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Savannah Henderson Public Feed

The Power Within Us

Posted by Savannah Henderson in College English · Pahomov/Murray · B Band on Sunday, December 8, 2024 at 8:11 pm

In the book “One Flew Over the Cuckoo’s Nest” the character Randle McMurphy is the most rebellious patient in the ward which is extremely important to the narrative. McMurphy’s rebellion not only challenges the authority within the mental institution but also symbolizes a more broad idea of the struggle with conformity and authority. His actions and the consequences highlight the importance of individuality and rebellion when dealing with oppression of authority. When McMurphy first arrived at the asylum it was the beginning of a rebellion against the oppressive environment that nurse Ratched created. Him refusing to follow the rules and him standing up for other patients inspired them to reclaim their identities. On page 150(online pdf of the book) McMurphy was speaking with other patients about how they all “kiss her ass so much and bow and scrape and let her walk all over you.(pg 149)” This was his way of influencing them to rebel and not to follow the rules but while also telling them he’s going to cut back with the rebelling sense he found out nurse Rachet can keep him there. He says “ you have to swallow your pride sometimes and keep an eye out for old number one.” He sees his “battle” with the nurse ratched as a game and he wants to win. He later then thinks about it and realizes that his rebellion will help the other men in the ward find themselves and gain their confidence/pride. This realization causes him to abort his plan of following the rules and continue with his rebellious ways. McMurphy’s rebellion is compost important to the novel as it shows the significance of individuality in a society that has oppressive authority figures. His character is a representation of the struggle for personal freedom as he fights against dehumanization. McMurphys rebellion has caused the patients to realize their own worth and caused them to believe in themselves. An example of this is when McMurphy encourages Bromden to speak and stand up for himself. My drawing represents the power that McMurphy holds in this book. Although McMurphy has no real authority he holds so much power. He is able to rebel against oppression and encourage others to do so. He’s a complicated character but one thing that’s clear is that he did many things that were unselfish to help others gain something. McMurphy has the power to show others their worth and show others the truth. His unwillingness to stop rebelling even though that means he will get punished because it will influence others to help and find themselves is truly powerful. So overall my point was to show that McMurphy’s role in this story was one of the most important roles.

Screenshot 2024-12-08 8.10.20 PM
Screenshot 2024-12-08 8.10.20 PM
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Offred’s switch

Posted by Savannah Henderson in College English · Pahomov/Murray · B Band on Wednesday, October 30, 2024 at 11:34 am
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In chapter 41 in The Handmaid’s Tale, Offred begins the chapter by talking about how she wishes her story was different and more “civilized.” “I wish it showed me in a better light, if not happier, then at least more active, less hesitant, less distracted by trivia,” she goes on to say on page (267). Offred clearly states how she is unhappy with the way her story sounds and wishes it could be better when she tells it but like she says on page (267) “I’m sorry there is so much pain in this story… but there is nothing I can do to change it.” She’s aware she can’t change the horrors of her story but she continues to apologize and tell the readers she wishes it was better. My drawing represents chapter 41 but specifically page (268) where Offred begins to refer to the reader as “you.” She says “because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or you escape, in the future or in heaven or in prison or underground…” Throughout the book she’s been speaking and telling her story but she has never directly spoken to the reader as “you” which makes me question who exactly she’s telling this story to. I would’ve originally continued to think she was talking to the ready but when she says about seeing “you” again it makes me think she is talking to Aunt Lydia or someone from her past. But then she also says “ I am coming to a part that you will not like at all, because in it I did not behave well, but I will try nonetheless to leave nothing out,” which makes me think she is talking to Luke because she continued on telling the story about her and Nick. Luke and Offred used to be together so the only logical explanation as to why “you” wouldn’t like what she has to say is if she was talking to Luke. During our class discussion, my classmates brought up the point that maybe she’s speaking to multiple people. Maybe she isn’t just speaking to the reader or to Luke, or even Aunt Lydia. That could be the case but I believe that she is talking to one person. I believe that if she really is only talking to one person then she is talking to Luke. Offred always speaks about Luke and how he would feel about certain things and how she misses him. She speaks about how she doesn’t know if he is alive or dead so on page (268) when she says “ By telling you anything at all I’m at least believing in you, I believe you’re there, I believe you into being. Because I tell you this story I will your existence,” which means that writing this could be her way of coping with the fact that she doesn’t know if he’s dead or alive. By saying “ by telling this story I’m willing you into existence,” could be her way of creating a sense of hope that he’s still alive. My art shows Offred in the middle surrounded by three main people: the readers, Luke, and Aunt Lydia. This is there to show that she is speaking to other people other than the reader. I chose to do only Offred in color to show how she is the main focus.

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Antagonist or Sympathetic Character

Posted by Savannah Henderson in College English · Pahomov/Murray · B Band on Sunday, October 27, 2024 at 10:51 pm

In The Handmaid’s Tale, I’ve come to realize the Commander is a very unique and complex character. When reading scenes involving the Commander, it’s hard to tell whether he’s a sympathetic character or the main antagonist. It’s easy for me to sympathize with him but it’s also easy for me to see him as the bad guy. Offred often feels sympathy for the Commander but, like me, she also understands that he is the main reason for his unhappiness because he built the system. Throughout chapter 36-38, the Commander takes Offred to Jezabel’s. Jezabel’s is described as a “brothel” or a “sex club” in which women are taken to by powerful men or even sent there if they are acting rebellious instead of being sent to the colonies. I want to really talk about chapter 37. Offred goes through similar emotions as me when trying to understand whether Jezabel’s could be a better choice for women instead of going to the colonies or if it’s just another way men take over women and objectify them. It’s so hard for me to read about the women walking around like objects and having to be okay with it. On page 235, she says “Some of them have on outfits like mine, feathers and glister, cut high up the thighs, low over the breasts. Some are in olden-days lingerie, shortie nightgowns, baby-doll pajamas, the occasional see through negligee. Some are in bathing suits, one piece or bikini; one, I see, is wearing a crocheted affair, with big scallop shells covering the tits.” The way these women are being objectified and used is infuriating to me. It makes me mad at the Commander. I was excited for offred to be taken out by the commander and made me have hope that the commander is a good guy and wanted to do something nice for offred but the fact that he took her here makes me think it was for himself just as much, or even more, then it was for Offred. I feel as though he’s taken advantage of Offred because he knew she hasn’t been out and dressed up in such a long time, so he knew she would go and he also knows that she can’t refuse to go because he has the power. “Well, what do you think of our little club,” he says on page 236. “His voice sounds pleased, delighted even,” says offred on 235. He says this expecting her to say she likes it and that it’s nice. He says it in such a proud tone that makes me think he is not only showing her off but he wants her to see the power he has and that he can break rules without being caught. Overall, it’s clear that I struggle with the idea that the Commander is a sympathetic character but I also struggle with the idea that he’s only the main antagonist. I’ve come to the conclusion that the world is not only black and white so why should it be in Gilead. I know some people in my life that are good people who do bad things so I also know that the commander can be one of those people.

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Ahead of Schedule

Posted by Savannah Henderson in English 2 · Pahomov/Honigfeld · E Band on Thursday, January 19, 2023 at 1:05 pm
Group Dystopian BM - Ahead of Schedule  (1)
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E1 U4 Vlog de Savannah

Posted by Savannah Henderson in Spanish 1 · Hernandez · C Band on Monday, May 2, 2022 at 1:08 pm

https://www.wevideo.com/view/2666460912

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