One Minute of Emotion
Jessica Maiorano
Sara Nesbitt
With the the sources and tools available, I believed that the greatest way of presenting this to an audience was using a documentary. I believe that not only will it allow me to utilize my sources, but also providing an interesting parallel to television itself, as the art form of documentaries, just like television, is a visual medium. The greatest challenge was creating a piece that not only did justice to the original work, but was also not a mere republication of the original work either. It was very important to me that this documentary was a cinematic adaption of the original paper, and not simply the original paper in visual form.
If you would like to see my process paper in full, as well as my annotated bibliography, click here.
This was a very interesting movie. I can’t say that I enjoyed the characters, but the camera angles, soundtrack, and use of lighting were absolutely amazing. The use of camera angles is what truly set the tone of this movie. Throughout the film, I noticed that many of the scenes were shot from an upward angle to give Ryan Gosling (Driver) an intimidating feel, and make him a bit of a scary character. A perfect example of this is when Ryan Gosling is walking towards the dressing room with the hammer in his hand, and because this scene was shot in an upward angle, it made him seem very intimidating. Another scene that shows a great example as to why the camera angles were such a key element in this film is when Ryan Gosling enters his apartment for the first time. The camera angle that the director used for this scene allowed for Ryan Gosling’s shadow to block out the light shining through the window and create a perfect outline of himself, which for me, introduced Ryan Gosling’s character; a very mysterious, and creepy person.
The
next most important element was the soundtrack. The entire film was very dark and
mysterious, and the songs that the director used did not match the tone of the
movie very well because they were more on the “cheerful” side and outgoing,
which made the movie even more eerie than it already was. The soundtrack also
really added to Ryan Gosling’s character, and made him more threatening, and
even scary at times.
The
third most important element was the lighting. Most of the film consisted of
scenes that were very dim (disregarding that we watched it on the projector),
which also really set the tone of the movie along with the camera angles and
soundtrack. The little amount of lighting that was used consistently throughout
the film added to the mysterious, and threatening side of Ryan Gosling’s
character as well. However, the lighting had the most effectiveness during the
elevator scene, when it was dimmed down, to focus in on the kiss between Driver
and Irene. The use of lighting during this particular scene showed the
importance of it, and that it was not only a turning point in the story, but
also a huge turning point for Driver as well.
There
were many amazing scenes in this film, all of which were amazing because of the
camera angles, soundtrack, and lighting. As I said before, one of the most
important scenes in this film was the elevator scene when Driver kissed Irene
for the first and last time. The way the lighting was used in this scene made
it one of the most important because it added to the fact that that specific
moment in the film was a game changer. Another important scene in this film was
when Driver was walking towards the dressing room with the hammer in his hand.
The camera angles used in this scene are what made it stand out because it made
Driver seem very threatening, and someone that is not to be messed with. The
scene that took place right after Driver was walking towards the dressing room
is when Driver is on the phone with Nino standing over his henchman. For this
particular scene, the camera was low to the ground facing up at Driver’s face
with his hand gripped tightly around the hammer, which showed the side of
Driver that he was trying to hide from Irene.
Finally,
the most important part of the movie for me was the beginning sequence. This is
because all of the scenes that made up the intro of the movie were shot within
the car, and made me understand the complexity of the storyline of the movie,
and the style and flow of the movie as well. Also, the very little dialogue
that Driver had in the beginning of the film made me develop an understanding
of his character.
I
would have to say that he most compelling as well as most important storyline
of Drive had to be the feelings between Driver and Irene because it developed
and set up the start for the second storyline. If Driver and Irene didn’t
develop a relationship, there would not have been another storyline within the
film.
It
was excellent how the two storylines were woven together, however, the
storyline between Driver and Irene was frustrating for me at times because
there wasn’t much dialogue exchanged between them, which made it hard for me to
connect to that part of the film.
When
it comes to the thematic elements, Drive was an amazing film, a work of art.
However, I’m not sure whether or not I liked the characters of the film,
especially Driver, because he didn’t have much dialogue, and not much of a personality
to me as well. Although the lack of dialogue that Driver had made me very
curious as to whom he was, and his background, it was still annoying for me at
times. Overall, Driver was an excellent film, and I would definitely recommend
it to anyone who is very much into watching movies, and focusing on the
thematic elements.
Created
by Danny Wirt and Alex Johnson.
The recent events that have occurred on Wall
Street have sparked an interest in Alex and I. Both Alex and I were fascinated
around the entire idea and so we decided to take up the challenge of
looking back and investigating the history of Wall Streets protests. The
ideas behind the protests, the reasons that they happened, the reasons why Wall
Street was such a hot destination for protestors were all things that caught
our attention and our eagerness for learning. Since the theme of this years
National History Day was revolution, reaction, and reform, we felt as though
using Wall Street was the perfect topic to use for the theme. Through the long
history of Wall Street, there have been many revolutions, which has resulted in
reaction and thus reform.
