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Lloyd Williams Othello Benchmark Journals
1-Bade him anon return and here speak with me,
The which he promised. Do but encave yourself,
And mark the fleers, the gibes, and notable scorns
That dwell in every region of his face.
For I will make him tell the tale anew
Where, how, how oft, how long ago, and when
He hath, and is again to cope your wife.
I say, but mark his gesture. Marry, patience,
Or I shall say you are all in all in spleen,
And nothing of a man.
Now will I question Cassio of Bianca,
A huswife that by selling her desires
Buys herself bread and clothes. It is a creature
That dotes on Cassio, as ’tis the strumpet’s plague
To beguile many and be beguiled by one.
He, when he hears of her, cannot refrain
From the excess of laughter. Here he comes.
As he shall smile, Othello shall go mad.
And his unbookish jealousy must construe
Poor Cassio’s smiles, gestures, and light behavior
Quite in the wrong.—How do you now, lieutenant?
In this scene Othello is raging, and Iago has to pretend to be sympathetic to his cause. For this reason he would be act angry, or at least annoyed. Because Othello is his general, he would be very stiff, and formal. Then when he starts to talk to the audience, he would show his true face, He would put on a scowl, maybe brush himself off, and speak in a low menacing voice. Once he starts talking to cassio he is very playful, laughing and acting foolish.
2-Roderigo is missing for a large portion of the play. He tells Barbantio of Othello and Desdemona’s marriage. He doesn’t show up again until Iago has gotten Cassio drunk, at which point he enrages Cassio. Then he takes a long absence once again until it is time for Iago to goad him into killing Cassio, which leads to his death. Due to Iago’s trickery, he spends most of the play believing that Desdemona will soon come to him. Based on the scenes he was in, it’s clear that he was not socially important, and had no way of knowing anything that was going on.
3-When Iago was a very young child his younger brother Tiago was born. Tiago was always much stronger, and favored by his parents. Tiago quickly ascended rank in the military. Iago vowed to do the same, and quickly joined the army. When he was placed under a moor, his brother ridiculed him, increasing his hatred. One night at a saloon someone made a joke that Othello had been with Iago’s wife, and his hatred for the moor was born.
4-I have to make sure to accentuate when talking about Desdemona, and be generally sinister. I also have to laugh and joke with Cassio. I am going to use an umbrella as a dagger hooked to my waist. We have decided that all the actions should be really dramatized.
5-“Now will I question Cassio of Bianca. It is a creature that dotes on Cassio. He when he hears of her cannot refrain from the excess of laughter.” This line is important because it explains how a key component of the plan will work. Without this Cassio and Iago laughing at Bianca would make no sense, and disrupt the entire end of the play. Yes it went as planned for the most part, although I messed up a few of my lines. I think we could have been more dramatic and over the top. The livee performance madeImani's Journals
Imani’s Journals
Journal 1:
Now will I question Cassio of Bianca,
A huswife that by selling her desires
Buys herself bread and clothes. It is a creature
That dotes on Cassio, as ’tis the strumpet’s plague
To beguile many and be beguiled by one.
He, when he hears of her, cannot refrain
From the excess of laughter. Here he comes.
As he shall smile, Othello shall go mad.
And his unbookish jealousy must construe
Poor Cassio’s smiles, gestures, and light behavior
Quite in the wrong.—How do you now, lieutenant?
Journal 2:
This scene is when Iago is talking to himself about Bianca & Cassio relationship. He say's
"Now will I question Cassio of Bianca, A his wife that by selling her desires" he is saying that
I question his love for Bianca because he is such a lier, cheater, & always has a scheme about him.In this quote he talks about how Bianca is a hoe, & needs to be taking care of her from other people.When I first read the quote I thought Iago was talking about Cassio & Bianca to Othello. But once he said " Here he comes. As he shall smile, Othello shall go mad." I knew he was being his usually self & talking about his schemes.
Journal 3:
Emila didn't have many friends growing up, because she was known as the two faced worst best friend. Since she was young her problem was not knowing when to interfere or to just walk away. She was raised in a very wealthy home so she was a born into money which made her spoiled, or always getting the answer yes. Her childhood has had an impact on her as an adult & also learning how to become a people person. She had to learn how to life a normal life with challenges, struggles, & being said no. She experienced this in many encounters with Othello & Iago. Learning how to become a different person isn’t easy but learning how to become a trustworthy friend to Desdemona is something new.
Journal 4:
My role in the play is the character Emilia, she is Iago'a wife & has very limited roles in the play. She has different personalities or is just pretreated as that. In some scene's she is known as the peace makers, but in others she is the one known to start the fights & augments. She had a huge impact on the story because she was one of the character when Emilia & cassia found the handkerchief instead of her admitting the truth she decided not do anything which put people's lives at risk & could have changed the whole story.
