Austere.

“What did I know, what did I know of love’s austere and lonely offices?”

Robert Hayden

I.

I saw my father and two men hang their overcoats on the rack, drooped like wet anthers on a matte flower as they proceeded into my humble home. Their footsteps impressed the floor all at once in a proud symphony as they made their way to the dining room, where they sat themselves down at a roundtable in jolly laughter and hearty enthusiasm. Their echoes became giants through the classic Corinthian-white halls, traveling lightspeed as I sat wide-eyed watching them brag themselves out the boredom of that winter Sunday. I was spellbound by the thickly dressed ebb of their baritones, though I knew not much of the matters they speak on. Manly matters, I supposed. The bellycheer and conversation flowed as patient as tree-sap runnels, eventually finding its way to the familiar discussion of manlinessa discourse in which their stubborn egos would war relentlessly under the table. I saw battle in their eyes, broad-shouldered armies resting at attention in the buds of their pupils. Here, I learned the bane of all men; I learned of pride and power, of braggadocio and esteem defense. I gazed on in fear, in intrigue, in bloodrush fanaticism against my own father. For a small pocket in time, he did not seem like the same person. He was not the ripe-hearted hero I had once imagined him to be. He was a mere man, crowned with the halo of hubris that would soon change the way I thought of him, and thought of myself.


This was the day I first confuse love with fear of my father. I learned his percussive footsteps, heavyweight yet spacious like redwood branches falling to the ground in rhythm. When I was in trouble, they were the stimulus inspiring shockwaves of nerves and regret. When I was virtuous, they were more like a forewarning of his impending presence, snapping my conscience into full-fledged attentiveness.


His usual declaration to me was, “I’m going to make you into a man.”


“A man?” I thought, “Only God can make a man.”


I found out the hard way what make a man meant in his mind. I have early memories of his command to stop putting my hands on my hips, which he designated as a feminine pose. For a long while, I could not even define the word feminine, but from the sober tug of his voice I could tell that it is something no man should be. The look in his eyes when he chastised me over trifles is one of shame, something I learned to perceive in his deeply hickory and full iris. When they interrogated me, I, too, felt shame well up inside. I felt like an impostor of a man before I was given the chance to become one, or know what it meant to be one. In that shame was the simple irony that I had at one point in time studied and revered my father, with pure lovelight and high regard. Now, I dismissed him as a contemptible and prejudice autocrat, drowning me out in his antagonizing eye.


The years turned like pages of the same book under my father’s house as he chaptered his mannerisms into sanguine obsessions. Everyday, he made me a “man,” as if the maturation to manhood were a Rocky training montage. I had digested the stigma of wearing flip flops, the humiliation of the color pink. I found repercussion in picking nosegay flowerheads from the ground and then knew that to my father, masculinity was not something that grew like foliage, but an inborn fire. I could not bring myself to reconcile with what he thought I should be. Sometimes, it felt like he wanted to rid me of sincerity, for I was not born as an emotionless slab of concrete he seemed to be. I was very much so a lover who saw paradise in all things sensitive and kid-gloved, and the only shame I had about it was that I knew that deep down he was disappointed in me, so I thought. I could not emotionally handle this shame and so it turned to conviction as my relationship with him grew standoffish, especially when I nestled under my mother for all the empathy and acceptance he would not give me. During this time, we were two plates of simultaneous drift apart, unable to synchronize the passage of time and movement. I thought that was just the way it had to be. Our happiest moments were like phantoms of a distant past, our laughs like dying ripples in runnels of muddied water. We were two of a kind, with a strict boundary of love and contempt dividing us. Then, I would have sworn that I knew everything there was to know about my father. I would have sworn that I that I was innocent and he was guilty, I was the victim and he was the offender. The truth is, I was indeed a victimbut my own ignorance was my only offender.


II.