After
finding our topic, we both branched out and studied a lot about Wall Street. We
studied the history of it, we studied documents, and compared past protests to
later ones. We watched videos and documentaries on Wall Street. We really
wanted to make sure that we fully understood the diversity and complexity of
Wall Street. We found that Wall Street is more then just a place where people
go to trade stock.
After
we finished researching as much as we could we decided to meet together and
share our ideas together. We used our collaborative research to create a
published piece of work. After much thought we decided that a website would be
most effective at displaying what we have learned. We split up the tabs in the
website according to the century that the protests occurred. We decided to
include a timeline page with a very useful map that we found. It allows the
viewer to go to different locations where protesters occurred and read a little
bit about them and also see the year that they occurred. It was a nice useful
and interactive feature for the viewer.
Revolution,
a radical and pervasive change in society and the social structure, especially
one made suddenly and often accompanied by violence. Reaction, action in
response to some influence, event, etc. Reform, to change to a better state,
form, etc.; improve by alteration, substitution, abolition, etc. These three
terms are simply the way Wall Street works. Perhaps something happens and the
people want change. This creates a revolution, in which a reaction is only
inevitable, and thus when the reaction gets noticed there is reform, a change.
Wall Street is a place where stock is traded, money is gained, and is
essentially, a spotlight for the United States.
“If I drive for you, you get your money. That's a guarantee. You tell me where we start, where we're goin', where we goin' afterwards, I give you five minutes when we get there. Anything happens in that five minutes then I'm yours, no matter what. Anything a minute either side of that and you're on your own. I don't sit in while you're running it down. I don't carry a gun. I drive.” - Driver
Drive is a movie different from what we’ve seen
in awhile. It’s style, the music, the vibe, just the whole feel around this
film opens your mind, and put’s you in a rare world full of surprises.
Be warned if you go into this movie expected your
regular “The Transporter”, type feel, you will be wrong. Drive more of an art
apposed to just a straight up film. Different aspects of the film such as
lighting, dialogue, setting, and the big question, “Why this day?” Meaning why
should we care about this character? What makes this driver such an important aspect
of the film that the viewer should pay attention to him? These are all
questions that the director Nicolas Winding Refn was ready to answer.
So we are introduced to other important characters like his boss at a garage named Shannon, but the main characters that result in “Driver” showing his true colors, is a mother named Irene, and her child Benicio. We find out that the father is in jail, and that she is basically alone. So again without giving too much, it is obvious to see that,”Driver” starts to hang around the family, and become close to them growing a relationship with them.
Hearing this song as you watch an expressionless
Ryan Gosling drive around a nightlife city of California really puts you in the
mood. But it makes me think that there might be something odd, or wrong with
this character. Since like in the song, there is something about that is hard
to explain. Meaning that when we finish the movie we will find that the characters
that interact with him have an odd relationship with him, because of the way he
acts. And maybe the viewer still won’t understand him, and we will be, “talking
about him, but he is still the same.”
In that montage sequence when he enters his apartment the music fades
down, and you see,” Driver” just staring into his room, and in perfect sync
with the music he turns around, and turns out the light, and it jumps back to
him being in the car driving around. That small scene was mind-blowing, just
how they were able to have the click of the light switch sync with the single beat
that restarted the song.
Lastly on the topic of music there is another sequence that is really interesting. It occurs after,” Driver,” is informed about the husband, named,” Standard” is on his way back. Meaning that the main character could lose that one thing that makes him feels like a “real human being.” So there is a welcoming back party for him, and the song that is playing is,” Under Your Spell” by Desire. And as the song plays it shows the main character in the dark working on something, but he seems to be troubled, and can’t really focus. And as the song plays it cuts to the party and Irene looking at her husband, and then cuts back to Driver. And in this sequence the song repeats the lines, “I don’t eat, I don’t sleep, I do nothing but think of you.” This was another amazing scene because we know that Irene is starting to become torn between the two so when it jumps back at forth at both men, it shows what’s going on in her mind with anyone, or without her saying it. Also the same for Driver. We are used to seeing his character acting as if he doesn’t care about anything, but we see him now struggling to focus, so he leaves. When he does he sees Irene sitting in the hallway, and the music is muffled which is really cool. Because they were able to kill two birds with one stone using this song. They used it just as music for the scene, but then showed the viewer that the party is actually playing this song, and the characters themselves can hear, it and hear the words. After that there is a scene that occurs that I will go over later, but after it occurs, we see him in his car driving, without us knowing his destination. He is driving to because it helps him cope with his problems.
One of my favorite scenes that had great dialogue
that somewhat frightened me was when the husband, firsts meet driver.
[Standard comes out of the apartment with Benicio
as Driver is talking to Irene]
Standard: How you doin'?
Driver: Hi.
Standard: This guy's been tellin' me a lot about you. Says
you've been uh...comin' around, helpin' out a lot. Yeah, helpin' out? Is that
right?
[Driver doesn't reply but smiles]
Standard: Is that right?
