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In the Valley

Posted by Matthew Ginnetti in World History - Block on Monday, April 11, 2011 at 1:48 pm

"In the Valley" is about a young Sergeant named Johnathon Calloway. Sgt. Calloway has seen war before but nothing that can prepare him for the Korengal Valley in Afghanistan, one the deadliest places on earth (told by CNN). Sgt. Calloway changes from being an anxious soldier, to a gritty leader.

"In the Valley is also about a teenage Afghan boy named Mohammed. Mohammed struggles to stay neutral between the US and the Taliban. His friends join the Taliban and try to recruit him, yet Mohammed manege's to keep his points of view.

Characters
Sgt. Calloway- A well developed military soldier who has seen action in Iraq but not in Afghanistan.

Mohammed- a sixteen year old Afghan boy who is caught living in the Korengal valley.

Returning soldiers/Helicopter passengers- Returning to the Korengal valley for there second and third tours of duty.

Private Jackson- a new recruit who has never been in battle yet.

Macko- Hum-v Driver




Act 1 Scene 1

(Mohammed sits in a small tiled floor room with a large window to the left.)


Mohammed
To many of us are being taken. Promises of wealth and a magnificent after life. They took Deqhan today. Lured in by there false tellings. There numbers are growing, now it only may be a few thousand of the Taliban scattered through the hills, but there still unorganized and

(pauses as noise of helicopter flies over his house.)

They are unorganized and have no training. When was the last time a faction in history succeeded in overthrowing a country

(Pauses again to the sound of Humvees getting closer, Mohammad gets up and looks out side of the window a convoy of 5 hummers drives down the street, when the noise stops, mohammed still looking out the window sees five us troops kick down a door and raid a house, Mohammed backs from the window and continues writing.)

I have not been to school in over 4 months now, I am now almost to scared to leave the house, every time I’m approached sometime by Quadaff, sometimes by Gamal, but now by Deqhan. My only friend swept up by the Taliban. I warned him pushing him to stay with me, but he ran off with the largest group of goons on the earth. Who is next me, no, for to long have I watched

(Mohammed flips back a couple pages in his journal reading something, he then returns and begins writing again.)

Four and a half weeks ago I wrote that the Taliban teaching ten year olds in the school. Ten year olds being brain washed.



Act 1 Scene 2

(Sgt. Calloway is strapped in to a chair with 4 other men in the cargo bay of a chinook helicopter.)


So yall been here before?

(A blank stare came from the rest of the soldiers.)

Wer supposed to see some kick ass fighting up here. Can’t wait to see some action im pumped in Iraq I got me at least twenty kills, Dumb ass Taliban.

(Still nobody said anything, Awkward pause)

I heard this place is intense, surprised we have not been shoo-

(The helicopter dramatically pitches to the left)

What the f*** was that? An RPG?!?!?!?!?

(Two more dramatic movements, over the radio from the cockpit he hears airstrike commands, as the chinook pulls away from the cliff a massive bright explosion rips through the mountain.)

Yea thats what im talkin about kicken some ass

(The red light on the back of the Chinook lights the soldiers get ready, Calloway peers out the window)

Thats it what the hell is that its a bunch of sand bags?

(The crew turn to Calloway and stare at him)

What do you mean how dare I say that? The previous soldiers have been here for a year and this is what they've built”

(The back latch of the helicopter opens
Gun fire begins to ricochet on the out side of the Chinook)



Act 1 Scene 3
(Sergeant  Calloway speaks in to a camera in a video diary in the Bunker, the noise of Artillery is being launched is in the background.)
 
First impressions, not what I hoped. Seeing 7 dead and 5 wounded carried to the Chinook. Looking at this piece of shit its not much. Just a couple dozen sand bags, a small building and a couple huts. Training.....What training, Nothing can prepare you for this. First day 1 wounded, saw Sergeant  Ellsworth shot right in front of me. But what is this.... war.......no. I don’t know what this is. No amount of strength can prepare you for what I saw. I’ve been kneeling behind a sand bag for the past 15 hours. Shooting at what I can’t see.....but they can see me. I’ve been here not even for a day and i’m pissen my self. In the briefing commanders said we would be alone, stranded, no support.......we are the support defending the valley for what purpose, its a fucking desert. They watch us. The Taliban, stubborn as they are hate us, defending there land which we are invading, A land which is worthless to what we are fighting for. We should just leave. There is no reason we are here.
(The sound of gunfire and mortars erupt, Sgt. Calloway gets his gun and leaves the building.)




Act 1 Scene 4

Mohammed
Made it through another night. Ever since the Americans started to push down the hill the fighting has seemed to get tougher. Every day we are constantly being attacked. But I see the point, our village is full of Taliban, Dozens of them, if I did not live here with my family and friend, I would wish that that village gets flattened, well it basically already is.

(Mohammed glances out of the window)

I cower under my bed on an hourly basis, its the only place where I feel safe, kind of stupid huh, I am neutral in this war. Last night Deqhan came by with a bag, He shoved me aside and hid it in our closet, he told me not to look, and if I told anybody about it I would become the Taliban’s enemy. I had to see what was in the bag, but I’m to afraid, I can’t look,
(Mohammed throws down his pencil, and rubs his fists in his eyes as if he is crying. Mohammed gets up and walks over to the closet and picks up the bag, it was heavy and Mohammed struggled to lift it back to his table, he peered inside)

Weapons, its full of weapons, Im hiding the Taliban’s war machine. I am on of them.



Act 1 Scene 5

Have not done this in a while, No time. Constantly we are all doing work, either building, digging or shootin, no time for anything else. The only thing that changed was the wounded, 7, 3 dead. 3 dead!
(Rubs his eyes and face)

All stronger then me. Who’s to say I’m not next. Strength means shit out here. No amount of explosives or guns can stop these people, these, these animals. The Korengal Valley, the gates of death. Only Misery and pain is visible for miles around us, Tomorrow's we draw straws. Who goes down the hill for recon. I did not turn out so good for the last group, so I heard. Two died the driver wounded, they had to he evaced, with a heli, they said if we get picked we have to drive down the hill side and look for suspicious activity, Suspicious activity my ass, every body looks the same, I can’t tell who is the enemy and and who is neutral until its to late. But they want that, they like to be sneaky bastards. Hope I come back to make another one of these. Slams lid of computer closed.









Act 1 Scene 6

Sgt. Calloway
Of course I would get picked to do this.
(slams the door of the hum-v)

90% chance we get an IED shoved up our ass.I am so done with this shit. We are dead. WOW WOW Stop! play this CD it sets the mood.

(Gimme shelter by the rolling stones begins to play.)

So briefing said we should drive as far as we can, what does that mean. Well I know what it means, just does that mean we are guaranteed to get attacked, Shit!

(The hum-v drive for about an ten minuets through the valley when the driver stops.)

Why did u stop?
Bad feeling, psh I don’t give a shit, we are sitting ducks out here. Get a move on it Macko.

(The Hum-v drives slowly, gradually picking sup speed.)

Faster dude I don’t want to get Ambushed.

(A small IED explodes 30 yards in front of the hum-v damaging the vehicle.)

Ambush! Take Cover!

(They exit the vehicle)

Fire at will, Fire at will!  Everybody just sit put we will get out of this. Jackson keep your head down! Jackson!

 (Jackson is shot in the helmet the bullet penetrates his head killing him, Calloway talks on his radio)
 Man down we have a man down requesting immediate EVAC we have man down.

 (Gets off of radio)
 Command says for an evac we need to secure the area. I have an idea
(Gets back on the radio)

Command, recon 1 we request an immediate air-strike. Ok latitude 34.5550 east
longitude 71.0519 north, Elevation 2997.  Danger close. Repeat danger close.

(Puts down radio)
Every body heads down incoming.
(The sound of a jet breaking the sound barrier flies over head screeching as a sonic boom rips through the air, a 2000 pound explosive hits a bunker position.)

Damn!!!!!!! That’s how we do it. Whats Jackson’s condition, Dead,good soldier should have kept his head down.

(picks ups radio)
 
Area secure, what is the ETA on that heli......Rodger that.

(Puts radio down)

We are out of here in ten.




Act 1 Scene 7

Sgt. Calloway
It's my fault, all my fault. Yesterdays recon down the hill went terrible. It was the same shit that all of the other recons deal with. The guilt is just to much. Being in command when a soldier dies, just can't take it.

(Takes off hat and places it in lap dramatically)

I see these new kids commen in every week. There not ready for this shit. Private Johnson was not ready that's why he died. These new recruits there just to vulnerable. The don't watch there backs good enough. The don't no what to expect out here. There not trained enough It all my fault Johnson died I should have never have to him to come with us.

(Calloway stands up from the seat and leans on the wall with his hands and head)

Not to say that I just wasted 50 thousand dollars worth of explosives on the guys that killed him. God damn. This war is just a waste of money I mean 50 thousand dollars on a handful of guys. Johnson was 21, so young. And just to think  I have to do this shit again in three days.





Act 1 Scene 8

Mohammed
The Americans keep pushing down through the valley. They know there are Taliban in my town and they will not leave until they are all dead. Over the past week more and more troops flood the city. Every day, two or three times a day.

(Sighs)

This is never going to end. Every time group of hum-v’s come down the hill the end up retreating. The Taliban have an endless supply of troops and weapons. Yet so do the americans, they come down the valley at random times and raid the Taliban’s shacks. Three days ago I was walking to get milk. When I heard a hum-v. I tried to run but they were raiding the house next door. I was caught in the cross fire as I tried to hide. There was sol..sol...soldier

(Begins to whimper)

right next to me, shooting. I was caught in combat. I looked up to the americans, and to see him get shot,

(Begins to cry)

Shot in the throat, and to struggle on the ground, The medic cam over but there was no hope. There is no hope. I can just remember name on his bloody uniform.

(Tries to pronounce the name)

Sa sar sergeant ca ca ca Calloway Sgt. Calloway.
The poor soldier who was shot in the neck, on the 11th of january 2011, for we should all respect him.




This is Act 1 Scene 3 presented by David Palidora
history - Medium 1
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The moment that changed China

Posted by Mohamed Marzouk in World History - Block on Monday, April 11, 2011 at 1:24 pm

​The moment that changed china.                                Page 1.
Characters
Chang, A new soldlier for the Chinese army. Tank man(idenity never found)


Act one, Scene one.

What is he doing? Does he want me to run him over? Does he really? He needs to be smart and let me pass. I’ll have to run him over. I’ll do it. Wait, No i’m not. I’ll try to go around him! That’s the smart thing to do.  (The tank trying to get around this person). What is he doing? Stop! Get out of my way! You’ll be crushed! What is he doing? Does he think this is so wrong? For him to put his life on the line like that for his people. I need to praise him in a way. I don’t even know why i am doing this. I don’t know why we are doing this. Wait! I need to stop thinking about this. My wife is ill. I need the money from this to pay for her medical bills. I need to save the love of my life, i need to run him over. (Going to try to run him over) I can’t do it. (Stops the engine) I just can’t he is my fellow citizen we fight for the people, we don’t fight to hurt are people. What is he doing!( The man climbing on the tank) Is he cray there could be fighters around! He might be shot! His passon for his country is breath taking. He would stand up to a column of tanks for his country i admire his work and i admire him. ( The guy is pulled away by other people) Thank god that he was pulled away. Now i need to complete this mission(hesitantly beginning his mission again)

Characters
 Tank man, just a bystandrd walking home from shopping.

Act 2, Scene one.
What is going on? Haven’t we suffered enough! From last night, people were killed, beaten, and threatened to lose there lives, homes, and family’s if they don’t leave the square. I wont let this happen again! My people keep dying from the “protectors of the land” But they’re hurting us! I wont let this happen! My wife could be next! My boy could be next! My daughter could be next! I wont let this happen again!( Runs in front of the tank) (Shouts) Don’t pass! I wont let this happen! You’ve hurt my people enough already and you are supposed to protect us not hurt us like you’ve been doing! Think about what you’re doing and think with your Conscience not with the money you’ll be getting from this massacre you will be bring upon us! How dare any of you to do this! (Tank trying to get around him) No you wont get past me! You  wont get past me. I promise you with every breath i have you will not get past me without crushing me alive under your very heavy tank! ( The tank stops and shuts off its engine) You stopped! Is there a human being in there!( attempting to climb the tank) Is there? Is there a              human being in there!(Slamming on the top of the tank) IS there come out here and show me your face you demon! ( people come and try to pull him away) No! I wont let them pass those demons aren’t going to pass me! No! Get away from me! Don’t touch me! I’m thinking about my country my people, my wife and my children. (they pull him away) This is not the last you’ll see of me!




Page 2

Characters
General Cho, Highly ranking member of the Chinese army, secrely opposing the milliarty 
involment.
Act one, Scene two

I don’t understand why they’re doing this.  They’re going to lose there lives, going to get hurt and suffer very critical injures and I frankly don’t think are hospitals can manage. They’re wrong and everyone knows it. i don’t get why they think they’re right and it honestly bothers me that people think that they can just protest things that that think is right? This is the law. The law that has been there for thousands of year here in are mother land of China. Are mother land the place that we grew up in the place that we eat, we pick food and we raiwwse are family’s. They are disrespecting are county are honor and disgracing china and how we live, breath and talk. This military movement is for THEM not us. This is to keep them safe from outside interference from those stupid Americans. They’re people who are taking pictures and shooting this on there camera’s and there letting them do it because of there ignorant behavore. Are lords are kings are saviors give us command we follow them They need to understand that without them we wouldn’t be here he is the reason why we are stong. He is the reason why we eat and live to fight another day!

Charcaters
John, American reporter, Good guy, Family man. Comes from Texas.

Act two, Scene two

This is someone on the hotel out side of the square on the night of the massacare
Wow. This is amazing. These people are protecting there home and there rights. People with tanks guns, grendades. These people could could get killed could die. I need to take pictures of this. I need to tell the world about this. (Hears gunshots) Woah! They’re shooting her too. They don’t want anyone to see this and it’s working. Some people were shot and i could hear the screams from the hotel and the square. These soliders whey are they doing this! They’re hurting there own people and they don’t even care. it bothers me what people will do for money people would kill there own people just for money

Characters
Yia, A mother that works at a pharmacy. Her son dies in protest while she watches.
Act three, Scene one.

These “people” try to help us. They say they’re the protectors of the people. Do the protectors of the people do this to me? Do this to my people? These people only do it for the money,  they don’t have souls or lives. They don’t know how i feel! Having my son die and me very wounded by these men. They used real bullets, they hurt us. I don’t understand. What happened? What do you think happened?! Honestly can you not see the hole in my leg and my shoulder! My very son once told me he wanted to join the army, he wanted to fight for us! To fight those stupid americans! But now he is dead because of them, and he was shot right in front of me. My own son dead right in front of me. Him bleeding and telling me that he didn’t want to die. But he did. He’s future is ruined. My future is ruined. I wont be able to go to his wedding. Dress him, or tell him to go buy me eggs anymore. I wont be able to see him have his first born baby. I wont be a grandma. Because of the protectors of the people. My other brother walks in

Movie on 2011-04-06 at 08.46
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Chelsea Janette Smith Play

Posted by Chelsea Smith in World History - Block on Monday, April 11, 2011 at 1:22 pm

​                              Teenage Years Of An Adult

 

 

 

Characters:

Alma- pregnant girl in Africa

Nyaki- Alma’s friend

Sonya- the mother of a pregnant teen

Savannah- Sonya’s sister

Marge- Social Worker

Tasha- the girl the social worker is talking to; uneducated teen

Lisa- former single teenage pregnant mother

Dominique- soon to be teenage father

Chris- Dominique’s closest friend

 

           

                                                Act 1, Scene 1

                                                         ALMA

“That’s it Nyaki I’m leaving and getting away from this place. Everyone has looked down on me. I didn’t want any of this or asked for any of it. I just can’t take it anymore.”