For the play it's the scene where othello & emilia are in the room talking about the death of desemona & how iago (emila husband) lied bout the whole story of emilia being un-faithful. In the play I am going to be emila while ming-xue is othello in the play we are going to have a sword. we are going to be screaming, backing each other down, and using our fake desemona to interact with the scene. One of the props we need is the sword because in the scene othello pulls out a sword on emilia. We are going to be putting a lot of emition in the story, we also know most of the lines since we practice a lot. We are going to be the best group out there!! I think we are going to be the best since we used our story to help us & we used the comments from the teachers to help us improve on our scene.
Journal 5:
In the play, I become Emilia & almost all of her lies is important but when she say's " He lies to the heart: She was too fond of her most filthy bargain" I believe that was the turning point in the play, or the nail in the coffin to Othello. This line is really important to not only Emilia but definitely to Othello. Desdemona is dead because of Othello, he only killed because he thought she was unfaithful, but as Emilia just told him it wasn't true. He lies to the heart, is not saying his or her heart but I think she's saying everyones heart but mainly Othello's. She is saying he is telling you something false that knowns will get under your skin or hit hard to your hurt. "She was too fond of her most filthy bargain" is saying she was to good, nice, or peacefully person to do something like this to a person she loved so much who was you Othello. Since I knew this line was so important in the play I made sure to make it stand out. When it was time to say these lines I spoke with anger, & rage. To show how upset she was that her husband Iago falsely accused Desdemona of cheating with Cassio.
In the group performs I think we did a really good job, On of the best if I may say so. At first I was kinda nervous or worried that I wouldn't feel the fire or connection it takes to pull off this powerful scene. We did a really good job in bring emotion to the scene to bring the connection with us as characters & the connection with the crowd. I think we did really good not only because of the emission we bought to the set, but the placement we had on the set. Placement is very important in a play to know where to stand, how to interact with the crowd, & to make sure everyone can hear your lines form any point in the play. I am really happy with my performs in the play & the only thing I would change is that we had a longer time to remember our lines.
Othello Journals
Journal #1
Bade him anon
return and here speak with me,
The which he
promised. Do but encave yourself,
And mark the
fleers, the gibes, and notable scorns
That dwell in
every region of his face.
(Look out onto the audience) For I will make
him tell the tale anew
Where, how, how
oft, how long ago, and when
He hath, and is
again to cope your wife.
I say (whisper low to Othello), but mark his
gesture. Marry, patience,
Or I shall say
you are all in all in spleen,
And nothing of
a man.
This whole soliloquy will be spoken somewhat to
Othello. Iago should speak this in a low and devious voice, almost whispering
to him.
Journal #2
Barbantio
In the beginning sequences of the play, Barbantio is told by Roderigo and Iago that The moor is having sex with his daughter. This makes Barbantio angry and causes him to send out a search party for his daughter and Othello. Once he finds them, Othello is taken to the duke where Barbantio expresses his disgust and anger. It may have been different had he been told that the moor “fell in love with Desdemona”.
Journal #3
My Role: Othello
Othello is a Moor. The word "moor" is a word for the
black people that inhabited Europe during that time period. The Moors brought
over a lot of new cultures and ideas, including warfare techniques. This is was
allowed Othello to serve as a general in Venice. Before, Othello was a slave of
the Persian’s. The army of Venice and the Persian’s were at war, with the
Persian’s losing severely. Othello was one of the last men standing, with no
intentions of holding back. Barbantio took notice of this. With Othello’s blade
staring down the face of one his soldiers, Barbantio commanded him to stop. He
then asked Othello to stop killing his men. Barbantio offered to make him a
general in the Venetian army. That was the birth of his new life in Venice.
Journal #4
The way I perceive Othello is nothing like myself. I’ll try to overcome this by standing up very tall and straight, to show his masculinity and firm build. Also, My voice is not as low as I imagine Othello’s to be, so I’m going to make my voice a little deeper. As a prop, I’m going to try and find a turban or a kufi. More than any of the props, I hope that our understanding of the lines will make our scene stand out from the others.
Top of Form
Bottom of Form
Journal #5
“Why, why is this? Think’st thou I’ld make a lie of jealousy, to follow still the changes of the moon with fresh suspicions? No, Iago; I’ll see before I doubt; when I doubt, prove, and on the proof, there is no more but this,-- away at once with love or jealousy!”
I said this line as if I was telling Iago he was jumping the gun. He was making too many assumptions. Our scene went exactly as planned. We all played our parts as we rehearsed. If I had more time, I’d have memorized my lines so that I could make contact with the other actors. The language in the book is a little hard to read so, acting it out gave me a sense of what the characters’ words actually meant.
Q4-BM: Othello Journal
Journal # 1: Find a soliloquy in Othello when Iago might be addressing more than one of the possible audiences discussed today. Write out / copy and paste the soliloquy, and add your own "director's notes" indicating where Iago would switch delivery techniques to appeal to a higher power, and then to himself, etc. Indicate how his line delivery and physical movement might change to show he is changing audiences.
“I have rubbed this young quat almost to the sense,
And he grows angry. Now, whether he kill Cassio
Or Cassio him, or each do kill the other,
Every way makes my gain. Live Roderigo,
He calls me to a restitution large
Of gold and jewels that I bobbed from him
As gifts to Desdemona.