The climax of our cold war came last August, when unbearable humidity cloaked our days only to have the heroic breeze disrobe it at night. The heat that day had made my house a house full of hotheads, which meant no good for both me and my father. He sat on his kingly couch, swamped with sweat and temper, his thickened brow quivering with tension as angst ran rampant through the household. I, marked with the same temper, had an unusually low tolerance for annoyance that day as well, and so the inevitable always has its way.


My dad noticed my casual wear, my flip flops and faded pink shirt. It was a cardinal sin of mine. I knew it would draw a reaction from him, and yet I did not care enough to avoid it. I was ready for his worst, as I had stiffened my ego so that he may not crush it. I expect him to strike, to spike his breath and raise up from his seat disturbed.


But worse. He dismisses me, his unattending eyes deciding to focus on something of more significance. His following words pierced me like the very head of a knife ready for bloodletting.


“I can’t believe one of my sons would wear flips flops. How can a man wear flip flops this much?”


The gravity in his voice sunk my shadow deep into a trembling blackness. Time became a bony oblivion. I was not mad. I was not filled with hate. I tried so very hard to be filled with nothingnot possible. But in that moment, the mocking was worse than a beating. It was worse than anything else he could have thrown at me. There, I saw a man knee-deep in his pretense and pride, all his inhibitions twining like beeswax angles in unarmed warfare. I had been rejected by my fomer beloved idol, who I then concluded was not changing, and would never change, even for the love of me. I could not stand it. Fueled by fires of embarrassment and dejection, I stormed off alone to pity myself in my misfortune.


My poor mother saw it and immediately understood what had happened, but did not chase after me. I see this now as a balking tactic. What she would soon disclose to me was her discovered secret, an intelligence that was in turn kept secret from him. I sought her out and asked her to help me cope with the situation. I retrospectively owe her much thanks, for it was her who assured me that my father’s love for me could never be snuffed when I needed the assurance most. I asked her anxiously why he was like this, what had molded such an irreversible blemish in character. Her spirit was visibly broken to pieces at my hopeless pleading. I could see she had a tentative answer, not because she was uncertain, but because the truth might not have been a truth I needed to know. It, in fact, was.


When she began to talk, it was in her tale voice that is the sound of wind thickening through the sky. It was soothing, it was intelligent, and it signaled that the uninhibited truth shall be told. She told me of her suspicions from hints she had gathered gradually over the years: my father, an excellent student and very charismatic young boy, had a teacher in 8th grade who he had a rather close bond with. The teacher had numerous times invited my father over his house for minor menial labors and conversation. The teacher, as my father had accidentally recounted in an absent-minded recollection, was murdered in his home in 1988 for allegedly being a predator on young boys (she, perhaps very wisely, left the connection up to me). And though the pieces of mystery come together as such, my father had never confessed to being sexually abused. Out of fear, maybe, out of embarrassment, out of denial. I understood my mother’s point: perhaps ego is just his disguise of deep pain.


It at last hit me that that was the dawn of his spiritual necrosis, his enduring and mute philosophical suicide.


I leveled my breath as a spiteful silence mobbed my throat’s pit. Between the distracting knot in my throat and the stubborn weakness in my legs, there was a masquerade ball of emotions all dying to dance, my gut the dancefloor beneath all those anxious feet. In that moment, of all the emotions I felt, I above all felt sorrow. Not a pity-sorrow, but the sorrow of realizing that I foolishly assumed that my father was a pastless villain. Throughout all my fits of childish myopia, I hadn’t bothered to think with concern for him, but rather conviction. I had designed a self-pitying plight that vilified a very broken man; once a fatherless, alm-clothed boy from Detroit’s skid row, everyday vying for attention from an affectionately unheeding mother. He was the lone man of the house, coerced into what everyone under his own roof and beyond told him a man was. He only knew such pain; he was a victim of a delicate defeateach of the civil twilights that ended the day a victor against his will to be what he wanted. Then, in this awakening, I understood that his hidden baggage had been my confused pulse, his internal demons like running axles in my own esteems. Only then did I realized that he was more broken than I ever was.