                        (Looks for things to put in a suitcase.)

 

                                                         SONYA

“WHAT THE HELL DO YOU MEAN NOT TO SNAP!!!! YOU MUST HAVE LOST YOUR MIND IF YOU THINK I’M NOT GOING TO SNAP!

                                       (Sits down at the table with Savannah and tries to hold her composure)

 

 ¡Aye Dois Mio! Ella es un bebe tambien. How is she supposed to take care of another baby? Savannah you don’t understand she shouldn’t have to go through this. I had to and I know how hard it is with the help of family and friends. Hermana she has no one. I can’t raise another kid. I barely have money to keep our own family going.”

 

                                                      DOMINQUE

            (Has his hands on his head and tries to let reality sit in.)

“Oh man. Chris I don’t know what to do I cant believe she ‘bout to have my kid. I don’t even know if she telling the truth or not. Bro Imma make her take a test right in front of me. Wait. I can’t do that, that would be to disrespectful and I know better than that. Chris I really don’t know what to do. What if it ain’t even mines?”

            (Sits on the table and looks at the floor)

                                                         

            CHRIS

“Brov that has to be your kid. She was a virgin when yall got together. So stop playing you just scared and don’t know what to do.”

                                    (Puts his hand on his friend)

 

 

                                                MARGE

 

                                                           (At the desk typing and listening to Tasha talk)

“I’m sorry about all papers just been a busy week. Well Tasha I understand that you want to send your baby to America, lets just talk a little bit. So you want to send your first baby to be with a family in America? “ Guess you heard about all the good things in America.

                                                (Gives a little chuckle)

 

                       

                                                TASHA

                                                    (Takes a deep breathe and begins to talk)

“Well I like for my baby to have a good life. I want my baby to be in good hands and safe the rest of their life. I want them to be safe.”

 

 

 

                                               

                                                 LISA

                        (Stands in front of the crowd and waits the audience becomes a little quieter. Looks around and starts to talk.)

 

“Hello ladies how is everybody doing tonight? I’m glad everyone is doing fine but their isn’t any point in holding off the conversation. I’m here to tell how I went from getting an abortion just to end up pregnant once again. Yea I know I should have been a little smarter, but hey I was in high school and met that guy.”

            (Puts her hands and gives quotes while saying that guy)

“Yea lets just say from there I went on a rollercoaster.  I was about to get kicked out of school because pregnancy isn’t tolerated. The thing that makes it even worst is that I was only a freshman.

 

                                    (End of Scene 1, Act 1)

 

 

 

 

 

 

 

 

 

                                                      Act 2, Scene 2

 

                                                            ALMA

                        (Sitting next to Nyaki talking.)

 

“Nyaki he raped me. I tried to fight him off but he said if I struggled he would kill me. I tried to tell my mother but she just didn’t believe me. I went to the witch doctor and he told me I got aids from him. “

            (Puts her head down and starts to cry in Nyaki’s arm.)

 

                                                       SONYA

                        (Wipes away her tears and fixes herself a little bit before talking.)

“Savannah, I’m really scared of what’s going to happen next. All I can think about is bad things. I don’t know this guy or anything he is about. What should I do hermana, estoy muy miedo.”

 

                                                   SAVANNAH

                         (Grabs her sister and holds her tight for comfort. She talks to her sister in her native language)

“Sonya calmate por favor. Ella es un adolescente. She’s going to be fine remember who raised her and taught her how to succeed in life even with a problem as big as this. If you can deal with it and taught her how to be strong I’m sure she can. I’m here for you mi amor. It’s going to be fine.”

                        (Whispers it’s going to be fine)

 

 

                                                DOMINQUE

                        (Gives his friend a handshake and starts to thank him for being there for him)

“Yo man you a good friend. You helped me when I need u the most.

            (Gives his friend a handshake and hug)

                       

                                                   Chris

“No problem man.”

            (Returns the hug and shake)

 

                                               MARGE

                        (Starts typing on the computer and than stops and faces Tasha. Pulls out a stack of papers.)

“Well I’m going to need you to feel these papers out.

                        (Phone starts ringing)

“Hey. Yea I can talk now. You have to be kidding me. She didn’t have a miscarriage. Well what am I suppose to tell the adoptive parents? Okay so please tell me what happened.”

(Takes a sip of her coffee as she listens to the story. She goes blank)

“She got into a fight on purpose?! Are you freaking kidding me?! So how did she mange to lose her baby?”

 (Almost chokes on her coffee when she hears the truth.)

 “The girl stabbed her in the stomach? Oh my God. What did the police say? How did she get the hospital? When was the baby pronounced dead? Okay so the girl is under custody? That’s good. Now I want to know what the doctor said. Please telling me your just trying to play with me and that really didn’t happen. She was really taking drugs and drinking. Wow I can’t believe this little ignorant girl. Well when I finish up with my client right know I’ll contact the adoptive parents and have them come in for a talk. Make sure your here.”

 (Hangs up the phone and rubs her face)

 

 

                                    TASHA

“Wow sounds like your going to have a busy day. Hope I do the right thing with my baby.

                        (Rubs her stomach)

 

                                    LISA

I went through my sophomore and junior year retaining abstinence. I had to get the abortion in order to stay in school. Bye the beginning of senior I was pregnant and decided to keep this baby. I didn’t know what to do the father of the baby was gone but had to pay child support and from the time the baby was born I had struggled. The one thing that kept me happy was the smile on my baby girl’s face. I couldn’t take anymore so I moved to the USA and had some of my friends from here help me raise Ami.  I can’t say it was easy but ladies listen to me when I tell this is going to be the hardest thing in your life but its going to be one of the best things you’ll ever have to do and accomplish.

                        (The crowd begins to clap)

 

                        End of Act 2, Scene 2

 

                       

 

 

 

 

 

 

 

                           ACT 3, SCENE 3

 

                                    ALMA

“Nyaki I love you but I need to go. Be safe and remember me. Pray for me and me baby.”

                        (Hugs Nyaki and exits the scene)

 

                                    SONYA

“Gracias por todo.  You have helped me get through this. Te amor mi hermana.”

                          (Gives her sister a hug and leaves off the stage)

 

                                 SAVANNAH

                        (Returns the hug and whispers)

“ I love you to mi amor.”

                        (Exits the stage)

New Project - Medium
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The Final Script

Posted by Dylan Cordivari in World History - Block on Monday, April 11, 2011 at 1:17 pm

     Understood but Ignored
                                            ACT I

                                                Scene 1

(A young Somalia boy around 17 or 18 speaking to a crew of pirates on the way to a cargo ship.(Sounds of a motor in the background. nothing on stage just black. voices can be heard.))

                             Abdi

You want to know why I am a pirate at such a young age. My father decided that I should fight for my waters against the illegal fishers and the illegal dumping. He is a pirate and wants me to prove myself to him. I figured it sounded fun. I am young but I am ready. The ship isn’t far now. We are going to be boarding soon........... I know all about the new guy routine and I wanted that. I wanted the challenge but since my dad is top boss he insisted that I should do all the boss work here..........Yeah.......... Okay. Throw the grapple up so we can position the ladder. I am no longer going to be oppressed and put down by the people forcing the injustice of polluted waters in our land....... No. I am not scared. I am ready to do what is necessary. Ok. You informed them that we are boarding?........ Okay. Climb up. (They climb up onto the ship and see the crew.)

                                                 Scene 2

(The men walk at the crewmembers and point their guns forward. Abdi Stammers often from fear or being in over his head.)

                              ABDI

Get down! Y-You you heard me get d-down! This ship is our property now!...... What? D-Don’t hit you? Then get down when I tell you to. Listen to us and you won’t get hurt. Where is the captain? Tell me!........ In the cabin? Okay guys go get him. Come on you guys are coming up to the cabin too. (Fear in his voice.) Get moving, but not too fast. One foot out of line and you die! Is this everyone on the ship?........ No one is downstairs?..... How many people?.......Five?.......Then why would you tell me that there were no people? I will pretend this did not happen. K-Keep moving! I don’t want you p-pulling anything stupid on me.

                                                 Scene 3

(They are inside of the main cabin and everyone from the ship is tied up.)

                             ABDI

What are we suppose to do now that we have them tied up?...... Okay, then where is the walkie to their people?......... Okay crew! Where is your radio?........ Grab that! Hand me it!. What should I say?........ Okay I’ll... be the one to talk. Hello?......We have your crew and ship. We want money........ No they will not be killed, if you give us the money.......... 3,000,000 dollars in cash.........American money for an American ship!........ Good. We will be waiting for your arrival. That will show you people to keep illegally dumping and fishing in Somalia waters. Either way we win. We get paid a lot of money or we kill you all and teach the others a lesson.

                                                   Act 2

                                                  Scene 1

(The crewmen hear the call of the pirates. They announce that they are boarding the ship.)

                           Nicholas

What is that? It looks like a boat. It’s a speedboat. Oh no! The-They ave guns. What are they doing? Why would they be doing this?.......... They are boarding? Oh god elp us. I told them we ad to stop fishing ere. The peepal in the United States will never understand that we can not just send people out to steal other people’s resources. I really don’t want to die because of stupid Americans. Okay. RIng the bells! Alarm the ship! Tell everyone that we are being boarded! Urry!........ Oh god. They are on the ship!

                                                   Scene 2

(Nicholas tried to run back but fell as the men walked towards him. He scrambles and shouts in fear.)

                             NICHOLAS

.......Okay! Okay! I will get down! Please don't it me!........ I just don't want to die! Okay guys get up. Do what he tells us!........I understand. Not a word.

                                                   Scene 3

                          Nicholas

Inner thought (spot light on Nicholas): I ave to make it out of this! I will just do as they say and follow their orders. As long as I cooperate they might spare my life. I have to just ope that the U.S. cares enough about us to pay the ransom, so we can be saved. Ee said that ee will kill us if they do not pay.

Outer dialogue: ........The radio? Um... It is over there behind that thing under the cloth.

Inner thought (Spot light on Nicholas again): Ok. They are getting the money. will they really pay 3,000,000 dollars in cash for a few men on a ship? I ave to be with my family. Will I ever even see them again? I know that the Somalia’s have it really ard, but so do I. That is why I took this job. Do they realize that other people ave it bad in the world too? I ope they don’t overreact and do something crazy. Whether I live or die this is my final trip out ere in the Somali waters.

                                                     Act 3

                                                  Scene 1

(It has been 10 hours since the pirates boarded the ship and the coast guard has arrived along with some of the military. The coast guard sent over some food and a phone to the pirates and crew to keep them comfortable.)

                              ABDI

I am calling the shots here........ No you listen to me Steven! I am not sending over any hostages until I get the money and I get a safe way out of here.........No! I am not changing my mind. I will not give you one hostage now!........ Yeah! You better go get the damn money.

(Slams the phone closed and puts it in his pocket. Looks at his men and the crew.)

                           ABDI

They keep trying to get us to hand over one or two hostages before we get the money. I don't think I am ready to call shots on something this big. They like to play mind games........ Why would they try to snipe us? We just want the money.........They would rather just have the money and the hostages? That’s nonsense! Well... I guess you might be right. Then we will just have to be more careful. Put the crewmembers up in front of the windows. If they fire then they hit the hostages that they are trying to save! I just want the fishermen out of my waters. If they want to keep sending people here then they will pay the price until the day they learn from the error of their ways.

Inner thought (Spotlight on Abdi): Part of this is obviously just for the money. I would like to be rich and make money for my family. How many people care for the fishing and dumping. I still do because it is my people’s land but it is not my land. I do not own these waters. I am making money from this while fighting for a good cause. Is that right? No it isn’t is it. What am I talking about of course it is.

Outer dialogue: Okay this is where things get out of hand. We need to kill one of the hostages don’t we? I heard you all talking........ Of course there is something wrong with it. Isn’t there?......Maybe your right. They were illegally fishing. Yeah! Do it.......(They hand him a gun.) Me?......You want me to do it? ( He looks down and the floor in thought) Okay. I will do it. He pulled the captain down to his knees in front of him (The man is on his knees on the opposite side of the stage and the boy is pointing the gun at the crowd as if it was the man.) and dialed on the phone........ Hello. I am calling to let you know that we are going to kill the captain......No. I don’t have a choice. (He gives the phone to the captain.)......Hey! (He hit him hard and fired. He shoots at the crowd and the man falls on the other side of the stage.) He is dead but he told the damn coast how many of us there are and the weapons that we have...... Yeah you’re right. They have no way to get us.

Inner monologue (spotlight on Abdi): I am not so sure that we are very safe in here. I should try to be easier on them to get what I want instead of using force. I don’t think I should have killed that man. That was not good. I should have let him live.........No! He paid for his crimes. That was justice. Not murder. Or is there no difference? Of course there is!...Is there?


                                                       Act 4

                                                   Scene 1

(Group of military men with the coast guard trying to negotiate. American hostage negotiator talking through the cell phone to the pirates.)

                   OFFICER STEVEN WALSKEY

(He constantly stares out at the boat squinting or looks through Binoculars) Hello this is Officer Steven Wolsey. I just want these people safe........No you are not!........ This is absolutely ridiculous.....Just let them all go and we will let you go free....Fine! Give us the hostages and all the money is yours. I have it right here.....(whispers to the people next to him.) Go ahead and snipe them out. The room has tons of windows. (Back to the people on the phone.) Ah! You smart-ass! Take the hostages out of the window. We will stop dumping and fishing. Does that sound good? Just give us one hostage........No! No. No.No.No.No don’t do that! Take it easy and don’t kill anyone. Hey! Take it easy.......Calm down.....Just breath man and relax okay....(Draws out the word relax very long.) Relax........God dammit! He shot one of the damn hostages! I give up! Get the money or more are going to die!

Inner thoughts (Spotlight on Steve.): is 3,000,000 dollars really something that we could consider spending for a few lives. Are their lives really worth that kind of money?

                                                          Act 5

                                                       Scene 1

(Nicholas sits tied up thinking about what was going on. The men lie behind him all tied up as well. A few men sit in the full body sized windows. The crewmembers sit randomly across the room and Abdi paces.)

                           NICHOLAS

Inner thoughts (Spotlight on fisher): Oh god! Oh no no no! Ee killed im. Ee shot im in the ed. What am I going to do now? They are killers. They don’t need the money.  What will appen to us? Okay! Breath. Breath. Inhale exhale. We are obeying them. They won’t urt us....All this for some fishes? This is too much. Please god I ave realized what I ave done wrong. I promise that I ave. Let me live and please let this all just end. Don’t make any more people die today.

                                                    Act 6

                                                Scene 1

(Abdi is trying hard to keep the crew in line. They are in the cabin room still and the crew is sitting and still struggling against the ropes except for the silent Nicholas.)

                            ABDI

We need to give them the hostages. As simple as that................Forget about the money. We need to get out of here. We won’t win this we should get out while we can...............I know. I do want the money. I just can’t kill another person and I can’t do this because someone wants me to. It’s not right.

Inner Thought (Spotlight on Abdi): I won’t become a bad person. Not now. I have my whole life ahead of me. This has got to change. I have to put things right and let these people go. I killed that man. I can only pray that god will forgive me.( looks up at the ceiling of the cabin as if he could see the sky.) I will do what I can to make things right. I hope my father will understand. They shouldn’t dump in the water or fish and steal our resources but that is no reason for people to die.

                            ABDI

We are leaving. The prisoners are being freed. The chaos is over. (They start to walk to the door. The boy opens it and falls to the floor instantly after he hears one of his friends yell his name. “Abdi!”