It must not be. If Cassio do remain
He hath a daily beauty in his life
That makes me ugly. And besides, the Moor
May unfold me to him—there stand I in much peril.
No, he must die. But so, I hear him coming.”
Here, Iago is speaking to himself about his plan. He is speaking is a low, hushed tone because if someone overheard him, his plan would get out and be ruined. Towards the end Iago says “But do, I hear him coming,” He could either be talking to himself, realizing to himself that someone is approaching or he could be talking to Rodrigo to warn him. If he were talking to Rodrigo his voice would raise slightly so that Rodrigo could hear him. Also when he says “That makes me ugly,” he would say this in a disgusted, or sneaky tone. This whole speech is sneaky because he's scheming and plotting against people, and thinking to himself how he will do it.
Journal # 2: Choose another secondary character from Othello (that is, not Othello or Iago or Desdemona) and investigate the play for his/her perspective. Answer the following prompts in paragraph format (150-200 words.)
Name a couple of important scenes that this character appears in. (You'll have to look them up, and include the act and scene numbers.)
- What does this character observe first hand? (What do they see personally?)
- What does this character observe second hand? (What are they told by other characters?)
- How can we understand this character's motivations better when we concentrate only on their scenes?
Scenes:
Act 1, sc 3: Emilia first appear in the book.
Act 3, sc 4: Othello questioned Desdemona about the handkerchief after Emilia took the handkerchief and give it to Iago.
Act 4, sc 2: Emilia help proof Desdemona is inderstion
Act 4, sc 3: Emilia discuss with Desdemona about how men use women
Act 5 sc 2: Iago kill Emilia.
What Emilia sees happen is that Othello is angry with Desdemona. Emilia does not know why he is angry, she just thinks that he is jealous of her. As the scenes go on, she also sees Iago wanting Othello’s handkerchief, but she doesn’t know why. She see’s Othello get angrier and angrier, for some reason, and Desdemona getting more and more worried about Othello. At the end, she see’s Desdemona dead, Othello kill her, and Iago was the one who lied all along. Emilia’s husband Iago leaves Emilia in the dark for most of the book. He tells her to give him the handkerchief, which is why she picked it up, but he never gave a reason for needing. In addition, Othello told Emilia that Cassio and Rodrigo are dead which was true. At first, it seems that Emilia only wants to please Iago and is on his side because she steals Othello's handkerchief, and does not tell Desdemona she gave it to him later. But, later in the play, she tries to comfort her and even stands up for her. She even dies because she tried to avenge Desdemona by telling everyone the truth. At first, her motivation was to please her husband, but later in the book it was to get justice and serve desdemona.
Journal #3: Write a character background using your Character Sheet as a guide. Tell the story of the life of the character before they enter the play. Explain how these events influenced them to be the kind of person they are during the events of the play.
Othello lived with his parents until he was 13. When he turned 13, his mother died and she gave him a handkerchief. She told him it was cursed, so he had to be careful with it. He escaped slavery when he was 19. He went on many adventures after, looking for work. Later in his 20’s he became a moor and worked for Venice. While there, he met Desdemona, and told her about all of his adventures. They fell in love and married. These events influenced his actions in the play because Othello probably was worried about losing Desdemona like he lost his mother. He wanted to in control of everything, and that was why he became so jealous. Also, at that point, he’d been threw so much that he couldn’t take anymore grieve. Desdemona was special to him and the idea of losing her made him crazy.
Journal # 4:This is your last journal before your group's performance on Tuesday! Please respond to the following prompts in paragraph format (150-200 words):
- What specific actions, movements, and tone of voice are you bringing to your character during your performance?
- What PROP and/or COSTUME item is your character going to have? (It is your job to brainstorm one item that you are responsible for. Some props are clear, like a handkerchief or a wine glass. Others will take a little more creativity!)
- What is going to make your group's presentation stand out? What have you worked on and agreed on as a group for your scene?
The scene that I am playing in is when Othello gets angry with Cassio because he thinks that Desdemona is cheating on him with Cassio. In the scene I, as Othello in the scene, hide in the shadows listening to Iago and Cassio talking to each other. The tone of my voice will be mad and angry. I only had a few line to say but through those lines I will express a lot. When I stand a side I will try to do more then just stand. I will act like I am trying to hear what they really saying to each other. When I see the handkerchief I will express madness with my face. My voice will be strong and I will stand tall because Othello is strong man. For the performance I will wear all white. I had a hard time picking what should I bring for my character. Some of the suggestion that my group had was to wear what Othello had in the film. I went online and google Othello most of the characters were wear white. I thought it would be a good idea to wear white. I also decided to bring a toy gun. The reason is because he is a soldier and of course all soldiers have guns with them. I also could use the gun during my scene when I say my line “ How should I murder him, Iago.....” I can show my madness through the prop that I bring.
One of the thing that our group agreed on is to show a lot of expression and stay true to the character during the scene. The presentation will be more interesting when the we express our feeling out without being afraid to speak low and clear. We have a very small scene therefore every emotion needs to be expressed in words and in actions. For example when Liza and Wendy suppose to run they were really running not acting or just stand . This will help to bring an intensity to the scene and make it more realistic.
