with no confrontation from the police.

The one piece of positive feedback I will provide for this opening is the use of music and rhythm. The camera angles were very close up  but often focused on the background of the shot as the police helicopter searched for the suspects. The synchronization of the final seconds of the basketball game complimented the urgency of driver to get away from the cops. However, the only table setting that this scene was successful for, was introducing the lack of good dialogue and dull characterization of the protagonist.

In addition, there was a huge overuse of gore in this film. I'm sure that all action movie watchers enjoy seeing some nauseating murder scenes or destructive montages, but there was absolutely no build up to the action in this film. As a viewer, it was difficult for me to appreciate the girl getting her head blown off or  Driver's graphic stomping of the guy's face in the elevator, when there was no set up in the dialogue. The elevator scene could have easily shifted this movie from a forgotten piece of cinema to a work of art, if there were some compelling dialogue prior to it, or at least some deeper description of driver's character. Imagine trying to bring this scene up in a conversation to a friend 20 years from now:

"Hey, remember that bloody scene in the elevator… with that driver kid… yea I don't know his name, and there was no dialogue in the scene for me to jot your memory… oh well".

Cinematically this was a great movie, and a compelling scene. But the writing was horrible. The subplots were non suspensful. The characters had no depth, and worst of all, the protagonist didn't have a name. If your a future film maker, and are looking for examples of character development, plot structure, and diverse scene elements, "Drive" will successfully set you up for failure.

-Jason M. Davis