                                                   Act 7

                                                Scene 1

(Officer Steven Walskey is watching the cabin.)

                    OFFICER STEVEN WALSKEY

Wait! I see movement................ Yeah. Uh uh yeah get the snipers ready. Train their eyes on the prize............. Okay I see them. I see them moving. Ready to fire once in sight!.........The door is open. Its one of them! Fire! (Just before he screams fire her hears one of the pirates scream the name “Abdi!”) Abdi? What is that?...................... A name? Of who?............The boy? Boy?........ We shot a boy? (Gulps down sorrow).................... Oh god.

D_cordivari_monologue
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Missing Henry

Posted by Rondel Calloway in World History - Block on Monday, April 11, 2011 at 1:00 pm

Don Kim is a 38-year-old father who doesn’t care that his son hasn’t come home for a couple of days. He makes no attempt to see if his son is okay.

Tim  is an American who hears about the protest.

Henry is the son of Don Kim. He participates in the protest.

 

           
                                        Act 1 Scene 1



(Tim is 63 and he lives alone.  He wife died 15 years ago because she was robbed at gun pont and had a heart attack.  Tim also lives in the United States and he heard about the Tiananmen Square Protest. Tim is sitting on his port rocking in his chair talking to his friend John a week after the protest.)


You hear about that protest in China?… Wasn’t it crazy?... Makes you proud to be an American… I feel bad for countries dat don’t have what we have… All they wanted was democracy but the Chinese government wasn’t tryin to hear all dat nonsense… Yup they sure did starve themselves… I hear dat I aint starvin myself for nutin… Accordin to da paper dey let this protest go on for a whole month before doin something…. I don’t know why dey let it go on dat long… Yea dey prolli should have nipped it in the bud from da beginning… What you mean dey shouldn’t have protested from  da beginning… It’s what they believe in, so you telling me you wouldn’t stand up for what you believe in… Yea you right it was kinda pointless sense nutin changed… Yea da paper say dey came in wit tanks and soldiers had guns.  Some of dem didn’t move and dey got run over by tanks… Yea yea soldiers was shootin and killin people… It prolli wasn’t worth dyin for but people do crazy things for things dey want... See dats why I love America, what I got to say get heard...

                                                Act 1 Scene 2


(Henry goes to med school and is for democracy so he participates in the Tienanmen Square protest.)
Alright guys we’ve been doing this for weeks now.We’ve starved ourselves, made signs, and spread the word of what we were doing. I CAN FEEL IT TODAY IS THE DAY THAT THE GOVERNMENT GIVES IN TO US. (Nearby people cheering) It’s true we are going to get democracy for this country, it’s time we get a say in what’s going on in our country. No mater what don’t move. Let them know that we are serious about this. Okay guys here they come don’t budge. Excuse me sir we aren’t bothering anybody... Public disturbance, I’m not disturbing anybody... If we don’t disperse we’re getting arrested, you can’t arrest all of us...We have the right to protest. Come On guys don’t let these soldiers scare you, they not even armed. Look they’re going away. I guess we won this round. Like I said TODAY IS THE DAY... Yeah I think they’ll come back, but we just have to stay strong and not give up...There back already?...With tanks...What do you mean you don’t know if it’s worth it now? We’ve made it this far...Arrested after all this all can you can about is being arrested... What about democracy... Come guys don’t leave... At least all of you didn’t leave. Let’s stay strong...No there aren’t gonna shoot. What are you guys doing... Protecting yourself against what?...The soldiers aren’t gonna shoot. ( Someone torches a bus) What the hell are you guys doing. This is suppose to be a peaceful protest. STOP STOP... (Soldiers start shooting) Oh no, I have to get out of here... What do you mean where am I going, this has turned into a disaster. Buses are on fire and people are fleeing for their lives! Democracy isn’t worth the lives of this many people. Can’t to my father’s house that entire section is blocked off. What am I going to do?

                                                Act 1 Scene 3


(Don Kim is 38 years old and his son is in college. He lives 5 blocks from Tiananmen Square, he was home the day that the Chinese military came to break up the protest)

Whoa! What was that? I think those are gunshots. I think I should call the cops. (Dials the police) I here gunshots... What do you mean there’s nothing that you can do?!... You’re the authority and I heard gunshots… No I don’t want to be arrested…  (Hangs up and Grabs the remote) Let me see what’s on the news… OH MY GOD, THAT’S TIENANMEN SQUARE! (Phone rings, walks over to it) Hello… Yes I’m watching the news... I know mom this is barbaric… Yes mom I’m looking at the same thing as you… Look I don’t have time for this; Henry is participating in that protest… He said it was for democracy.… According to him there wasn’t going to be any violence… Yes I see the soldiers in the tanks, are you listening to what I’m saying...I’m sure Henry is fine he’s a man now he can handle himself… I’m not going out there, why should I put my life on the line as well... I know that he’s my son but some choices you have to live with…I know that I’m his father, Henry’s a good boy he has a good head on his shoulders... If things got hairy I’m sure that he would’ve left... Look mom I’ll call him tomorrow to see if he’s okay...Mom please give me a break, I’m on vacation I just want to relax work has been really stressful...Okay I’ll call him tomorrow...Bye talk to you later...I swear all that lady does is nag



                                                Act 1 Scene 4


(Don Kim is home sitting on the couch watching television and enjoying his week off from work.)
Look at this a Golden Partners re-run. I haven’t watched this show in the longest time. The last time I watched this was with...Henry. Oh right I was suppose to call to make sure that he’s okay. I’m sure he’s fine, if he’s in trouble he’ll call. Maybe I should call, no no I’m sure he’s fine; Besides I haven’t seen the Golden Partners in a while and Wo cai Wo cai Wo cai cai cai comes on next. (Phone rings) Hello...Who’s this...Hi Michelle how have you been...I’m on vacation now, work has been kicking my butt...Well it’s not easy being a real estate agent, I got a raise since I became salesman of the quarter...How’s Jack... Congratulations I know that you always wanted to have kids every since we were kids...You used to dress your toys up and play house...Sometimes I wish I could go back to those days, I remember when my biggest problem was eating vegetables...Henry? Umm he’s good...Let me guess Mom told you that...Of course I care about Henry but he’s  my son, but he’s also a man now... I will never stop caring for him, but a man must learn from his mistakes... Yeah I know about what happened last night... Like I told mom, I’m not worried because he has a good head on his shoulders...If you know then why are you pestering me about him... Well if you’re worried about him then why won’t you talk to him about it...Oh you tried?...You couldn't get in contact with him?...Well he’s probably crashing at a friends house...I got to go, Wo cai Wo cai Wo cai cai cai  is about to come on...Michelle listen, Henry is fine, I raised him myself... Okay you and mom raised him, but that’s only because I was focused on my career... You’re not going to give me this, you took care and I thank you but don’t give me grief about it...(Don hangs up the phone because he doesn’t want to listen to Michelle talk about how she raised Henry) Who does she think she is. I had to focus on my career. I did the right thing for the both of us. If I would’ve taken care of Henry then we wouldn’t have this nice house or all these nice things. I’m not worried, because what I did was right. Now I’m just gonna enjoy my vacation.

                                                Act 1 Scene 5


( Don is sleeping in his bed is is awaken by the sound of the phone ringing.)
Why is the phone always ringing. I bet it’s Michelle calling back to scold me, no worst I bet it’s my mother calling to nag me. I’ll just ignore it, it can be that important. (Phone continues to ring) Why don’t people understand that I just want to be left alone on my vacation. I don’t get very many you know, but when I do get one I don’t want to be bothered. (Gets to the phone and it stops ringing) Really you just stop ringing when I get to you. You think this is a game, well I’m not up for it. (Don rips the phone from the wall) See that game over, I win and you lose. (He sits on the couch and turns on the television) I hope Golden Partners is on (Someone knocks at the door and Don goes to answer it) Michelle what are you doing here?... I didn’t answer my phone because it’s malfunctioning see? (points over at the phone) No I haven’t heard from Henry yet!...I don’t have any idea where he might be, I am not his keeper!... Is that all you and mom know how to say is “He’s your son” I know that he my son I was there in the delivery room when he was born... Why don’t I care, What makes you think that I don’t care?... Just because I’m not running around frantically trying to find him that doesn’t mean that I don’t care... You want to know why I haven’t tried to look for him? I didn’t try to look for him because I’m afraid I might not find him. I’m afraid of losing him just like I lost his mother. I did everything I could to find her and you know what he was dead. I don’t what to find out the same thing about Henry. You don’t know how it feels to lose your spouse...(Starts to cry) I just want him to be okay, I want my boy.

 

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Melody againist her ribcage

Posted by Toni Marshall in World History - Block on Monday, April 11, 2011 at 12:35 pm

​Descriptions of characters

Mabintu -teen girl from Hati after the Earthquake

Ana Caroline -A 22 year old girl. Died of a eating disorder. She was a Brazilian Model.

Lleana- a teen urban girl, who is a binge eater, and a slam poet.

Samantha- Ana Caroline sister, also her editor.

 

Act One Scene One

                                                            Mabintu

Our country is drowning in poverty and I hear that people in the united states have people who are stuffing things down their throats and making themselves throw up........ I think it’s, it’s so hard to know that our prices for food have risen so quickly and high we can’t afford to have food and people waste it on their sick problem.......no it’s not real they call it a disorder that is “sweeping the world.” Shortage of food and resource is sweeping the world but no one thinks about that. I am very upset I don’t have a choice if I want to see my ribcage in the morning or a gut. Americans disgust me! They have no regards to, what.... what are we human right? Human!.... they treat us like trash. (speaking very quickly while being distracted by the little boy picking through the rubbish) I seen the skinny people and fat people was in a magazine that was in a pile of trash I was digging through while looking for food.....Just like that kid over there....What do you feel when you seen him....Speechless I know... Just like a typical American..... But back to the point...When I seen it I couldn't help but sit there and just stare at it. I was confused at why the people chose to look like that. I read that those people eat full meals then throw them up or stuff it into their bellies until they cant take anymore. Here in Haiti we eat mud for a meal. Our parents get no more than two dollars a day. Who will eat for us when a whole culture and countries is swallowed by mother earth. I visited America once and the people seemed nice but crazy.....yes I meant to say crazy........I understand this will be in a magazine......I don’t care they are so stupid and they look ugly... What happened to natural beauty.... I know we live in a shit hole But it’s better than being in a rag doll country where everyone is manufactured the same way.... I know you want the interview to be over now.......Don’t say you’re afraid......No your not you are embarrassed to be you!

(Throws the journal the person recording has)

 

 

Scene  Two                                                Ana Carolina Reston

(Glances at the journal her editor is writing in )You wanna know something?......Well listen anyway....No seriously I need to say this. I could never figure out why I wasn’t made ya know..... thin enough to fit in the creases of perfection... isn’t that the saying “ thin enough to fit in the creases of perfection”.. you should so add that to my book. Write this.. no I don’t want you to edit what I say write it jsut like this.... I really wish you wouldn’t argue with me so much... if you weren't my sister I would fire you.....Women including myself go to extreme lengths to be beautiful,(in a exaggerated tone) there were many nights when I tried wrapping my waist into zeros in the mirror.......darn im good right?... no don’t write that part!......ugh! there was always a chunk of fat waiting to be scraped off . What I do isn’t wrong. I am an Entire Public service announcement for what little girls should idol. (begins flipping through her portfolio) Photo shop is what a person wants in a makeup kit. Modeling was my life, but keeping up with the latest trends and weight lost secrets was a full time job. It is dangerous to be as beautiful and perfect as me. Wow I sound so stuck up!........When I look in the mirror I see perfect angles and sculpted ligaments....is that too much.....no Don’t rush me I really want your opinion.  you could Play a ultimate melody on my ribcage.....Dude that really not funny. stop laughing!..........(giggles while looking on the bookshelf for another one of her photo albums.) This is what beauty looks like. I would be the most beautiful disaster the world has ever seen. When people look at me I want them to see dedication stitched on my stomach and spine.

(Picks up the book, reads it. Fumbles with pages and drops it by mistakes.)

 

 

Scene three                                                            Ileana

(Picks up her book from off the floor while cleaning her room)

Today I Looked in the mirror and cried from my throat. I am not the average black teen. If I don’t have an ass that resembles  “two monster truck tires” in my back pocket I won’t be considered beautiful. (turns around and rubbed on her butt) (in a very sarcastic tone)Men always stressed the fact that “their girl's skin should be darker than a solar eclipse. Nubia soaking their melanin, Kemet rushing through their thighs, Alodian Empires surging through their veins, Onyx type pupils, with rose quartz lips that smile diamonds.”I don’t own any of these traits that my friend Anwar described, I have an ass as flat as a cardboard box drenched in water. Skin like a dying  sun. And my eyes are an unidentified color. Everyone looks at me as if I’m not black enough because I don’t have those qualities. My mom always said to “ you are beautiful no matter what people say.” As of today I don’t believe her. I’ve heard of women dying of eating disorders because they starve themselves. I have been shoving carbs down my throat so I can get that perfect guy. I normally maintain a healthy diet and lifestyle but I’ve been stuffing myself. I need a perfect body. I’ve been using bronze lotions as well so I can have a beautiful skin complexion. Keeping up with beauty tactics can be difficult. My mom has been making comments like “you’re sure eating like a black girl now.” I’ll laugh knowing that I find myself repulsive if I stuff myself and if I am not perfectly molded. I am in a lose lose situation. I just want guys to want me for how I am but until then I’ll stuff myself with regrets and acceptance of others. I want to be that Nubian queen that the sun looks forward to rising to....I need to run this poem about 4 more times and finish editing it. I have a long day ahead of me. Throws herself on the bed and tosses the book so she can memorize.

 

 

Ana Caroline

Scene four

(looking at images from a magazine)

I know my name will be carved in history regardless if I die a 22 year old, what they call anorexic girl. Or a 22 year old tragic story. I.....(pauses to think) I think I am pretty just the way I am. the editor and fashion designer said I am too fat. When I visited  China for a modeling shoot the first thing the guy did was look at me with repulsive eyes and said “you’re fat.” So I concluded that if I die They’ll blame it on the media and the fashion designers. The News Papers would read “This isn’t what beauty looks like!” But nothing will change, people don’t change. I’m beautiful I am not looking for the acceptance of others, but the acceptance of myself because I Love the skin I am wrapped in. People always tell me I must know my limit, but that limit doesn’t exist. Who will remember the ordinary girl that was born to be nothing but fat and repulsive? After a while your soul becomes a cesspool. No one will watch you on the tabloids, only your obituary, at least you will be remembered for something risky and extreme. I never contradicted the idea that beauty can be dangerous. I know that I will die soon but at least I will be remembered and written about in magazines until another famous person dies. I am a service announcement. yeah that's What I am A public service announcement.  I’ve been talking to a few girls who do the same stuff I do and I think they are beautiful.  AnywayI hope this isn’t the death of me, but don’t all good things come to an end?  I’m not expecting anything special when everyone realizes that my way of living is the righteous way. The media are too naive to understand the neglect of movement.

 

 

Ana Caroline sister Samantha

Scene five

(dies Her sister finds the last entry she wanted into her book.)