Journal # 5:
- Analyze one of your lines from your scene. Quote it directly and then explain why it is important to the play, and how you showed its importance in your performance. How did you deliver this line?
- How did performing the play change your understanding of it?
- Did your group's performance go as you expected and planned? Now that it is over, what are you proud of? What would you have done differently in your performance?
Othello-
“How should I murder him. Iago, a fine woman, a fair women a sweet women”
This quote shows that at that point in play Othello was crazy. Even though he loved his wife, he was driven to kill her. He even knew she was fair and sweet because he said “ fine woman, a fair women a sweet woman”. This was important to the play because it tells the audience that Othello is about to kill Desdemona, and that Othello has finally gone crazy. This also shows that Iago’s plan is working. I showed it was important by sounding angry, because in my mind, it seemed like Othello would be angry. He'd be mad about the handkerchief and even madder at his wife I delivered this by showing my anger and taking out my gun to show I was angry.
Our group performed better than I would expected. During the morning practice at the beginning of the class we changed a lot in the scene. I change how I speak and how to use my hand for emotion. We were able to look at each other more then the paper the performance went so well then I though. Wendy also was able to express more feelings and be true to the character. I’m really proud that my group was able to perform and express our characters as well as we did. The little small detail when Loyd start to laugh or when Wendy give the handkerchief to Liza it took a couple line scene to a whole new level. If we could do the performance different I would want our group to do the scene without the script because then more expression and eye contact can be shown.
When I performed this, I understood how Iago was smart enough to make Othello think Cassio had Desdemona’s handkerchief. Also, Othello was so crazy and jealous he couldn’t think straight and by acting like this I could see how angry and crazy he was. Also, I could see how angry Bianca was. Before I thought she was angry, but now I saw she was. It helped me understand why Othello was mad and why Bianca was. She thought Cassio was cheating on her, and Othello thought Cassio was with Desdemona.
Journals
Benchmark Journal 1
IAGO
(aside) I have rubbed this young quat almost to the sense,
And he grows angry. Now, whether he kill Cassio
Or Cassio him, or each do kill the other,
Every way makes my gain. Live Roderigo,
He calls me to a restitution large
Of gold and jewels that I bobbed from him
As gifts to Desdemona.
It must not be. If Cassio do remain
He hath a daily beauty in his life
That makes me ugly. And besides, the Moor
May unfold me to him—there stand I in much peril.
No, he must die. But so, I hear him coming.
In this soliloquy, Iago is talking to himself. Iago is talking himself likes he really worried, and scared about what things that can happen. He wants Cassio and Roderigo to kill each other, but if they survive he's going to be worried about them. If Cassio and Roderigo dies it would favor him and his life. Iago feels scared about the golds and jewels that he stole Roderigo. He scared about the beauty in Cassio life would make him look ugly and out of his place. Also he’s worried, because the Moor might unfold him to Cassio which would make him more scared. So Iago wants Cassio to die as long with Roderigo.
Benchmark Journal 2
Emilia:
In Act. 5. Scene. 2, Othello was in a room with Desdemona talking about the handkerchief, and what happened to it. Othello then decides to smothers Desdemona, and while smothering and talking to her he begin hearing voices and it was Emilia. Emilia says, "My lord, my lord? What ho! My lord, my lord!" When she says, this Othello thinks its Desdemona. Emilia then comes in, and sends the message to Othello telling him Cassio killed a young venetian called Roderigo. Emilia then hears a voice, and its the voice of Desdemona saying, "O falsely, falsely murdered." Emilia is then worried and see Othello smothering Desdemona. Desdemona tells Emilia that no one killed her but herself before she died but Emilia believes Othello did it.
Benchmark Journal 3
Othello:
Hello my name is Othello. I be going through a lot my whole life. I lost my father when I was born. I was being raised by a single mother with one sibling I would have to take care all the time. I watched my mother struggle trying to get us money and put food on the table. One day I was traveling through my home town and saw the love of my life. We begin to talk, she said her name was “Desdemona”, and I look into her eyes and knew she was going to be the love of my life.
Benchmark Journal 4
During the performance as Othello I am bringing out a furious act in Othello. He will sound very angry act moments during the scene, and also act very confused on whats going on. He gets on his knees looking to the sky with an angry emotion. He also grabs Iago during the scene to show his angry. Othello also clutches his heart while talking in the scene like he heartbroken about something he found out. A prop, or costume I will have in my scene is a cape and a sword. Things thats would make my group presentation is the actions that happens during the scene, or the way we talk out and show emotion.