I, looking deeply, found the insulting irony in the situation to be that I had failed my father the same way he had failed me. I had thought it standard for a man to have no internal weakness, and for this I was just as guilty of the same prejudicial thinking that plagued him. Deep inside, I wanted him to be the strong, unwavering hero that I had imagined every fabulous father to be. And so, I indeed failed him. I denied him the human right to be imperfect and still beloved. In my catharsis, I found my thoughts to be mirrors in a house of mirrors, my light bending obediently to form a distorted image of my fatherteary-eyed, wanting to be loved but unable to ask. It was not a pretty sight, but it was beautiful. It was beauty in the sense of revelation, raw and flowering truth undaunted by me staring into it.


For my father, and for myself, I wept that night, long and gently. I was unashamed, for that is what made me more of a man.


https://www.youtube.com/watch?v=BGmtpXH9dos

Comments (9)

Leah Bradstreet (Student 2019)
Leah Bradstreet

I learned more about the relationship between Wes, his father, and masculinity. You really dug into what it meant to be a man, and with such words! I appreciated absorbing a barrel of words of high-level complexity. This choice really added to the effect your story had on the readers.

Afi Koffi (Student 2019)
Afi Koffi

This is beautifully written.

I learned about the relationship you have with yourself and with your father. The quote in the beginning used as a framing technique was a great way to start your piece and set the general theme even before the narrative commences. The imagery and description in this piece are also very strong and widespread.

Sashoya Dougan (Student 2019)
Sashoya Dougan

first off this is beautiful, thanks for sharing. I was able to learn about the struggles you had to face before learning about your dads past and after and how you had to change your own perception and ways of thinking once you found out about all this new information. you added a quote from another source that also related to your story and you used a lot of good descriptive words and metaphors.

Naima DeBrest (Student 2019)
Naima DeBrest

This was really amazing and I like how you used the quote in the beginning to convey the experience. Your periods of reflection and doubt about your relationship with your father were beautifully written.

Javier Chueca Bosch (Student 2019)
Javier Chueca Bosch

Wow, with this essay I learned a lot more about you and your family. I'm glad to read this since is impressive. You used your strategies in an amazing way. Both of them. Just tell you great job you created a pice of art.

Lauren Nicolella (Student 2019)
Lauren Nicolella

This was beautifully written, I really felt like I was able to visualize that first scene you described and all of your emotions throughout the entire paper. I also thought that your quote at the beginning was a great addition, to give the reader a possible insight of what to expect but to also question it as well.

Kimberly Gucciardi-Kriegh (Student 2019)
Kimberly Gucciardi-Kriegh

After reading this, I have learned so much more about you, your relationship with your family and your thoughts. I can really see how hard you worked on this. I love your writing (as usual), with all the imagery and metaphor it was clearly one of the tools you chose. When you referenced the writing using that quote, in the beginning, it made me think it has significance as to what you would be writing about even though I am not familiar with the piece. So even though I didn't know the poem, I still think it was really successful! Great job Wes!

Caroline Pitone (Student 2019)
Caroline Pitone

I learned about the relationship between you and your father. I learned that you put yourself in another persons views and understood what is was like to go through the life of somebody else. I liked the use of rain audio in your WeVideo, and how you included photos of your father as well.

Weston Matthews (Student 2019)
Weston Matthews

I included the framing device of a quote in the beginning. It is a quote from a poem by one of my favorite poets, Robert Hayden. The poem ("Those Winter Sundays") is an excruciatingly beautiful poem about a boy's perception of his father changing, realizing that he never had it right all along. That single line, which is the end line of the poem, was so very relatable and painfully beautiful to me that I had to put it in to frame exactly what I wanted to say through this essay. It is the essay's essence.

I also used a lot of metaphors because it paints vivid images in the reader's mind of what I mean when I say something. They make abstract concept more concrete.