Let’s see if I have to edit this too... (Laughs to herself.)......I know she wouldn’t want me to, but for old time sake......Let’s see 

“I never understood myself, until one night I had a dream that everyone malfunctions except women, We go on forever never knowing the possibilities of being accepted but god makes easy predicaments perfect for loving ourselves

No matter what shape or form we have been molded into we are created strategically,

placed in gods spine so he can keep the world shining with our light. We keep the world spinning when a eclipse occurs we are there to enlighten everyone else with our spirit. I I never let anyone tell me other wise

I’m are perfect.(sits there just staring at the paper hands shaking)....Wow I never knew my sister had such a problem until now. I would look at her and make jokes but nothing serious... (Begins to cry) I wonder why I didn’t help her, why didn’t I love her enough to help her get better. I need her.....I feel so horrible that I used to call her a twig and make jokes about her eating habits. I swear I love my sister, I couldn’t imagine life without her. I swept her off the earth just as quickly as she did it t herself....I wonder what my mother would think.

 

Scene six

                                                                        Illeana

(going into a rehab center sitting in a group therapy session)

So my parents finally figured out what I’ve been doing to myself......They actually made jokes. I knew the wouldn’t understand. It was different when they seen me devouring food, and actually knew I had a problem. Everyone at the dinner table seemed to be staring at me, Was I some type of animal at a zoo?...... I think I’m talking too much someone else can go.....I don’t feel like I’m making progress!......Okay if you really want me to finish I don’t see the point of group therapy anyway!..... After about two days they decided to call this stupid place........ My parents  asked stupid questions like “am I wasting my money? Is this even a real disorder?” They didn’t seem to like the response...... I feel so helpless and dumb having to say this out loud in front of everyone..... I know everyone here have similar issues.....can you just let me finish?? I’m  beginning to have what yall therapist call (makes air quotes) “suicidal thoughts.” I’m very depressed this over stuffing thing isn’t worth it.......damn This rehab must really be kicking in. I hate that we have to write in these stupid journal  entries everyday.......but whatever, I guess it’s helping.

 

Scene seven

Ileana

(gets out of hospital , walking through hallway with nurse)

You know I don’t need the wheel chair right?......who cares if it’s protocol....I want to walk....I feel fine and I think I look eh... okay I look okay. I haven’t said that in forever, Come to think about it I never really ever said it. …. life can only get better from here.. right?....I’m worried that I will fall into my old ways …. I don’t want to have to come back here.







monolouge
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But I've Got My Fingers, And These Ashes

Posted by Manna-Symone Middlebrooks in World History - Block on Monday, April 11, 2011 at 9:33 am

The argument about the pros and cons of sweatshop labor is one that has been going on for quite some time. Morally, people working extensive hours, receiving little pay, working in dangerous factory conditions, and without any type of insurance is wrong. But, to supply the increasing demand for certain products and keep prices as reasonable as possible, cheap sweatshop labor is necessary.
This play is set in Sri Lanka, where the majority of the population is a sweatshop employee. There are multiple people who play a role in sweatshop function. In this play we all of them are able to be experienced. The factory owner, his intern, a sister, an over worked worker, and an illegal minor worker are all featured. A stuffed sock toy uniquely ties all of the characters together.



But I’ve Got My Fingers and These Ashes
 
Cast of Characters:
1. Bhagya Madush- An eleven year old Sri Lankan  girl who works in a textile “factory” and sweatshop. She is the oldest of three children and is the only child that works in the family. She is the daughter of Udari Supan.
2. Mr. Damith- The owner of the  textile “factory” and sweatshop. He illegally employs minors to increase production and fill his own pocket.
3. Udari Madush- A middle aged factory worker. She is a strong willed and opinionated seamstress. She is the mother of Bhagya Madush and works in Mr, Damith’s “factory”.
4. Ms. Runhtwa- A buyer for a well known clothing company. She is a younger woman and has a no tolerance attitude. She comes to Mr. Damith to buy into his underwear production for her employer.  She is also the younger sister of Udari Madush.
5. Vimukthi Pipuni-  A young man who is interning with Mr. Damith. It is his responsibility to “take out the trash” as Mr. Damith likes to put it.
6. Parbath- A stuffed sock toy made for Bhagya Madush by her mother, that works its way into the hands of each character
 
Stage Set-Up:
             The stage is divided into two parts. On the left is the factory floor where one workbench is in the center of that section facing the audience. On the bench there is an old sewing machine and a pile of white underwear. On the floor to the right of the bench is a small, black chamber pot. Projected behind this side of the stage is video of sweatshop workers working uninterrupted.
            In the middle of the two sections is a thin wall with a door in it. The door opens out onto the factory floor. The wall does not extend to the end of the stage so that there is there is a clear path between the all of the sceneries.
On the right side of the stage of the stage is Mr. Damith’s office. In the center of this section is a worn out desk and leather swivel chair. On the right side of the desk is a gavel. The desk is facing the audience.
In the background is a faint hum of sewing machines. The sound increases then fades to a hum when scenes change,
____________________________________________________________________________________
Act 1, Scene 1
Ms. Runhtwa
(All speech is directed to the audience)
(Enters stage left. Walking through the aisles. Harsh, demanding, and with authority, reaches out to touch a girl but does not.)
You there, girl. Girl. Answer me when I speak to you. Do you not know who I am? Turn you face and answer me. Turn your face to me girl. Let me look upon the face of insubordination.
(Stops scolding, turns to direct speech to another individual to her right)
Oh. Hello Mr..Mr. Damtih is it? I am......it’s pronounce Rhu-ni-twa. Ms. Runhtwa.... As it is a pleasure to meet you also. I have noticed that these women are working very diligently and the labels all appear to be in tip-top shape. So Mr. Damith, I am interested in buying some of you underwear. Will that be possible?
(Looks oddly before her, attempts to regain her audience’s attention. )
.... Mr. Damith the underwear...the underwear. Mr. Damith I want to buy your underwear!
(Fixes clothing after having to scream in an unladylike manner. Walks through the door into the office section of the stage)
Can we talk business? Our company is looking for a new underwear supplier, with both experience and reputation. And we were told that you are the best of the the best. Is that true?...Great. our company has just adopted a new code of conduct and the only issue I would like to bring up is the one of child labor. Our code of conduct states that all employees under the corporate company, may not employ under the age of 14. So I am going to need your signature here, here, aaaand here...Ha. Sir, please do not sit there and lie to me. There is no use. I am a woman who does her research and the small squeals coming from the door over there
(Points in the opposite direction)
.....Mhmmm. I know. But you see the thing is. I think these kids should work. Somebody has to teach them some discipline! Some respect. Kids these days are just so insubordinate.
(Leans in and whispers)
When they come around to do inspections, hide them. Hide those kids in a closet or something, but not that bathroom. Have you seen it?....Don’t do that.
(Leans back out and is disgusted)
I mean it is like a pig sty in there. I bet even pigs wouldn’t want to be in there.
(Stands up violently and walks to peer through a window to the factory floor)
They shouldn’t have to be cramped in there, when the floor is carpeted in feces and decorated with urine. I mean, would you want to be treated that way?.....I did not think so. Discipline is what these children need, but they don’t need to be treated like animals. This is only the first step in their lives. There is so much more out there for them when they leave here. They just need to reach out and gra...
(Turns around quickly, astonished)
What was that for?...That laugh?....
(Jokingly and forcing a laugh)
Ha! That’s funny. They stay here for life....What is that?
(Gently runs one hand across the stuffed sock on the desk)
...It’s better on the outside.
Act 1, Scene 2
Bhagya Madush

Setting: Chair at center stage at the end of the wall.
(All speech is directed to the audience)
(Sits in chair at center stage and rocks back and forth)  
Sooooo what do you wanna talk about? Hmmm? Tell me. What is it? Huh? Tell me. 

…..Help? You think I need help? Noooooo. I am fine. Never been better. …..You want me to tell you about what? Oh ok. I can do that. I awake early morning at 4.30 a.m every morning, before the sun even has a chance to grace the land with its smile. I have to kindle the fire having washed my face; I gulp down some tea I leave for work early morning.  Mother and the rest are still sleep when I leave, but I leave the school clothes out for the younger ones and her uniform out on the table....
(Looks down and strokes the stuffed sock. Seems disappointed and angry)
I can’t go to school. No, I have to work. Without me we would barely make enough to feed two of us. Everything we buy is over priced. The rent, food, clothing, and all the other basic things we need. She gives me a choice, but I really don’t have one. I have to work. There is no other option.

Now it is the walk to that frightens me most. It’s because of the men.
(Gets up and stalks back and forth)
The men in dark jackets and hats that blend in with the shadows. You see they prey on girls like me. Mother says they sneak up on little girls and grab them
(Grabs at the air)
and before you even have the chance to scream,
(Sits on the floor and trembles and pretends to cry)
you are in a dark hole with girls trembling in crying. When I asked her what they do with those girls she said something about using their bodies for men’s pleasures.  I think she called it sex. Her description of it made almost made me throw up my breakfast. But I have never seen these men and I hope I never will. But I can always feel their presence. Especially when I walk near the fence. …..Oh there is a fence that surrounds all
(Puts arm out and scans it across an invisible landscape)
that surrounds everybody’s quarters, and they have these shiny pointy…Huh? Nope never. Never ever never do we leave. I  stay on the inside where it’s safer. My siblings go to school though. I have no time for that . Asides we gots to stay here. Be..be..bcuz ugh. I can never say this word right. Momma says I got to work on my words. Because
(Using fingers to count)
my dad’s dad’s  sister’s daughter did something bad to the man’s family who is over this all, even Mr. Damith. So we have to pay our way to the outside.  Till then I will be here with my family and pets. Sandamini,Nuwanthi, and Kusan. They are mice. Well not anymore, they are kind of like little dogs now. They eat our vegetables.
(Giggles and playfully touches the stuffed sock to nose)
.....Isn’t that right Parbath....
(Holds the stuffed sock out for the interviewer to see)
...that’s her name.
(Jumps up and speaks happily)
…..My supervisor, Mr. Damith, I used to think he was a blessing to us all. He lets us work our longs hours in the summer and sometimes….sometimes she doesn’t even give us breaks....Yeah I know isn’t that awesome. And he gives us these really cool pots. And you know what those are for. They are for your business
(Giggles)  (Walking around the stage)
And if you don’t finish all your work, you get to stay longer and work more.
(Looks down and strokes the stuffed sock. Tries to look the audience in the face, but can not. Fakes a smile).
Honestly, I don’t understand why so many of the people there look so sad and devastated. They look like someone has taken their life away and wont give it back but I love it. I mean without him, how would we be able to provide for our families. I love my family. You seee. He is so gracious. I…I …I even. This one time I got my… no I was assigned to the cleaning rooms. The entire room is like one big cloud. And we have to separate the plants. You have to pull out any bad or particles that are not supposed to be there, but be careful of thorns. Then you put the baby it in the pile with its friends. But I couldn’t breath in there. The air made my throat burn and there were always bugs flying at my eyes. Amal said it was because they were thirsty for my tears.
(Look of wonder and bewilderment)
I guess in some way we are all thirsty bugs aren’t we?.... All of us dreaming about and hovering above the thing we want most, but can’t reach it.
(Satisfied)
Maybe one day we won’t be thirsty anymore.
(Sits back in chair and looks off into the distance. Sighs deeply)
 
(Jumps in the air with an idea, look of astonishment)
Oh and there were these people who I work with and they got sick. Like really sick and they were coughing and their eyes were swollen and they just looked nasty.
(Giggles)
It was gross. They left one day with the big muscle man that walks through the aisles to make sure we do of work right and they never came back.
(Shrugs and coughs)
Mr. Damith says they took at trip to the forest for some special work, and not to worry about them. I won’t see them anymore. ….Hmmm I don’t know? I can’t wait to till I can go to the forest to do some special work.
(Sits in chair and rocks back and forth. turns and looks at right shoulder, and gets frightened. Begins to cry. Jumps behind chair and uses it  and the stuffed sock as a shield)
No! No! It’s one of the shadow men. Get away from me! No please.
(Points stuffed sock in the direction of the man)  
Make him go away
(Sniffling)
Make him go a way. No… I ....I have to go.... why are they coming after me? I mean...did I?... No, I didn’t say anything wrong. I praised him. You heard me praise him right? Right. I... I
(Runs off stage terrified)
Sorry!
Act 1, Scene 3
Udari Supan

. 
(All speech is directed to the audience)
 
(Wipes forehead continues sewing extremely tired and out of breath)
Wha..what is that smell.  What do you mean they won't let Amila empty her pot? That is ridiculous. Its 100 degrees in here and they won't her dump....
(Immediately puts head down and continues to work, hides a dingy stuffed sock in between her legs, looks up and smiles at the person walking by, whispers).
How is your family doing? Aren't we all? I haven't seen then I nearly a week. I had to leave my second  oldest in charge...Oh she is nine.
(Maternal Voice, puts sock back on the table and continues to sew the top together)
The youngest  came down with something. When I left he was coughing and his eyes were swollen shut. My eldest, Bhagya....You know her?.....Yes she was in the cleaning room until she got moved to the...
(Motions to vomit but catches herself, still out of breath gets up and tries pushing the table away but can't she does not have the strength).
I heard about that....I don’t know what that is. That stuff that falls from the ceiling?.... Well its not snow. I mean those people had been here for years....You hear them call it what? Its best? What’s best?...oh asbestos. That cant possibly be why people keep
(Falls to the floor arm is injured)
disappearing.
(Looks back to see a person coming and struggles to get up walks over to the door).
I can’t, I can’t. Move get over here and help me! Amila! Mai help! Help mmm.....
(Tries to get up but falls hits head and passes out).
Where, where am I? No. Sir please, you don't understand I was… I couldn’t breath and the pot and the smell.  Mr. Damith. No, I have kids. My family. I need this job more than you can understand. I can work double shifts and with no breaks and I promise you this won't ever happ..
(Gets off knees from begging and becomes angry, clutching the stuffed sock).
Fired?  I have been her for almost 13 years, never made a complaint, never stepped out of line. And you want to fire me because I passed out from the hear and tainted air that you allow us to breath! You can't fire me because I quit. To hell with this. I wasted my time here and for what? For you? So somebody else can have a fully clothed family, while mine is half dressed?
(Stands up furious. Voice is strong and loud, but not yelling, waving the sock around vigorously and angrily )
You and you family have lived the good life, while the majority, if not all of your employees lived a life below poverty. I know animals that live better than us. I bet each of your kids has their own bed in their own room, don’t they?..Hmph! My kids share a bed in the living/dining/kitchen/master/bedroom. And me, I don’t even have a bed. I have a sheet, that covers the laundry to be done. And  I am sure you already know about the bathing and bathroom situations, don’t you?....Thought so.
(Turns away and sighs deeply, smoothes hair back and confronts Mr. Damith)
You know there really is no point telling you what you already know. You already know it. We don’t have to stay here and you can’t make us. There are other ways of making it in life. You only live in poverty as ling as you allow yourself to. And I am done. But I am not done with you. I will be back, but not alone.I guess you need to hear it from the outside. From someone who can knock you flat on your ass.
(Sarcastically. Puts hands on desk and leans over into the audience)
You lost two employees today Mr. Damith, sir. My daughter and I quit.
(Violently throws papers off of the desk and walks off stage, stuffed sock in hand. Looks to the left and squints)
 
Act 1, Scene 4
Vimukthi .
 