Benchmark Journal 5
In scene 5 Othello and Iago, is talking about Othello love Desdomona. Iago and trying to prove he seen Desdomona with the handkerchief, and Cassio wipe his beard with it. While they still talk about it Othello gets mad, and more mad and takes his angry out on Cassio, and let his words follows his action. During the scene Othello says, "Now, by yond marble heaven, within these three days let me hear thee say that Cassio's not alive." This line was important to the line, because with the believing of the Desdomona, handkerchief, and the Cassio, Othello wanted Cassio to be dead. During the play I deliver this line in a angry voice because Othello actually wants to happen. My group performance went as expected and planned. We brought in all the props we were going to bring in. We did the actions that were going to do during the whole scene. We changed the voice of or character, and made it seem actually real so the audience can image it really happening while looking at our scene. Now that its over Im proud of all the hard work I put in the scene by actually trying to follow and image that I was the actual character. Now that its over I would have tried to act like a different Othello to see how it would had flowed during the scene. The performing of the play changed my understanding, because it was way different seeing the play then reading it and now I understand what was going on during them different scenes by watching it.
Journals :)
Journal#1
Iago:
(aside) I have rubbed this
young quat almost to the sense,
And he grows angry.
Now, whether he kill Cassio
Or Cassio him,
or each do kill the
other,
He calls me to a
restitution large
Of gold and jewels that
I bobbed from him
As gifts to Desdemona.
It must not be. If
Cassio do remain
He hath a daily beauty
in his life
That makes me ugly. And
besides, the Moor
May unfold me to
him—there stand I in much peril.
(Looks down to his
hands)
No, he must die. But so,
I hear him coming.
Iago looks and gestures
to the audience his plan. He looks to the sky/ceiling about not giving
Desdemona the gifts from Rodrigo. He looks down to speak to himself when saying
Cassio must die. He walks off when he hears them coming.
Journal#2
Cassio
is Othello’s lieutenant, he plays a big role in the play. Iago uses Cassio to
his advantage to take him out of his lieutenancy and trick Othello. Cassio
wants to get his job back. He goes to talk to Desdemona in hope that she could
convince her husband to give him his job back as lieutenant. Cassio wouldn’t do
anything purposely to hurt his General. Though hes told that he can get his job
back by speaking with Desdemona. She gave him her word she would help him get
his job back. (Act 3 Scene 3)
Journal#3
Desdamona was young when
her mother died. At a young age she had to learn how to clean and cook so she
could take care of the house while her father worked. She wanted a little
sister but never had one. She wished she had siblings growing up because she
was lonely. Even when she had time with her father it wasn't much because he
was always working. She grew bored very quickly with home life. As she got
older she tried to escape the house as much as possible without her father
knowing. She felt locked up in that old house. When she met Othello she knew
that her father wouldn't like him. Though she fell in love with moor and didn't
want anything to ruin it. Even if she had to stand up to her father. Though
sweet and delicate Desdemona was determined for her love, for Othello.
Journal
#4
My characters tone
of voice is gentle and isn’t in the scene very long. She comes in has four lines
and then she leaves. She doesn’t very many movements but talking to her husband
about Cassio. My prop is going to be a lap scarf as my handkerchief. My group
has worked on different movements that can be done in the scene to make it look
better and more convincing. A lot of the movements happen between Othello and
Iago. We agreed on certain movements like Iago is moving around a lot
whispering lies to Othello.
Journal#5
“Why your lieutenant Cassio, good my lord if
I have any grace or power to move you, his present reconciliation take, I
prithee call him back”
This is an important line for Desdemona
because she is standing up for Cassio. Shes trying her best to guarantee his
spot back as Othello’s lieutenant. Though that’s not what Iago has been telling
Othello. So it changes how Othello sees her and how he feels about her when all
she does is talk about Cassio. I think I did my best for this line. I tried to
sound like I was trying to convince him to speak with Cassio. For the group performance
I think it went really well. I’m proud of the fact that everyone in my group
did there best even thought we all didn’t have our lines memorized and that’s one
thing I would change so we could be more into the scene but I think it went
really well. I think seeing the performances and performing part of the play
helped better with the understanding of because some things registered that I might
not have understood before. I think it gave everyone a better understanding of
the play because we got to look at it in different ways and tones.
Othello And the massacre of Problems
Ahaji Koita A-band
Journal 1
In this soliloquy, Iago is having a moment with himself. The scene is to produce the moment of fear in Iago eyes. Like he must not be caught and he must allow his plan to go accordingly. If Iago wanted to talk to the audience he might have looked up. Or say things to the side. All in all the point in which he should move his delivery is when someone is talking to him about the situation and he could continue to look at the audience. This also could be for a higher power when Iago gives reference to how he's lacking this plan way to long now its time to go forth with it.
IAGO
(aside) I have rubbed this young quat almost to the sense,
And he grows angry. Now, whether he kill Cassio
Or Cassio him, or each do kill the other,
Every way makes my gain. Live Roderigo,
He calls me to a restitution large
Of gold and jewels that I bobbed from him
As gifts to Desdemona.
It must not be. If Cassio do remain
He hath a daily beauty in his life
That makes me ugly. And besides, the Moor
May unfold me to him—there stand I in much peril.No, he must die. But so, I hear him coming.