(All speech is directed to the audience. a child is dead laying on the floor, left hand open)
                   (Paranoid, pacing across the floor, looking at the stuffed sock) 
How the hell does he expect me to cover this one up?! Bury them? No that won’t work we did that the last time. I could send them to the butcher shop; let them be torn to pieces. Nobody would know then Feed them to the dogs? Bury them?  
(Puts hand, motions a mouth speaking, and mimics boss).
If you don’t figure out how to cover this up, you will be back on the inside. And your mother will be right along with you. Appreciate what is given to you. Cherish it. Don’t bite the hand that feeds you Sampath. It’s not smart.
(Hand goes down, returns back to original character).
And why the hell does he call me Sampath! Last time I checked my name was Vimuthi. What am I supposed to do about mother? I finally got a chance to give her a taste of the outside life. She got to live on the outside, with the common people. I can’t take that away from her. She can’t go back to that horrible way of life.
(Sits down in a chair and puts head in hands)
Why does he do this to me!
(Looks at the stuffed sock, and tears up slightly, talking to the stuffed sock)
Burry them? No, I already thought of that. These people should have know what they were getting into. Who doesn’t know that white powder falling from the ceiling is wrong? Common sense right? And they all had a voice. Why didn’t any of them stand up for themselves? I did it and it got me to the outside. But then again I am sure Mr. Damith wouldn’t want all the employees in a rebellion. I mean they should know that they have rights and that there are rules and regulations that Mr. Damith should be following, but isn’t.  He can’t, well is not supposed to keep them over 10 hours. Why don’t they know this? If they did I would not have to “take out the trash”  and all of these people wouldnt be dead from asbestos inhalation. The could have abestoisis and not even know it. Just drop dead.  Already said that! Sure one or two people dead is no problem, but 15. I can’t do that. The forest? I’ve got it. What if I flushed them? Flush them down the same pipe that everything else goes. By the time the bodies get to the Yan Oya the bodies will be disintegrated. I mean, that is where all of our waste  goes and surely the acids and stuff will eat them. And if its not the acids some animal will find them. The sewage system.
(With no confidence)
It’s perfect. No harm no foul. They will be gone forever. Jobs protected....Bodies gone.
(Walks to where a young girl is lying on the floor and places the stuffed sock in her hand).
Takes this with you on to the next life. It’s yours after all.
Act 1, Scene 5
Little Sister
Setting: Standing in front of the factory work bench.

(All speech is directed to the audience)
Little sister?  Little sister you came to the city from the village, Why did you change? You cut your hair short, started wearing trousers and short dresses. You were the most innocent girl in the village. What happened to you after coming to the city? We can’t correct the city But we can keep in mind to Protect the village.
(Reaches out, then pulls back in dismissal)
We used to be one. Me and you, together forever. We left the village for a better life. We left together and now you work for the people who put us down. They kill us. The work us to death. Our ignorance is taken advantage of.  
(In astonishment and in disbelief puts head down and gets on knees ).
I never thought it would be by the hands of my own flesh and blood  that I would end…..Do not  lie to me…You knew we were here. At the end of all of this, I can not complain.
 
Act 1, Scene 5
Mr. Damith
Setting: Bottom the stage, on the office side.

(All speech is directed to the audience)
Ha…I don’t deserve this. I don’t.
(Stands up and yells)
I did them a favor. It was me! Not you. I gave them a home and a job. Ha!
(Sits back down and voice is back to normal. Opens the box that is next bed and opens it. A slight smile curls onto his face. He holds up the stuffed underwear and talks to it)
What would I be without you? You got me through this all. Remember when we used to be them? We used to work day in and day out. But the owner then never got put in jail. He dies rich and happy.  He died richa and happy while we all worked untill we were numb inhaled asbestos, but even then we didn’t know what was going on.
(Holds stuffed underwear  at eye level)
I did it for us mom. For us. You know that. They said that if we came forward, we would get extra. And we did. We got it all. I got an internship and then took over the company. We made it. Compared to my mentor conditions were 100 times better, hours were shorter, and the amount of asbestos was cut but 25%
(Stands up and paces the cell)
They don’t kow how good they had it, I was heaven in deep corners of hell. Sure people died, but when are people not dying? Huh
(Screams and the ceiling)  
Never!
(Voice return to normal)
ahaahahhahahahhaha. I did them a favor.
(Holds up the stuffed underwear and twirls around in a circle like a child)
ahahahahaahaha……a favor.

Act 1, Scene 6
Udari Supan and Ms.Runhtwa: Retaliation

(All speech is directed to the audience)
 
(Ms.Ruhntwa slams her fists on the desk, as Udari Supan bursts through the office door to do the same. Both are furious.)

Both: My own sister! My own god damned sister.
(Lights go off Ms. Runhtwa. She holds her position. Lights remain on Udari Supan. Her face curls into tears as she begins almost scream at Mr. Damith. She wags her finger in the face of her former employer)

Udari Madush: Oooooh Noooooooo! You don’t get a chance to talk this time. No! All me. It’s about time somebody knocked you flat on your ass the same way……
(Lights rise on Ms. Runtwa and fade on Udari Supan. Ms. Runhtwa’s palms are now flat on the table as she angrily leans over the desk)

You can’t get away with this. These people are being treated like animals.
(Laughs slightly)
Animals are treated better then them. How could you? You used to be one of them. Remember those days? It was you down there on the floors and in those rooms picking the bugs and stems from the new cotton plants.
(Wags her finger and shakes her head. Turns from the desk and faces the window.)  
Best believe I have doe my homework Mr. Damith and I am ready to give a full report. But I won’t flatter you. No you already know what you have done and what you “think” you are capable of. You live solely for yourself, fattening your pockets made by the people on that floor down there. Made by my sister and by my niece.
(Turns back to the desk in tears)
You son of a bitch!

Both: 
(Yelling. Violently slams fists on the desk).
You!…..

(Lights switch from Ms. Runhtwa to Udari Supan. Angirly she leans over the desk into the face of her former employer. Her somewhat screaming has reduced to a stern talking.)

Udari Madush: The same way we have been for so long.
(A small smile appears on her face. Stands straight up and walks over to the window and look on to the factoy floor . She speaks calmly and collected)
But I didn’t come here to yell and scream at you. No I don’t have the time nor the energy, I guess I am here to thank you.
(Turns and looks in the direction of the desk)
Since I haven’t been working here I have become even more tired then ever and I have so much time. I have time to spend with my family, to get in touch with myself and realize me. Before you all I knew was work, but that final straw it gave me myself back.
(Holds chest in pain and fails to old back tears)
I found the me I was before all of this. The me that lived in the village and never had anything to be unhappy about. An unbreakable spirit  
(Releases chest and sits down in the chair.)
So thank you. Thank you very much.
(Hand extends awaiting a handshake, but it is not accepted. Puts head down and slowly to get up using the desk as support. Slightly struggles.)  
Oh and about Ms. Runhtwa. She informed me that the two of you would be meeting soon. Something about her not appreciating the…
(Breath shortens as she struggles to get words out.)
She is my body now that mine cannot go one. My body is not strong but my spirit remains unbroken. She carries it for me as my sister.
(Coughs and falls to the floor. Her body is dragged off stage as lights rise on Ms. Runhtwa)

Ms. Runhwa:
(Breaks down crying. Then gathers self to speak. Speaks in a calm and stern voice)
My sister was an unbreakable spirit. A fighter and now that she cannot her body can not fight, I am her body. So the flattering must stop. The fuel line to your confidence, conceit, and hell hole that you call a factory have been cut. But this all happens at the expense of you not the people who work for you. Mr. Damith I am serving you with this subpoena. See you in court.
(Places a large manila envelope on the desk, and wipes a tear from her cheek. She then walks out the door, looking back once she reaches the door.)
 
Act 1, Scene 7
Judge
Setting: The desk on the office side of the stage
(All speech is directed to the audience)
(Scans his finger across the papers that are before him then stacks the papers and straightens them. Fixes his glasses and begins to speak in a firm and absolute voice.)
The defendant has been tried and convicted on the following charges. Murder in the second degree in the cases of Udari Madush, Bhaygah Madush, and thirteen other ClothRite employees. Illegal employment of over one-hundred and seventy-five minors. And finally negligence and failure to meet the building safety standard in multiple sections. On this day the defendant is sentenced to life in prison. His intern Vimuthi Pipuni will assume Mr. Damith’s position, It is so ordered.
(Slams a gavel down and walks off stage.)
 
Act 1, Scene 8
Beyond
Setting: Center stage at the end of the wall, between the two sections.
(All speech is directed to the audience)

You see I don’t have a toothbrush. And I don’t have any toothpaste neither. But
(Holds finger up )
I’ve got my finger
(Reaches down and picks up ashes and lets them fall through her fingers)
and these ashes.I didn’t have the outside, but I had the inside.
(Smiles and holds stuffed sock close to her body)
The inside. I can’t complain.
(Walks to stage left and then to center again)
I can’t complain. I can’t complain.
(Plops down at center stage, folds one leg over the other and scans the audience)
I mean look at me. Sure I was beaten, slapped down even. And sure our work conditions were not the fanciest and best they could be. And hey! Sure my mother was only a free woman for a few hours before she died. But I can’t complain. Yes, I can’t deny it, I was locked in a bathroom when the inspections came through.
(Stands up and begins to cry)
I can’t complain. I am not thirsty anymore. I don’t have to hover over my dream.
(Jumps up excited, arms and legs spread)
Freedom!
(Legs and arms slowly come back to the body and head raises to look directly up)
I am not thirsty anymore.  
(Drops stuffed sock on the floor and walks off stage)


Act 1, Scene 5
Little Sister.
Performed By: Manna-Symone Middlebrooks



Monologue
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Relapse After the Shot to My Pride

Posted by Marina Pyfrom in World History - Block on Monday, April 11, 2011 at 2:18 am

Marina Pyfrom

Science Leadership Academy
“Relapse After the Shot to My Pride”   

Relapse After the Shot to My Pride was at first a series of monologues that eventually molded together into a play. Nadia, the main character, has hit rock bottom after the death of her father. They were inseparable, their bond was like no other. She is not the only person who took his death, but the whole town is. Her father was a legend. He was the best soldier around, from his tactic ways to  strategic plans, he knew it all. He spoke, live, breathed war. His last words he uttered was "Keep her safe" referring to his beloved daughter. Will Nadia survive the storm or will she crumble? '

This suspenseful theater play can relate to all of us in some type away. Loosing a close one is tragic. It is sometimes so painful that you have the feeling you just want to get away from it all. My message too you hopefully you realize after watching my play is there always is a light at the end of the tunnel. You just have to manage to get through it.


Characters: 
Present Nadia, an artist who is outspoken about her past problems and is willing to talk about it.
Young Nadia, young adolescent who is miserable after the death of her father.
Nanda, Nadia’s father and also is the best well-known soldier around.
Sian, Nadia’s mother, she is very quiet and does not have a good relationship with her daughter.
Kamil, Nanda’s best friend and is also a soldier.
Rameesha, Kamil’s wife and has a friendly personality.


Act 1, Scene 1


    (Present Nadia standing at podium facing the audience)

PRESENT NADIA

Hello everyone, it sure feels good to be back in Sri Lanka. I know many of you came to attend the 5th year Memorial for my father, and I thank you graciously. But I do not think of this as a memorial service, its more of a celebration. Many of you probably thought I wouldn’t make it, and I reply saying I am here and I am staying. 5 years ago I was at the darkest part of my life and thought it was no way out. I remember it vividly as if it was yesterday.
    (lights fades to black, then Young Nadia is on stage but its Present Nadia’s voice)

YOUNG NADIA

My feet were planted firmly in the damped green grass using the fatal position at which my life depended on it. That was the line my father always used to get my full attention when it was the right time. It was time, time to shoot. Time to shoot the apple that hung from the nail of the tree. My dad and I always went neck and neck at this game. Some times my dad would try to trick me to make me loose my concentration.

NANDA

 Oops, Nadia don’t mess up... wait is that your mother calling.

YOUNG NADIA

He would laugh then make this little girl voice saying

NANDA

Nadiaaaaaaa

YOUNG NADIA

This time I was not going to fall for his tricks. You can only win if you had the best shot. I aimed the black rifle gun at the apple on the tree. Click! Pow! was the sound after I pulled the trigger. That shot unleashed tons of weight lifted off my shoulders. I was stressed about things I had no control of. The restrictions of my dad visits, hurt me deeply. It had cut our bonding time. Moments with him were crucial. He was the person I could open up about anything and the same with him. We relied and trusted one another with each others life. In time he would be due for his combat shift and have to leave immediately. Hearing and seeing that was a stab in my heart, the aching pain. To get my off the negative I stuck with the positive, Any time with him was better than none.  Soon my mind floated back to reality. SPLATT! I felt my body moved back a couple of steps. There, was the exploded apple. My dad gave me a grin and a hug; pulled me closer and said in a cheerful voice

NANDA

"That’s my pretty girl, Nadia I taught you well aye!"

YOUNG NADIA

We played a couple more rounds. That was our bonding time and we loved it. After my shocking gun shot, My dad showed me no mercy. He was the winner at the end. The score was 9-5.

Act 1, Scene 2


    (Lights back on at Present Nadia at the podium)

PRESENT NADIA


Daddy was off to fight. I couldn’t wait for him to come back. He is always scheduled for a break annually to pop in and check on us. The household was boring. I woke up, did my chores, ate, then went back to sleep. Where was the enjoyment? My mom always just sat in the living room and read her book. read, write, clean, and cook! That was all my mom did. And she enjoyed it. To me her life was so uninteresting. I don't have any clue on how her and my dad met. They are so different. My dad was the adventurous type, and he loved fun.  And my mom was like the person who watch fun just pass by her.
    (Light fades out and Young Nadia appears)

YOUNG NADIA

Mom come play apple blast with me.

SIAN

Didn't I tell you about that game, get in the house right now! Its dangerous, Nadia I'm protecting you!
    (Sian grabs Nadia by the shirt.)

YOUNG NADIA

Well me and daddy always play apple blast.

PRESENT NADIA

She looked me directly into my eyes as if she was looking strait through my brain. It was weird and made me feel awkward.
    (Voice in the background)


SIAN

Yes I know, but your father is off to the war, so don't touch the gun unless he is here with you.

YOUNG NADIA

But that’s not fair.

SIAN

That’s the end of it, I don't want to hear anything else about it, find something else to do, how about you hang with some of your girl friends instead of the boys all the time!

YOUNG NADIA

Its no fun
    (Lights fade at Present Nadia appears)

PRESENT NADIA

At that very moment I felt offended. It felt as if my own mom was not accepting the person I was or was becoming. She just tried to take the most important thing to me away, making it vanish from my presence. Not only was just shooting a gun at an apple. It had a deeper meaning. I was in a fight with my self and my feelings. Shooting was the stress reliever. And her taking the only thing that makes me happy was cruel. She was better off taking my soul.

    (Young Nadia and her easel magically appears, she is now in her room.)

Act 2, Scene 1

    
    (Battlefield setting, and loud noises)

KAMIL

C'mon man say something, I need you right now, Just say something for me, Help! I need a nurse! Nanda c'mon your my best friend, your like a brother to me you cant leave me! Say something, anything!
    (Kamil takes his shirt off his back and tied it around him to keep the blood from pouring out)

NANDA

Keep her safe.

KAMIL

Brother, I will do anything even put my life on the line to save your family from anything.

NANDA

Thank you brother you have really been there, tell them I love them and ….


KAMIL

Noooooooooooo
    (Scene fades out with Kamil crying.)

Act 3, Scene 1

   
    (Morning Lights then appears Rameesha in kitchen on the phone.)

RAMEESHA

I never saw my husband act like this before. He barley eating anything, moping around. He took off from work. Nandi's death really hit him hard. Being his wife I don't know how to make him feel better. I comfort him but is that enough Yea, mhmm, I know take one day at time. But what if its not enough? Yea true, mhmm ok. uhm hmm I feel especially bad for Nandi's little girl Nadia. Well she's not little anymore but yea she is 15. She loves him to death. Not enough words can explain how much that girl loves him. I wonder she doing. Yea your right I should send Kamil around there to help out just be there for them, Ill bake some pies, Nadia loves my home made apple pies. Well I will talk to you later I need to get Kamil up so can eat something for lunch. Bye and thank you I'll make sure I tell Kamil.
    (She walks into the living room to Kamil lying on the couch.)

RAMEESHA
Honey, Come, and eat, I have lunch for you! I'm not leaving! Here open wide.

KAMIL

Im trying babe, its just…

RAMEESHA

I know honey. I am just scared for you because I know how Nanda was like a brother to you. Its hard for the rest of us too. But I was thinking maybe you could stop pass Sian house to check on her and Nadia to see how they are doing because it has been a week.

KAMIL

That’s a good idea but I don’t know.

RAMEESHA

I understand if its too much. But you have to think about how Nadia feels you how closed she was with her father. All I'm saying is just check on them. Everything is going to be okay, and if it makes you feel better I will go right along with you. Because I am your wife, I love you, and I will stand by your side at all times. So your not alone. Ramesha and Kamil together forever.


KAMIL

I will forever and always love you.

    (lights fade out.)


Act 3, Scene 2

   
    (Rameesha in bedroom & Kamil in living room)

KAMIL

Will you c’mon, how long does it take. I just want to be there first, so I can talk to Nadia and Sian. Mann, I sure miss him. What am I even going to say to Sian. Uhm, ok ready get set go! Sian, you know I love him and you all... Nahh You know he was like my brother. I know ex... Nahh its not about me its about them. Ugh what am I going to do?

RAMEESHA

You don’t need to rehearse a script. Just simply speak from your heart.

KAMIL

Wow, you look amazing. Youuu readdy?

RAMEESHA

Thank you and so do you! With you by my side, I am ready for anything!

KAMIL

Good Lets Go!

    (Car noise & music lights flashing)

Act 3, Scene 3


    (Nadia in her room painting & Sian cleaning living room)

SIAN

Family members and friends going to be stopping by. The house is a mess, nothing is right. Ugh why me, Nanda why did you have to leave me! I can’t do it without you. I am trying to keep everything together, but its hard. Ugh I still have to get dress, what time is it? Oh ok cool I have time. Naddddiiaaaaaaaaa come clean the kitchen, since you do nothing else, it’s the least you can do. Oh darn, we out of juice. Oh well water will do. Uhm what am I forgetting? Oh never mind I think of it later. Oh my God Nadiaaa! Come here right now! You see this, its bad luck. I know you love your father, we all do. But you know your not allowed to flip the pictures back over. You will let the evil in. Do you want that to happen? Just don’t let happen again. And what are you wearing? Go get change! You look like a raggedy boy, we have guest coming! Did you clean the kitchen like I asked you, I guess not. Ugh, I have to do everything in the house. Out my face get changed now. Don’t worry about Ill do it. Spoil brat.

    (Light on Nadia in her room painting)

Act 3, Scene 4


    (Light focused on Living room & Doorbell rings)

SIAN

Ok, just stay cool. Don’t get too emotional. Act as if everything is normal. Smile Sian. Breathe. All right I think Im ready. Oh hey Kamil and Rameesha, thank you so much for stopping by. I didn’t know how long you guys were staying so I roasted some turkey its in the oven. Did I ever tell you guys how you too were a great couple. You guys fit each other well. Oh well Ima check on the turkey be right back love birds ahaha.
 
    (lights follows Sian out then focus back on Rameesha & Kamil)

RAMEESHA

Its worse than I thought Honey. She is a complete mess. She is not herself at all. I will be right back I’m going to talk to her see what’s really going on & confront her.

KAMIL

Alright cool, I will check on Nadia.


Act 3, Scene 4

    (Light focus on Kitchen)

SIAN

Why, why , why me! I didn’t do anything to deserve this, I need Nanda. I thought I was going to be able to handle this, but I cant. Everything not gonna bee okkaayyyyy , how am I suppose to take care of the girl, she doesnt listen to me. Whhyyyy did I deserve this!

RAMEESHA

Shh shh shh your not alone we are here for you too. I love you Sian, we will get through this I promise. Lets Pray. Oneness of Life and Light, Entrusting in your Great Compassion, May you shed the foolishness in myself, Transforming me into a conduit of Love.

RAMEESHA & SIAN

May I be a medicine for the sick and weary, Nursing their afflictions until they are cured;
May I become food and drink, During time of famine, May I protect the helpless and the poor,May I be a lamp, For those who need your Light, May I be a bed for those who need rest, and guide all seekers to the Other Shore. May all find happiness through my actions,
and let no one suffer because of me. Whether they love or hate me, Whether they hurt or wrong me, May they all realize true entrusting, Through Other Power, and realize Supreme Nirvana. Namo Amida Buddha

SIAN

You have made me believe that there is a light at the end of this dark doomy tunnel. I really appreciate it. I needed this. Rameesha you are truly a phenomenal person. Thank you for everything.

RAMEESHA

No problem, and so are you. Any time you need to talk just let me know. I am always available. But anyway alright lets eat this delicious pie I made outside on the steps. We both could use some fresh air.

    (lights follows them off stage)

Act 3, Scene 5

    (Now focused on Nadia in her Room with her easel)

YOUNG NADIA

    (Nadia is heated she is sitting at her easel painting)

A spoil brat! Who does she think she is! How dare she? My dad, her husband just died and she don’t even care. That woman has absolutely no feelings. She yelling about flipping the pictures back over. Who cares if that a Sri Lanka tradition. Let the evil sprits come get me, anything is better living with her. She don’t want me her fine, I got something for her.

    (Nadia moves to her closet and pulls out a box. Quick flash the lights on Kamil standing by the door.)

YOUNG NADIA

Soldier this solder that! Steal, kill, and destroy. I miss my daddy. I can’t take it no more. I need to get out of here quickly, Whoever killed my dad, I will find them and finish them off myself. Why couldn’t it be someone elses dad, anybody but mine. Taking him away from me is like taking my soul. The Memories, laughs, everything gone! Why should I even carry on with my life. If I leave who will truthfully miss me?

(Interruption: Kamil knocks on the door saying “I will”.)
   

Act 3, Scene 6

    (Room scene)

KAMIL

Listen, Nadia, its Kamil. I don’t care what you say I am coming in. Nadia I know its been hard on you, it has been on everyone. You dad was loved by all and he loved us all. I know exactly what you feeling. He was my best friend too. We been together since we was five years old. I been having nightmares ever since. I am scared. Not only for me but for you and your mom. Nadia you know you always been part of my family and I encourage you at any time if you need me let me know. You know I will be right on my way. I promised your dad that I will always keep you safe. Now I was listening outside for a couple minutes. You mother is just stressing a lot and its hard for her to bond with you because of the hardcore bond you had with you father. My advice to you is to just let her in a little bit more. Show her that you care and that you love her. And I bet it will make her smile, and you too. Remember Kind words can conquer. Now, wipe those tears. A pretty girl like you should not be crying.

YOUNG NADIA

Thank you, Uncle Kamil I really need that.

    (Black out, Present Nadia and podium appears)

PRESENT NADIA

Now that talk with Uncle Kamil, literally saved my life. From that day on we build a wall of trust that was never knocked down. When times got rough at home with my mom, him and Rameesha let me live there in the extra room.
   
    (Focus on the half of the stage, Young Nadia is in her room with Sian)

Act 3, Scene 7


YOUNG NADIA


Oh, You hate me! Well guess what I hate you too! What kind of mother treats her daughter like crap. I wished daddy was still here to see the devil you become! I’m tired of listening to an over controlling, low self esteem monster of a woman! I don’t even know why I call you mom, you don’t even act like one. You know what I’m moving with Kamil and Rameesha where everyone loves each other! Move out my way, I need to pack my clothes.

SIAN

Uhm, I don’t think so little girl. Who bought you those clothes? Oh, let me answer for you, Uhmm Me! So leave my clothes here, oh yeah and that dumb painting easel too. And get out!

YOUNG NADIA

Ugh I hate you! Have a nice life Sian

Act 4, Scene 1

    (Sunrise setting, Rameesha in Nadia’s room)

RAMEESHA

Nadia, can I talk to you for a minute? Are you awake? Oh good. Breakfast ready. But I just wanted to have a minute to talk. You know have some one on one girl talk. You have been nothing but a joy to be with, and we love having you here living with us. Its just its been 10 months since you been home to your mother. Before you say anything let me just finish saying I know she did some bad things, but that’s your mom. Kamil and I have been stopping past to check on her. And she is not the same. She has been very distant lately, and just not herself. Im not saying go by there but anything, like a phone call or maybe a letter, its better than nothing. Alright so ima let you think about that. And when you ready come downstairs and eat with us. I love you Nadia, I have faith you will make the right decision.
    (Lights black out and Present Nadia pop up at podium)

Act 4, Scene 2


NADIA

Rameesha, of course was right. It didn’t even feel like it was 10 months since I seen my mom. I wonder if she missed me, or does she still hate me. I wanted answers, so the next day Rameesha dropped me off and waited outside in the car.

RAMEESHA

You made the right decision Nadia, and I am proud that you did. I will be just outside, call me if you need me. So go in. You can do it.

NADIA

Hello? Is anybody here, its me Nadia. Hello? Oh my god Mom what are you doing, are you ok. Give me that bottle, Wake up! Mom please, wake up! Rameesha! Please come quick, Hurry. I don’t know what happen. I came in the kitchen and she just was like this is. She never drinks alcohol and uhm is she going to die? I cant have anybody else die close to me, I wont be able to deal with it. Thank you Rameesha for calling. Can we go meet her at the hospital? Alright let me grab some clothes for her.

    (Siren noises & Present Nadia appeared)

Act 4, Scene 3
       
PRESENT NADIA

I think day changed all of our lives. I never thought my mom would do that to herself. And dealing with that issue made us both stronger. Later that month after my mom was hospitalized. I moved back in with her to take care of her.

    (Lights faded out Living room setting in place, With Young Nadia & Sian)

YOUNG NADIA

Anymore tea Mom?

SIAN

No thank you, but we need to talk come sit down next to me. Let me start off by just saying I am truly sorry for my past actions, all of them. I was so jealous of you and your father bond. I am so embarrassed to say this but seeing that created a deep dark hatred in my heart. Watching you leave was the hardest thing ever. Although I acted as if I didn’t care, It had hurt me deeply. And those lonely nights led to fun alcohol drinking by myself. And I overdid the drinking way too much. I was drinking Gin with my breakfast meal and twice as much with dinner. Treating you like that is the thing I most regret. Will you accept my apology?

    (Lights fade & Present Nadia pops up at the podium.)

Act  4, Scene 4


    (Young Nadia& Sian playing apple blast off stage)

PRESENT NADIA


The relationship between my mom and I got way better. We laughed, joked around. Everything was great. And the next day was even better.

    (Lights faded and the living room setting appears)

KAMIL


Hey, Sian. You look nice today. I got great news, Where is Nadia? I want to tell you guys together. Oh she is in her room. Nadia! Hurry come here, I need to tell you something important. No, its nothing bad. So I invited my friend over for dinner the other day and he was telling how his wife does art in the U.S. I told him about you and showed him you room and all the paintings on your wall. He was amazed. And called his wife, and she requested a portfolio and an interview from you. It’s a really good job and it pays really well. The only thing is you have to live in the U.S. This is a once and lifetime opportunity. You are beyond a great artist I really think you should do it. Your old enough to take care of yourself, and plus you can always visit. Well I will let you think about it, let me know by Monday. Alright well I have to get to the market before it closes! Ok bye, Nadia let your heart decide for you. Bye, you guys. Let me know!

   (light fades and Present Nadia at the podium appears)

Act 5, Scene 1


My heart sure did guide me too my choice. I am now a professional artist living in California. I couldn’t even believe it. Buddha saw my struggles and granted me with my dream job. Every morning I think about my past. And it makes me even strive and w harder. I am so proud of myself. My dad is still in my heart and I hope he is watching me achieve my dreams. Thank you all, I truly appreciate you all for coming. Let the celebration begin! Cheers!

   (The Sri Lanka music comes on and every one gets up and hugs Nadia.)




mono
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A Heart to Mend

Posted by Longnu Nhan in World History - Block on Monday, April 11, 2011 at 2:13 am

​This play is about a girl (Angelina) who deals with rape and her family issues. She has a mother who isn't very supportive of her at all. He father raped her when she was seven years old. She falls under the pressure of suicidal. This play deals with a lot of difficult decisions, but luckily she found someone in Congo who went through the same issues as her. Congo, Africa is the capital city of rape. Through the social networking, Angelina met a girl name Zuri who helps her through her problem.

Act I, Scene II
ANGELINA

Stage Directions:
The whole stage is pitch dark. But there are two spotlights on Angelina and Suzan.

Angelina:
[She’s talking to the therapist; Angelina is sitting on a wooden chair and Suzan is sitting on a rolling chair with a notepad and a pen]  

[Sigh]
It’s been a long time since I’ve told someone this. You’re the second person to know. Please don’t tell anyone about this. Do you promise? I-I-was raped…by my dad when I was 7 years old.
[She catches her breath]

I still remember the very first time he put his dick in my vagina. We were at his friend’s house in New Hampshire. I don’t remember the time, but I do know it was really late at night. I was in full clothing and he was in his boxers. But that was normal because that’s how he went to sleep every night. He came to the bed and started to seduce me.
[She looks down and starts playing with her hands]

I turned away and then the whole incident happened. I blacked out. I don’t remember feeling the pain or him pushing his dick in my vagina. It was horrible, physically. I was dizzy. My thoughts just left me. Every time I think about THAT first night, it brings me to tears.
    [The therapist grabs her hands and holds them. Angelina’s hands begins to shake even more]

When I think about what happened, I feel anxious and broken hearted. When I look at myself in the mirror, I feel disgusted. He used by body for pleasure. For pleasure I tell you. Why me? I’m his blood. He created me. I just don’t understand why someone would hurt the one they love.
    [She shakes her head]

My body is a temple and I have to be sacred, but now that it’s not pure anymore, I don’t know how to look at body in a different way anymore. He caused me so much pain. I can’t even have intimacy with my partner without thinking he’s going to rape me. I’m scared. I don’t even know difference between making love and lusting. In the bible, it says “But I say to you that everyone who looks at a woman with lustful intent has already committed adultery with her in his heart”-Matthew 5:28. I live in a great world and I’m supposed to enjoy every moment of my life. BUT I CAN’T. Thanks to him. I can never have long relationships. I tend to runaway when a guy tells me that he l-l-lo-love me. Will I ever be in love with a male? Will I ever have children? Will I ever know what making love feels like? I mean, he didn’t rape me only ONCE, but many times. I would estimate around 20-----
    [Phone rings]

Hello? Yeah-yeah mom. I’m at therapy. Bu-but.
    [Rolls her eyes]

Alright. Fine. Bye.
    [She hangs up the phone]

I have to go. My mom wants me home.
    [She exits the stage and Suzan will leave as soon as the lights go off]

Stage Directions:
Turn off all lights and play some sad music.