Journal 2
I am choosing the character, Emilia because she has a moment in the end of the book where she has full control over the men in the story. Spilling all the secrets. In act 5 scene 2 the scene where Othello shows and gives out what people have been lying about. They see the all the things that happen in the story but they don't speak about it. Emilia is like the audience but she knows everything. She is told lies but they are unknown to her until the following acts. We can concentrate more if we were able to see how she can change throughout the story. This character is very quiet throughout the novel and is more and more talkative in the final act she was in. That act took her life.
Journal 3
My name is Othello of the Northern Tribe of Morocco. I have been through much in my life. I have seen my brother killed right in front of my eyes. My mother was a bare woman. I loved her. She was my guardian angel. When I was younger my father said, you're going to have great promise and an even better lover. When I first heard this I told my father I am warrior I have not time for such chaotic social ideals. I met her on my way back to the homeland. She was ravishing, my eyes couldn't stop to bare her beauty. Her hazel brown hair, took my heart away. I saw love within her. She changed my life and how I view. I asked her, her name. She replied, My name is Desdemona. My heart sank. That divine name was the deal breaker for the start of my new life. She was going to be my wife. And I swear on it. Othello was a very strict and spiritual man that never would give someone pain for his wife.
Journal 4
In the performance I plan on be being very scary and horrific to the crowd. This is because my scene consists of attempting on killing Desdemona with a pillow. The prop I plan on bringing in tomorrow is a crown of some sorts. This can be very difficult to pull off but I will try my best. Our group's presentation will stand because we have focused so well on making it the best it can be. Even though it can be a little nerve racking the "Death and all". But Nikki and I are very proud of the piece will be performing for the class. We have agreed that will push each other to doing anything that the other is not comfortable with doing. This led to an awesome scene for the two of us to share with our classmates.
OTHELLO
It is the cause, it is the cause, my soul.
Let me not name it to you, you chaste stars,
It is the cause. Yet I’ll not shed her blood,
Nor scar that whiter skin of hers than snow
And smooth as monumental alabaster.
Yet she must die, else she’ll betray more men.
Put out the light, and then put out the light.
If I quench thee, thou flaming minister,
I can again thy former light restore
Should I repent me. But once put out thy light,
Thou cunning’st pattern of excelling nature,
I know not where is that Promethean heat
That can thy light relume. When I have plucked thy rose
I cannot give it vital growth again,
It must needs wither. I’ll smell thee on the tree.
Oh, balmy breath, that dost almost persuade
Justice to break her sword! One more, one more.
Be thus when thou art dead and I will kill thee
And love thee after. (kissing her) One more, and that’s the last.
So sweet was ne'er so fatal. I must weep,
But they are cruel tears. This sorrow’s heavenly,
It strikes where it doth love. She wakes.
Journal 5
In this quote Othello is contemplating his ordeal with his dear, Desdemona he has no idea what the truth is. But Othello is going to take her life anyway. The young warrior loved her so much, when heard this he was crushed. Pulling him straight into denial and revenge. Othello wanted use different ways to cancel out his emotions and find a more accurate reason for killing his honest lover. The reason he chose was that if he did not kill her, she would end up betraying other men. In the quote he says, "Yet she must die, else she’ll betray more men". Here is a clear example of why othello has completely lost his heart and cherish for her. Another major sentence in the quote is when he uses personification to explain two actions that he is going to complete. Othello says," Put out the light, and then put out the light". Othello is saying that he is going to put out the actual light in the room that he is in. And then put out the light in Desdemona's heart. When I said this quote in my performance I sounded sad and angry at the same time. This was a very emotional time for Othello. He was on the verge of killing his wife. I believe that this was the most important scene in the book. Without this scene there would be no story. This is the climax of the story and can only be told like this. My scene turned out the way I wanted it.
Benchmark Journals for Othello
Jasmine Nieves
Journal #1:
Iago
Good my lord, pardon me,
Though I am bound to every act of duty,
I am not bound to that all slaves are free to.
(Shows and give an example of why slaves need to be free say too)
Utter my thoughts? Why, say they are vile and false?
(says they are not vile and false)
As where’s that palace where into precious and expensive things.?
(says precious and expensive things)
Sometimes intrude not? Who has that breast so
pure?
Where in uncleanly apprehensions?
(says scary thoughts of what will or going to happen)
Keep leets and law-days and in sessions sit.
(says arose)
With mediations lawful?
For Iago to think more positively, he should show an example of why the slaves need to be free and he was saying as one of his lines from the book. He can also explain to the Duke why he wanted to be free. If he could have done this, the Duke would have probably made him and other people free. People are not vile and false. Sometimes people are the mean and nasty person they should never be, but it depends on the person. Even though people have their own opinions, he shouldn’t think negatively about things. Foul things is no way to speak of things. Iago wants to describe the things in a palace and say they are foul in front of the Duke, but the Duke might make him move out of the country for good. He should say they are precious and expensive things because thats what they are meant to be. Not all things are foul around us, we live with them and they are around all us. When Iago is saying something creepy is about to happen. he should have just reworded it saying “...scary thoughts of what will or is going to happen”. What I’m trying to say here is that, he shouldn’t say uncleanly apprehensions. When you work on something you, are also earning something at the same time. Iago’s opinion could have been a little bit different and could have said, “My work continues which will keep rising and rising until the Duke’s time for me to work, is over. This is nothing he said though, it is just a thought of how he could have reworded it differently. ”The rest of what Iago was saying was fine. Another thing he should do is not have run on sentences. He should have questions and not commas and a bunch more of it. He should make the thoughts go on but with the right punctuation, and what he says has to flow as if he were reading or writing a poem. Thoughts go on but there are still good words to use and good punctuation. The thought of the rest of it all, sounds good. He just needs to work on it more.