Act II, Scene I
Stage Directions:
[Set a couch, table, some cups, and a rolling chair on stage]

[The mom is talking to the therapist; mom is sitting on the couch and the therapist is sitting on a comfy chair]

MELANIE

[She has a frozen face]
Honestly, I didn’t know how to react when my daughter old me that her own FATHER raped her. I-I-I just froze.
[Shrugs her shoulder and give an “I don’t care look]

I just don’t know what to say or feel. I’m the type of person that doesn’t open up to people. I’m only doing that with you because I’m forced to. I’m paying for something that I don’t even want to do. Hold on, I have a text message.
[Starts texting]

But yeah, I didn’t want to be here in the first place. Oh, I’m here to talking about my problems? I don’t wanna talk about my problems. Let’s talk about yours. Here’s the thing with therapy. They want to get all up in your problems.
[Makes swinging arms in a circle]

Therapy is good, but I mean, does it really help situations like this? The situation already happened. She’s gunna be scarred for life. What can you do? Give her some medication? Hahaha. I crack myself up.
[Slaps her knees]

No. Seriously. Why am I here?
[Scratches the back of her neck while saying]

Sigh, you’re just wasting your time. You’re not getting anything out of me.
[Phones ringing]

Excuse me. Hello? Hey, what’s up? Oh yeah? Nah nah, I’m not busy. Alright, I’ll be there in 5 minutes.
[Hangs up phone call, and gets up]

Well listen, it was nice meeting you. But I have errands to run.
[The mom leaves]

SUZAN
But—I’m not done.
    [Drops down her book and pen]

I’m not going to give up on this poor girl.

Stage Directions:
[Dim the lights down slowly and Suzan will walk off stage.]

Act II, Scene II
Stage Directions:
[The stage is set up as Angelina’s bedroom]
[She’s in her bra and panties; staring at herself in the mirror with a gun in one hand, a knife in the other, and a bible in front of her. She’s also talking out loud to God.]

ANGELINA
Why am I going through this pain? I don’t go through this Lord. I can’t handle the pain anymore. It’s tearing me apart. I have too much on my plate right now. Why are you doing this to me? Out of these girls on earth, why am I suffering so much? What did I ever do?
[She looks at herself in the mirror]

Look at this body. It looks so disgusting. I don’t feel sacred anymore. I look so skinny. THANKS TO HIM. I can’t eat or sleep. My eyes looks like air bags. What the hell? Every time I look at a plate of food, I just wanna throw up
[Gagging]

I think about that night all the time. He put me in the stage of depression. My parents abandoned me. My mom doesn’t care about what happened to me in the past. She thinks this is a joke when it’s not. She doesn’t understand how much that ONE moment impacted on my life. She’s doesn’t even know that I’m sitting here balling my eyes out. She doesn’t even know that I have a sharp knife in my left hand and a gun fully loaded with bullets in the other hand. This is not a game called Russian Roulette. This is a serious matter. It sucks to have parents that don’t care about how you’re feeling and just don’t give a SHIT about you. No wonder why I’m like this. Am I wrong? All my mom cares about is her stupid job. She put everything before me. What kind of parent is that? I always saw family giggling and smiling with each other on television. Why can’t I have that in my life? Is that too much to ask for?
[She points the gun to her head and breathing really hard. She’s closing her eyes tightly]

One...two....ahhh, I can’t do it...
[Takes in a deep breath]

Okay.
[Takes in deep breaths and the wind blows through her window and her bible flipped to Genesis 1: 26-27.]
[She puts down the gun and reads that page]

It said, “God has a great plan for your life. God has created us in his image. He created us for a purpose. God has a specific plan in mind for everyone.”
[Drops down to her knees and start crying even more]

Lord, is this a sign?

Act II, Scene III
FLASHBACK

Stage Directions:
The lights will be off. During this time, the people will set up the stage. While people are moving the things around, the sounds of police cars and helicopters are playing. Blue, red, and white lights will be flashing all over the stage. The stage is set up as a small bedroom. It will only have a bed and a little cabinet. These things will be facing to the side of the stage. Then the sounds will begin to fade away.

[John throws the younger version of Angelina on the bed]

JOHN
Take off your clothes right now!

ANGELINA
What are you doing?! I don’t want to take my clothes off.

JOHN
Shut up! I didn’t ask for you to talk. So take off your clothes now!
[Angelina tries to run away but as she gets off the bed, John grabs her by her hand and lay her down. He begins to duck tape her to the bed. He begins to seduce her and as he gets closer to her, the lights go dark.]

Act III, Scene I
Stage Directions:
The lights will only focus on the dad. But there’s a dim light on the therapist. Everything is blacked out.
[He’s talking to therapist] {He’s holding a beer in one hand and a cigarette in the other} [He has an Asian person’s accent]

JOHN

How are you?
*Sigh*
I’m doing good.
[Takes a long breath]

I guess. So why am I here? What?! I-I-I didn’t do that. I never once touch that little girl! She’s lying to you. You know how kids are. They always make things up with their imagination. They think unicorns are real. C’mon now. How she knew about sex? I don’t know. I ain’t teach her that. She is learning by herself. Maybe her school taught her. I don’t know. I’M NOT LYING TO YOU!
[Tears are fallen down his eyes]

What am I doing? I-I-I don’t know what was running through my mind at the time. She was just lying there on my bed, sleeping like a little angel. An angel of mine. That night, I was with my bros. We were chillen, smoking, and drinking. We were all high and laughing at the stupidest things.
[Laughing out loud and smoking the cigarette]

I still remember that day as if it was yesterday.
 [Shaking his head]

Oh man, so much happened that night. Do I still remember what I did to my daughter? Just a little bit. I just know that we were in New Hampshire and I started to take off her clothes. I have no idea why I did that to her. Why THAT ONE night? I never done that to her before so I don’t know what got to me. Maybe it was because I was watching porn that night and I was horny. I mean, what’s a guy to do when he’s horny? Have sex.
    [Puts his head down]

My daughter was the only female figure in the house. It was all guys in the house. I’m not going to have sex with a guy. Fuck out of here! Excuse my language. I don’t regret doing that to my daughter. When I tell you to do something, do it. It’s not that hard. I told her to take off her pants and she wouldn’t listen so I did it myself. I have the rights to do whatever I want to my child. I made her so I have the right to do whatever I want. I do abuse her. It’s not my fault. Like I told you before, if she listens to me, none of this would of happened. You know what, I don’t wanna deal with this anymore. I’m out.
[He leaves the office]

Act III, Scene II
Stage Directions:
There will be little blue, red, and white lights around Suzan. But there will be one big spotlight on her as she sits in her seat.
[Therapist is sitting on the couch crossed legs and holding a notebook on her lap with a pen in her right hand. She’s talking into a video.]

[Click the recording button]

Journal number 13. As I’m listening to all of them talk to me, I can’t seem to understand her parents. She has a mom that doesn’t care about her and puts her job before her own child. And then you have a dad who scarred the poor girl for life. At least she has a boyfriend who supports her on anything. I don’t know the guy personally, but he seems like a good guy. I just can’t seem to understand why her parents are like that. I’m a mom. I have 2 kids. A boy and a girl. I would never put my job before my child. Especially if I knew about her pain. The only job that really matters is being a mother. That’s the greatest job God can give to any woman. I try to be understanding and see the points that they’re making but it doesn’t click to me and I can’t seem to soak it in. So, I told Angelina to check out Congo. As I know, Congo is the capital of rape. I wanted her to realize that she’s not alone in this situation. What she doesn’t know is that I have connection over there because I also work at a company that corresponds with rape in Congo. I picked a girl out for Angelina to talk to through Facebook and her name is Zuri Robinson.
[She stops recording]

Act III, Scene III

Stage Directions:
Half of the stage will be set with as Angelina’s room while the other half will be set as the library.

ZURI

[She is typing a message to Angelina on Facebook.]

Dear Angelina,
Hello, my name is Zuri. I am from Congo, Africa. Suzan had contacted me over the past couple of days. She told me about your story. I know you told her not to tell anyone about your issue but she only told me because I know exactly how you feel. So please don’t be mad at her. It’s only for the better for you and I. I’ve been raped as well. So many times. I can’t even count. You are not alone in this situation. I cry each night to sleep. I live in a poor country that barely has food, money, shelters, anything. I live in a little hut with my mom and my younger brother. We starve most of the days. My mom can’t leave my side because she’s scared that some man will come in and rape me. I’m scared as well. I feel trapped in my own little hut. I wish I had freedom. I wish I can just walk outside and not worry about a guy raping me. So I definitely know where you’re coming from. It’s a shame that your mom doesn’t care about you and the fact that your own dad raped you. I try to turn my situation into a positive thing. I believe in God as well. I’d learned that God will not give you a problem if he knows you can’t handle it. I feel as though that what happened to me was for a reason. It made me stronger as a person. It’s giving me an opportunity to meet new people just like you. It has given me the strength to grow as a person and help other people. You go through the same situation as me so it’s easy for me to talk to you. I’m able to turn a negative problem into a positive thing. Maybe you should as well. I feel as though I have it tougher than you because Congo is the capital of rape. Us girls get raped every minute. If I’m able to come out strong, I’m confident that you can as well. Please write back. Love, Zuri.

Stage Directions:
The light switches to Angelina’s side of the stage

[Angelina writes back to Zuri]

Hello there. I’m not mad at all. I highly appreciate you taking your time out to write me a message. Wow, your story truly inspires me. I cry myself to sleep every night as well. It’s not a great thing. But I mean, it happens. It just suck because both of my parents are screwed up. It’s just not fair. And wow, you can’t even walk out the house? That’s crazy. I’m really sorry for you. I try to think that God is watching over me but I would hesitate sometimes. I don’t deserve this at all. I’m a very good person. I try to help everyone but it seems like I’m always getting hurt. I mean, if you can turn something negative into a positive thing then I can do it as well. I have an idea. I’m going to scare my mom. That should give her a wake up call. Well I have to go. Talk to you later. P.S. stay strong. Thank you. Love, Angelina.

Act III, Scene IV

Stage Directions:
The stage is set up as a funeral home.

[Melanie is sitting in the therapist waiting room. Suzan opens up the door and welcomes mom inside. Inside the office, there was a casket wrapped in red cloth symbolizing Angelina’s favorite color. The room was pure dark with candle lights surrounding the casket.]

Melanie: What is this?

Suzan: This is how your daughter’s funeral is going to look of you don’t take care of her.

[Suzan walks her to the casket. Mom slowly walks to the casket. Touching it very gently. Soothing her hand along the side. Her face is in full guilty. One hand is oer her mouth and she’s holding Suzan’s hands with the other]

Mom: This is her favorite color. My little girl.

[Suzan opens up the casket and in there lays Angelina. Angelina’s face is stoned. NO MOVEMENT. Mom takes a huge step back with shocker. She was trying to catch on to her breath]

Mom: Oh my goodness. My little girl. What happen to her? Why is she in here?

[She slowly touches her daughter meanwhile Angelina is pretending that she’s dead. Suzan closes the casket]

Suzan: Angelina, you can come out now.

Angelina comes out the casket and hugs her mom. While they’re hugging, they says:

Mom: [crying really hard] I’m so sorry. I don’t want you to end up like this. Please forgive me, I’m sorry. Please forgive me. I promise to put you before work. I’ll do anything. Just don’t die on me.





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Footsteps of Crushed Spirits

Posted by Mecca Sharrieff in World History - Block on Sunday, April 10, 2011 at 10:32 pm

​ This play is a collection of monologues based on true untold stories. The location is in South Africa and the issue of AIDS is addressed throughout the play as one of the many issues. A community struggles to find hope within themselves, because of the many bad influences there are as a young teen. Things such as gangs and violence tend to overpower them. These monologues create suspense as to why people make the decisions that they do. Another important topic that these monologues address is human rights. It seems as if human rights have not been modified to fit the basic needs of society. That is expressed through the struggle to afford medicine for diseases (AIDS) and treatment to at least prevent the problem from increasing. Through it all, the main character, Bobby is faced with a dilemma. It becomes a test of his morals to figure out what he should do, considering he is only a teen. It is well known that teens are often perceived as not being able to make their own decisions. Will Bobby let common morals control his thoughts or take the initiative to take matters into his own hands? 
WH Monologue Lady Sam  - Medium
​​Characters
 
 
Kimberly Mae: A sweet girl from next door who faces many struggles as a rape victim.

Bobby: A young male who remains in school while he also faces struggles and falls in love with his long lost sister.

Grandma Mali: The guardian of Kimberly Mae, who raised her since her mother died.

Shaun: A young man who is a victim of gang violence. Shaun got himself into debt trouble to their leader, Terk.

Terk: A notorious leader of the Numbers Gang who has two children that he neglects to endorse his wealth.

Lady Sam: Known for being “The Crazy Lady” of the neighborhood with influential spiritual powers.

Barbara: A volunteer worker for at the Treatment Act Campaign that provides medicine for AIDS in places like Africa.



Act 1, Scene 1
 
BARBARA

(Writing on board for meeting. Chairs set up like a classroom writing on a board. Talking to self while taking off Red Jacket.)
I don’t know what to say to these people.
(Puts coat on back of chair and writes TAC in a large format on board and sighs deeply.)
I don’t understand why they chose me, of all people, to be a representative. They even gave me a fake name.
(Drops chalk angrily on ledge with a questioning voice.)
Who’s Barbara.
(Plays with nametag.)
Cheap old thing. They didn’t even have enough money to buy me a nametag with my real name on it.
(Pause. Guest knocking at the door.)
Who’s there?
(Sounds of approaching footsteps.)
Oh, hello there.
(Extends hand for shake but slowly pulls back hand in redemption. Forces a smile.)
My name is...
(Pause and looks down.)
Barbara.
(Smiles)
My last name? Conner. I am a representative for TAC, otherwise known as the Treatment Action Campaign.
(Plain Voice)
We work as a unit to help end AIDS here in Africa. We also work with other organizations on the side. We provide medicine, education and several other things to help protect the community.
(Pause and searches in desk for a pen.)
I’m sorry I cannot release confidential information.
(Pause and closes drawer.)
No, I do not know of a girl named Kim.
(Pause and puts on lotion from desk on hands.)
Oh wait, you mean Terk’s lost child. Sure, I know of her.
(Pause. Face begins to turn ashen. Sits down and types on computer.)
What do you mean she was raped?
(Pause with intense music.)
By whom?
(Pause and stops typing.)
You mean... from the Numbers Gang?
(Pause and fidgets with name tag.)
Are you sure that Shaun was the one who raped Kim?
(Deep sigh)
I’m sorry, I have to leave.
(In a pleading rush grabs coat from back of the chair.)
Please don’t tell anyone about this. Don’t release that to anyone Miss..
(Pause and nods head)
Miss Wright.
(Pause)
Can you do me a favor?
(Points outside in the direction of the windows.)
Go tell one of the officials that I have a family emergency.
(Runs out of room)
 
Act 1, Scene 2
 
SHAUN 

(Speaking to mirror)
Pull yourself together, Shaun.
(Deep sigh)
Maybe it’s the way I look that makes people suspicious. Maybe it’s just that.
(Pause and puts hand on sink.)
Yeah. If I stop looking so guilty, then
(Pointing to self.)
I can get a job. I didn’t mean to rape that little girl- but I know what would’ve happened if I didn’t. I feel bad that she may have HIV, but there’s nothing I can do about that now. I have one bottle of these medications left, and I’m not gonna waste it on some guilt. I figure,
(Pause while using hands as a demonstration.)
if I cut each pill into halves, I can have enough to last me until TAC gets back. Then again, if they find out what I did, they might hang me.
(Closes eyes for a brief moment and then stares at mirror again.)
That’s why I can’t go to the protest, because they might protest against me.
(Accidentally knocks mouth wash over and it spills on the floor.)
Damn! Now I have to clean this up. He gave this devil to me.
(Angrily speaking while using a towel to clean up mouth wash.)
He gave me this pain in the ass- and now I have to hide my blood from those who I love. This devil’s disease. I should give it to his entire family to see how it feels. I’m sick of him being the dominant one. I’m sick of being second best to him. Ever since that day he pushed me down, he’s always been on top. I was too much of a punk to fight back. I was taught to win by any means, but fighting wasn’t needed. But I’m gonna make sure he’s never on top again. I’ll kill him like how he mentally killed me as I did Kim. She lives in East London and we’re miles away just killing her softly. Terk raped me and made me rape Kim. I had no other option. He would have killed my entire family if I hadn’t.
(Sobs briefly and throws towel far while putting a hand on his forehead.)
Kim’s innocence is gone, my mind is gone. The Numbers Gang, I hate Terk for creating it. And through it all, he only gains. What did Terk lose? Nothing. So guess what? Now he’s gonna lose his life. If AIDS doesn’t kill him, then I will.
(Picks up broken glass, piece by piece, examining slowly. Fade out.)
 