The way this is said could change and show the audience is that Iago should be positive all the time. If he wants to be a leader of the city, or master one day, he would have to show it. He, Iago, should show his maturance Othello. Othello is the one who had gotten to be chosen in front of him. Iago just has to think positively to get what he wants, which is getting his ideas about being a soon to be master and his thoughts on Desdemona, Othello, Cassio and the Moor. Another way Iago could be more positive is by saying right things about the right things to the one they are speaking to. He has a right to speak his mind so why can't he use it with the other right he has which is freedom of speech. He is smart so he also should show it. If he wants to be approved by the Duke or Othello later on like to take the place of Othello, he has to start working on that now and start using it the right way like he's been doing except more so. He should think of what he's going to say, like he said to when it was suppose to say too.
Journal #2:
Act 1
Rodrigo: (SCENE 1)
For the beginning of this scene, both Iago and Rodrigo, his friend, were wondering why they couldn't be a ruler just like Othello was. Roderigo said instead of what he was working as in the book, he would have been a hangman that does things for their masters whenever they say to do it. Roderigo really wanted to be the high position that Othello was, one day. Then all of the sudden, Rodrigo tells Brabantio in the middle of the Act, that he has found out or has already known, that Othello had an affair with his daughter. He is telling him in his own words but Iago is with him. After Brabantio finds out, he thinks he has lost his daughter for good. He disagrees the marriage between Othello and Desdemona should never be and should never happen. First, Brabantio says that the act that has been done, was evil and now he has said that he feels his daughter has been abused. Rodrigo made it worse when he said that he thinks that they were married. Brabantio wanted Desdemona to have a nice life with a nice man but not like Othello. They both then set a plan to see if it is true. Rodrigo was supposed to be sneaky and see if its true then tell Desdemona's father if it was the truth or not.
Act 2
Rodrigo: (SCENE 1)
Rodrigo was then talking to Iago and their sightings of Cassio and Desdemona and they wanted to talk it over with Desdemona’s father, Brabantio. This time they were talking about the fact that Iago has already seen Desdemona and Cassio, in love, together. Rodrigo couldn't believe what Iago was saying. Since now that he knows, he wants or needs to go back to Venice. Iago then told him he was going to tell her father. Rodrigo couldn't believe the story Iago was telling even though Iago thought it was true. It's like both Roderigo and Iago, know that she was cheating on Othello. First Desdemona wants to be with the Moor, then Cassio, and then Othello. So, Rodrigo also feels that she has developed a love for her as well as the other men that want to get with her. A little before Scene 1 was over, Rodrigo then tells Iago, that he too, saw Cassio with Desdemona just out of nowhere. The next time Cassio speaks with Rodrigo, Iago's advice to Rodrigo is to lie to him and provoke him so that Desdemona's father would take him off the list of good guys Desdemona should marry and love. Since this little act was done by Cassio and Desdemona, they want to throw away all the things that are necessary to him so he can realize what he has done to Desdemona now that her father is upset with her. They both agreed to the plan that same day.
Act 4
Rodrigo: (SCENE 2)
Rodrigo is already happy after Iago and Roderigo that they both know who was with Desdemona. Rodrigo was also happy Iago had already told Brabantio what he and Rodrigo has seen about her and Cassio. He thinks he is unkind with his words because he has thought that he was going to hear another story about Cassio and Desdemona. Rodrigo after Iago speaks, says that he was still waiting on the jewels from Desdemona. This was totally a lie because it hasn't said anything that Desdemona had the jewels. Since Iago didn't see Desdemona but saw her father, Rodrigo, was going to see her in action but in a sneaky way or face to face and tell her what is on his mind or what she does. Towards the end of the Act, they talk about have a party for Cassio to be removed or banned from the country by Othello. Rodrigo didn't know all the information about it, but Iago let him know as soon as he got more info. What I know now already about Rodrigo is an unpatient man since being the Moor and getting Desdemona is all that he thinks about and an unfair man because he didn’t allow Othello to be the more, under his terms, meaning what he wanted just the time that people were deciding who to be the Moore. There are still plenty of other days that he could try to get a chance at being the Moore again and again.
Rodrigo and Iago thinks that letting the Moor (Othello) is shameful. They thought they finally had their time to shine to be the Moors they wanted to be. For this reason at first, they wanted to kill Othello but then, the plan failed them.They had also noticed that Desdemona is becoming a cheater to Othello with Cassio since Othello was already the Moor and with Desdemona. Rodrigo and Iago really wanted to be with Desdemona and be the Moor but again, that failed them. They should have wished, dreamt and thought a little more harder and their dream could have come true. What I can also know about Rodrigo now is that he doesn’t care about Othello, he just wants to win Desdemona over all the men that are starting or have already started to be with her and starting to like her.
What Rodrigo observes second hand was about Desdemona's love to Cassio. He heard enough talk that he didn't want Iago to keep talking about it. All they planned to do was try to kill Cassio which happened a few days later. They were both getting a little antsy but at the end, everybody was happy, sort of, and they agreed on the plan together. Rodrigo was seeking for revenge.
Journal #3:
Iago before the play:
He was a truthful man. All he wanted at the beginning of the story is that if he can’t be the Moore be his lieutenant, but that didn’t happen because Othello already picked and officer (Michael Cassio). He was the unfair man still about being with Desdemona. He was like a protector because in one part of the story he wanted to to Desdemona’s father what has been happening before he found out himself and Desdemona’s heart would be broken. He has been a hater throughout the whole book because he doesn’t like Othello from getting everything, he Iago, wanted. Even though he has had these descriptions about him, he is still a nice person until the end of the story when he kills his wife Emilia. From the beginning of the book to the end, I could tell he is friendly and gives good advice. What him Iago, feel like the person who should be with Desdemona because he thinks they are meant to be together forever and she shouldn’t hook up with Othello. He is also honest because he also speaks his mind because what is in his mind, in the ultimate truth.
Journal #4:
The actions I will bring to the play are I will read my lines and with enthusiasm as if was us in the book. The story will be brought to life because of the way we would act. We would try to have such great force in our voices as the people in the story would. We would use lots of feeling and try to make it flow rather than stop and mess up. It is okay to mess up, but just keep going with the acting and what you were doing. The movements I will bring to the play is that I'm going to pretend to actually kill somebody in my scene. Its going to be like a soap opera. It’s like something you would want to see over and over and over again. I will do whatever the paper tells me so I could get it right. The tone of voice I will bring is with passion as Romeo and Juilet. We are going to try to make it flow as possible but if we can't, its okay because all of us in class, are all acting our scenes from the book.
The prop I will bring is a paper sword so it would look like I'm killing someone. What's going to make our groups presentation stand out is say it like it was on the paper and we would have to read it as we were Shakespeare. Even though all eyes are going to be on us, we have to pretend they are not even there, focus on your lines and who is in the group. We also can think, this is a classroom in which we performed before and we just also have to think we are in a different room different from the one's we are usually in. There are lots of things to think about when pretending to be on stage in front of your classmates. But we can also think of them as if they were not even there or in their underwear, as some people say. We agreed I was going to bring in a paper sword, not dressing all fancy as they would.
Journal #5:
Iago said “I did”, to Emilia in the play about calling Desdemona a villainous whore.. When Emilia was talking to him about Othello, she thought and was talking about telling Othello that his wife was false. Desdemona is not a complete villainous whore. She just didn’t pay no mind to what she was doing and did what ever she wanted to do. By that means, Iago was talking with Othello when Desdemona was alive. Probably he didn’t necessarily mean it, but it was he was actually feeling to have a need to have a say in. He wasn’t thinking of what he was saying either. This is important to the play because it showed that he was a lier about Desdemona and a lier about Emilia taking the handkerchief and gave it to Iago, which he didn’t have. Emilia thought she had given it to him but he didn’t. This was showing the importance of the performance because he tried to kill Emilia he first didn’t because she was talking then she died because he stabbed her. He wanted and felt the need that he needed to kill his wife.
The performance sort of went as was planned and expected. I was supposed to have a sword, but instead I used a pencil since I couldn’t find a fake sword use. I was planning to use one of my friend’s, but before our part, somebody had it. When they were done with it, they gave it to another person in the play. Some of us stopped and laughed a little when we were performing our part of the play. There was a few stutters but the play and our part, sounded good as it should have been. I am proud of that I was confident and so with my group members because they were also confident in the play. Everything flowed and I’ve seen some parts of the play as the way it was written and read while hearing the audio. It was like the audio we heard but it was acted out. This was a nice role play we all did together. What I would have done differently in the performance was just bring a printed version of the sword or used a brush at the end of it not where the bristles are and pretended to stab somebody
The way I understand it now after seeing the play come to life, is that everybody felt emotional Emilia wasn’t a witness of the killing after Othello killed Desdemona. The play is suppose to be a little more serious than funny and it was supposed to have a great amount of energy and eagerness as the book did. Emilia, during the end of the story, had just entered after Iago, Cassio, and Rodrigo were trying to kill each other. They wanted to tell Othello and Desdemona what had happened at the very last part of the story. Othello didn’t like the news very much because who they were fighting for so he ended up killing Desdemona and Iago to Emilia because he didn’t like the way she explained it either. Emilia believes she was telling the truth. But in the end, it became that she was untruth to the people she was around. She wasn’t a villainous whore but just a sore liar.
ENG2-009
- Term
- 2012-13