Act 1, Scene 3
 
KIMBERLY MAE
 
(Sitting down behind a tree.)
“Kimberly Mae, where are you?”
(Laughs at herself.)
This woman keeps calling me, I swear that mother-
(Pause and change of facial expression.)
grandmother of mine has issues. I don’t want her to be my grandmother. She does a horrible job at it. Why would she tell the block of how I was raped? Now no one will talk to me, because they think I can’t handle myself like a lady. Grannie keeps stressing me out about when I have nose bleeds. I can’t help my nose bleeds. I don’t have anything. I don’t care what TAC or any of them people say. I don’t know why Grannie trusts them. I don’t know why I trust anybody.
(Picks at tree by peeling some chunks from it.)
So what she told the police about the guy who raped me? What are they going to do? They can’t give me any medication. They probably would be too afraid to see my blood.
(Shivers using hands while talking.)
I need to stay on my feet. As long I don’t run into Terk again. I know Terk had something to do with this. He thinks I don’t remember my Mother. That was back before he decided to join that gang. If it weren’t for the gang in the first place, then my Momma would still be here. The police never gave a damn about us. If the police did their job, maybe Momma and I would be happy. Them police people got too much praise. All they ever cares about is school. Always wanna be in the mix of making school less important for girls than for boys. That’s all they ever talk about is the danger of going to school, but never the dangers of living.
(Picks up pocket knife.)
Well maybe I should try to kill myself, so Grannie can stop worrying me about being a lady, and the world can go on living without me.
Act 2, Scene 1
 
BOBBY
 
(Tying shoe laces while preparing for school.)
(Mimicking his father.)
“You gotta go to school Bobby, ain’t no messin’ round with these fast girls.” All I hear. A hypocrite is what he is.
(Grips the laces harder as he ties them.)
All he does all day is hurt peoples. He act like I don’t see what he be doing.
(Puts on dog tag)
This piece of crap.
(Reads words on dog tag.)
“To Bobby: He who learns, teaches.”
(Thinks for a moment.)
Oh yea, well if that’s true, I hope he does a horrible job at teaching me. The only thing he’s taught me is how NOT to treat a woman. And the thinks I don’t see the medicine in the bathroom cabinet. Yea, it’s all there. Sometimes I wish he would die. But that would bring bad karma. I swear that’s the only thing that keeps me going. Karma and how it comes back around. I can’t wait till karma bites my dad in the ass. He deserves it. But I’ll never show my hatred for him. It would be too disrespectful. And that’s about the only good thing Terk has ever done for me. Is teach me to be respectful. I respectfully think he’s a piece of dirt on my life. I think I understand why Mom left now. Always hitting her.
(Tears up)
Momma, why didn’t you take me with you when you left? Or maybe he made you leave me. I don’t know for sure. But believe me when I say, I will find out.
(Looks at dog tag.)
I will find out.
( Puts on book bag and runs to school.)
 
Act 2, Scene 2
 
LADY SAM
 
(Speaking to a man covered in a long black cloak.)
I was sent by the lords of Africa to deliver the prophet's message. It is here where I was sent. This duty to fulfill.
(Gets down on one knee. Pulls out beaded bracelet.)
This bracelet, blessed upon the heavens gives me the power to control the positive energy within human beings. It will stem a vibe through anyone weak enough to put on the bracelet.
(Bows head)
Dear lords of our sanctuary, I here by wish that I can be the messenger in this journey. It is heard that Kimberly Mae was the chosen one. She shall wear this bracelet. Her gift is courage of self healing. Anyone else who wears this shall be punished in the name of bravery to kill through self destruction. The sins that are committed shall be considered most abrupt, dishonoring and foul. Thank you, my dear lords of nature.
(Sprinkles powder among bracelet)
Hither there shadows, off we go to the Bird's tree. 

Act 2, Scene 3
 
BOBBY
 
(Throwing pebbles along the river.)
(With excitement)
Oh, that was a nice one. I bet Kim couldn’t beat that for the world. I just wish she was here to see me do it. (Pause)
I hope she’s okay. I swear she was up to nothing but trouble since the start. Ever since that intruder.
(Picks up rock and thrusts it at a tree)
Damn fools. I can’t save her anymore. I can’t help her. I just, can’t. How does she expect me to support her as a friend, when she can’t even support herself as a person? She won’t even accept help from these nice people that come here. I don’t understand her. We used to be the best of friends.
(Picks up a second rock and holds in hand while talking calmly.)
I remember when we used to run home from school together, so the gangsters wouldn’t catch us. We used to have fun being on the brinks of danger and live without a care. Kim was fearless, and I loved her for that. She blended in perfectly with the guys. That’s why we could be best friends and everyone was cool with it. Now I barely even know her. I don’t know what’s gotten in her head or if this disease is taking over. I wanna find the guy that changed her. That took my best friend away from me.
(Throws rock along the river bank)
That guy took my best friend away from me and I don’t understand why. She never hurt nobody, but people always hurting her. I guess that’s the way of life sometimes. 

Act 2, Scene 4
 
KIMBERLY MAE
 
(Looks to the sky while sitting beneath a tree.)
What’s that?
(Plays in dirt and pulls out a bracelet.)
I like the way it looks.
(Shows it in the moon light and pulls sleeve over it. Pulls a nail filer from back pocket and files nails.)
“Momma, I don’t know where you are up there, but I’m sure you hear me screaming inside from down here. I know that you love me and didn’t want me to end up this way. But, I feel that there’s something I have to do. I hope you don’t hate me for it, but you don’t understand how Terk, my father, has changed. He’s an animal.
(Pause and throws nail filer far.)
I want him dead. I don’t care that he helped create me. This isn’t even my Dad anymore. When you married him, his name was Thomas Zinabe. Now he’s adopted the gang name Terk. And I hate Terk.
(Crying angrily while pulling grass out of the earth.)
I want him dead and below me. I want him to burn in hell. I hope that you protect me from this pain I will endure, but one thing’s for sure. I won’t allow him to rape another like his gang friend did me. There’s no excuse. The block knows of how that guy was raped, and then he came and raped me. It’s all Terk’s fault. He’s supposed to protect me.”
(Lays down on grass and falls asleep under tree.)
 
Act 3, Scene 1
 
BOBBY
 
(Playing checkers with father.)
Yeah Terk, there’s this girl I like. I mean, father. But anyway, she’s a really sweet girl. Where did I meet her?
(Eyebrows Raise)
At school of course. She sits next to me in Literature sometimes. The thing I really love about her is her laugh.
(Looks at Terk)
No, I'm not in love with her-
(Pause)
yet. She really fits in with the guys too. Not afraid of being herself. Then on top of that, she loves soccer just as much as I do. I don't know, Pa. I've never been in love before, but I wouldn't mind finding out. No, she's not a fast girl. Damn, I can't even have love for my best friend? Yeah, she's my best friend now. I just can't help it. She isn't like the other girls.
(Smiles)
I can't wipe the smile off of my face. She's amazing. Not just for her body either- though I wouldn't mind…
(Drifts off into thought)
But no, I wouldn't use her like that. She says she lost her Momma, and she lives with her Grannie. She refused to tell me about her father. Her skin is like mine, soft and caramel. Her eyes are almond shaped. Again, like mine. It's funny how people mistake her for my sister.
(Pause)
(With more excitement.)
Yeah! Really, they think we're related!
(Pause)
Her name? Oh, her name is Kim. Kimberly Mae, I think.
(Checkers board falls on ground.)
(Picks up pieces confusingly.)
 
Act 3, Scene 2
 
KIMBERLY MAE
 
(Examines body in mirror.)
(Grabs chest)
Yeah, remember when he grabbed you there? And held you down with all of his strength.
(Shivers)
That bloody bastard. Where ever he is, I hope he knows that revenge is coming. I know he a part of that Numbers Gang. He was speaking that crazy language to his friend. I saw him the other day and he pretended like he didn’t know me.
(Pause)
Little does he know, what goes around, comes around. So I won’t kill him, but he won’t break me down, just because he … did what he did to me. I have to learn to forgive him. I was waiting to get my virginity over and done with. So now, I don’t have to go through it again. No one else can take it from me, because it’s already gone. I was bound to get raped. Especially with a body like this.
(Turns head around to see lower back.)
(Faces the mirror again.)
My virginity is gone, and I like it that way. It didn’t happen in a horrible way either. Maybe it wasn’t rape and I was just asking for it the whole time. I mean, he wasn’t completely ugly or nasty, I just wasn’t interested. And he was sweet about it too. People normally slap you for resisting sex. But no, he didn’t hit my face. After a while I stopped resisting.
(Looks at bruises on neck.)
And these bruises will heal fast. I can just say I got hit during soccer practice, and then maybe everyone will forget about it. I hope Bobby doesn’t see the marks though, because then he’d ask questions. But I don’t want to tell him the truth. I’m supposed to meet his father tomorrow. But not with my body looking like this. Maybe if I stuff my bra a little bit, and wear a skirt, he will be distracted from my neck and focus more on my body.
(Looks at bruises one more time.)
This is gonna hurt...
(Puts an ice pack on neck and runs bath water.)
 
 
Act 4, Scene 1
 
TERK
 
(Looks through photographs on desk.)
Look officer, I don’t know nothing about no girl named Kim. I don’t care if your records say she’s my daughter. The hoe lived with her mama. Her mama dead, and no I ain’t kill her. I went on trial for that already. Anything else you want to interrogate me about?
(Pause. Feels on clothes in plastic bag.)
Look, I am not responsible for nobody else’s actions. I’m not a gang banger.
(Pause and looks at clothes.)
What you mean? I don’t know nothing bout no 666 on somebody clothing.
(Pause)
The numbers on my jacket? That say 555. My home address.
(Pause)
Look, I have a bad memory, I can’t be remembering where I live all the time. I have more important things to worry about.
(Short Pause)
What do you mean like what?  If you really was the Police, you would knows I have AIDS.
(Short Pause)
I had it as a child. My mother gave it to me. That’s why I don’t like women.
(Short Pause)
No, I’m not sexist, and I did not kill Kim.
(Long Pause)
Okay so? Yes, I had sexual relations with Kim’s mom, but that was years ago. And I ain’t the father of that bitch.
(Short Pause)
I’m sorry officer, I didn’t mean to swear. I just get so annoyed with women. All their dumb mistakes.
(Short Pause)
You wanna know my real name?
(Long Pause)
Terk.
(Short Pause)
Okay, so your records say different. Nobody calls me by my real name.
(Short Pause)
(Looks angrily at officer and stands up while slamming his fists on the desk.)
Don’t nobody call me Thomas Zinabe but my mother, and that’s how it’s gonna stay.
(Knocks table down.)
I don’t care if you’re a lady. Call me that again, and I’ll kill you.
(Spits in officer’s face and runs. Soon is shot by near by police man.)

Act 4, Scene 2
 
BOBBY
 
(Speaking to class.)
Hey everyone, most of you know me as Bobby.
(Nervously waves to class.)
I don’t know many of you that well, but the teacher insisted I read you this letter about what’s been going on in my life. She says everyone will do it eventually, but I’m the first to go. So here it is
(Clears throat and pulls folded note from back pocket.)
“Lately I’ve been contemplating what to do with my life. These past two months have been the hardest for me. (Pause)
And I know we all are in pain from Kim’s journey to heaven. I try to hold back tears, because she was my best friend, brother and like a girlfriend and
(Looks up at class.) … (Looks down at paper.)
she wouldn’t want me to cry. But the hardest part of it all was that she was gone before I could - say goodbye. Before I even rescue her from my own father, Terk. Turns out that was her father also. My dad let some guy in his gang rape my sister.
(Clenches fist)
So, I gave revenge to him and his friends. They took the beads I wear around my wrist. I call them a form of hope sometimes. That’s the only way I feel Kim here with me. I can barely look at myself in the mirror. I’m a monster who murdered my father.
(Long pause and licks lips.)
After the trial was over, I was found not guilty, and even if I was found guilty, I would feel no remorse. I don’t let people get by on things they shouldn’t. I’m alone now. I have no friends and everyone thinks I’m crazy. Well, I’m not. I’m just afraid.
(Pause)
Afraid that everyone will turn on me. No one even looks me in my face anymore. I thought I was a hero. I gave my own father punishment for something that would go unnoticed by the police. I thought I was making a difference.
(Pause)
But I realize now that I was just a coward. But I’m not alone. I’m sure some of you have problems in your life too.
(Long nervous pause. Swallows slowly and shakes a little.)
I don’t blame any of you if you are afraid of me. I haven’t been in school for a month, so I know that I have a lot of work to catch up on. I’m trying to keep my composure, but it’s hard when no one believes you. These beads never had power. I think it was me all along. These beads changed Kim for the better. I wish you guys could have seen how happy she was. I was in love with her. Her everything. But now she’s not here. It feels like no one is. I live alone, with no family. I had to make a hard decision. I felt that there would never be any justice for Kim. I did what I thought was right.
(Pause)
So my question to all of you is, what would you do if you were in my shoes?

Act 4, Scene 3
 
GRANDMA MALI
 
(Speaking to Rev. Paul.)
The lord done took my baby with him. I don’t know where to go anymore. The doctor’s people say she has AIDS or something. I don’t even know what that is! Rev. I done comes here for a blessing.
(Puts hand on Bible.)
Dear lord, I don’t knows what the future holds. But I know it’s all in your hands now. May those hands touch the lives of those in need of some care. We all need a shoulder to lean on, so let them grasp it. I know you with my grandbaby Kimberly Mae, and I’m doing my best to accept that you did the right thing, because you make no mistakes. It’s just a shame that she done gone so fast. She lit up my world. I loves her. Well I figure it’s going to be time for me to be with Kimberly soon. My heart giving out. Them people from TAC say it’s this disease called HIV, and they giving me all these medicines. I don’t know how to swallow pills. They injecting me with these needles that ain’t too clean. Just make the pain go away. Let the drought be over. I’m not asking of things I never seen before. I know you’re all mighty and powerful. Help Us. Help Africa. Help the World.
(Chokes and goes into seizure.)
(Falls to ground as Rev. tries to place her head on a soft pillow. Dies moments later.)
 
Act 4, Scene 5
 
LADY SAM
 
(Praying on knees)
Lords of the sanctuary, the lords of nature. I bring to your attention the news of the chosen one. Kimberly Mae is no longer here on earth. She is with the you Gods. Anyone else who wears this shall be punished in the name of bravery to kill through self destruction. The sins that are committed shall be considered most abrupt, dishonoring and foul. Yes, Bobby now wears the bracelet. But I beg of you, show mercy to the young lad. This crypt disease, AIDS. He might have it. Make the bracelet a blessing. Keep him alive. The boy’s a hero with a lost heart. He loved his own sister as a girlfriend. He didn’t know. No one told him that was his half sister. But he fell in love, and I feel bad for the poor boy. He didn’t mean to fall in love with her, it just happened. And she just happened to be his sister. The father is dead. Kim’s rapist is dead. Kimberly is dead. He’s all alone. Let the bracelet guide him and lead him to his home. To the Gods of Nature, and the Goddesses, I pray to you.
 
(Exit)
 
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