Driver: Mmhmm.
Standard: Oh, that's very nice. That's nice of you, thank
you.
Driver: You're welcome.
Standard: You drive for the movies?
Driver: Yeah.
[referring to the garbage bag he's carrying]
Irene: I can take that.
Standard: No. No. I go it.
[to Benicio]
Standard: Let mommy talk to her friend.
This scene was very tense. The tone in Standard’s voice was scary, and violent and gave the viewer the feeling that a fight was going to break out. I enjoyed Driver’s character a lot during this scene because he didn’t seem scared; it was hard to read his emotions. It was clear to see that Irene was in fear that a fight would break out. Standard seemed to be bothered, and was probably expecting Driver to respond in away that a fight would start. But the way he responded didn’t give anything for Standard to take in. He could not read driver, so he didn’t know what kind of person he was.
In one scene he is a café and man walks up to him talking about pulling a job with him. And instead of giving a short answer, like,”yes, maybe, sure” he took control of the conversation. In the previous example we see driver was not in control on the conversation with Standard he was playing defense. It occurs when he is serious, or angered when he quickly takes control of the conversation. So when the man asked him for another heist, driver responded,
Driver: They came to my apartment, Shannon. How did they
know where I live?
Shannon: I told you, I was gonna call Bernie. I just
wanted him to know that...that it wasn't about that you're not interested in
the money. That you...you just did it for the girl.
[suddenly Driver grabs Shannon by the throat
in anger]
Shannon: Calm down!
Driver: You told them about Irene?
Shannon: Calm down, kid! That's it! Just calm down!
Driver: You told them about Irene?
Shannon: I just...I just wanted him to know, that as soon
as you return the money, that was the end of it. That's all! I didn't know! How
was I supposed to know? How was I supposed to know that? Okay? Look, let me
just...let me just talk to Bernie, okay?
Driver: Why you gotta fuck everything up, Shannon? Huh?
Why do you fuck everything up? Get the fuck out of here, and never come back.
Lastly I would like to go over Drivers character, and one of the biggest props in the film, his scorpion jacket. Towards the end of the film when he is having a conversation with the final villain, the villain says, “Do you know the story of the scorpion and the frog?” and that’s it. He doesn’t go into detail with it. But if you know the story with it being about a scorpion that wants to cross the river on the back of the frog, and the frog says no because he doesn’t want to get stung, and finally the frog lets him ride. Then halfway through the frog gets stung, and he asks why now we both are going to die, and the scorpion replies it’s in my nature. This explains the main character perfectly. His jacket incorporates a lot of the different aspects of the film, music, camera angles, lighting, and special effects. The reason why is because Ryan Gosling’s character wants to help out, he wants to be a real hero, meaning he wants to be a real human being. But it is in his nature to mess everything up. So just like it is in the nature for the scorpion to sting, it is in his nature to ruin things. The jacket incorporates music because it was used in the opening credits to for shadow certain events. The camera only showed him walking but focused on the scorpion and focused on Irene walking by him. Showing that he was going to meet her soon and hurt her. Every time he does something bad, or misses up it shows his scorpion on his jacket. So the first time this occurs is in the opening scene to for shadow the up coming events. The second time is when pulls of the job with Standard and it goes wrong. And he calls Irene to tell her the news. But when he does that the camera focuses on his back as he tries to call her. So he tries to help out with the heist, and it goes wrong resulting in the husband’s death, making things worse. So he wants to call Irene to help out more, but she doesn’t answer, then later he kills two people trying to kill him. And gets stained with their blood on his jacket. So he know he has the blood on his victims that he has stung on his jacket. Next he goes to find someone who was responsible and attacks him, but before he does the camera shows his scorpion and then shows him attacking the man. Next the elevator scene used amazing lighting for this scene. Once again driver wants to set things straight and help but as they get on the elevator with this mysterious man, driver knows that he can’t have what he wants, to he kisses Irene, and then stomps the man’s head in getting blood all over his jacket, and as the Irene steps out and watches drivers scorpion unleashed the camera shows his scorpion and shows his heavy breathing making the scorpion move.
In this film it show's two completely different stores that meets up with each other. There's a story where Gosling's character is a stunt driver, and he drives for reasons on the side which are the deals. Then there's a story where he mets a girl and her son, and has a connection with them. She's married to a latino male name Standard, which brought the gang storyline to the film.
The lighting in the film really helped in the story because especially with Gosling's character doesn't speak much so most of the movie the lighting was his dialogue. The music and sounds in the film went with everything. Especially with the radio in the first 10 minutes. The camera angles were as detailed on the characters as possible. No matter what type of camera angle it was. The one I enjoyed most was when Gosling's character drowned Nino in the ocean and it was a very wide shot of the city. But you could still see Gosling's character as small as he was because his jacket stood out.
I also remember talking with a classmate who talked about the symbol of his jacket. That classmate was Anwar. He states how he has a scorpion on the back of his jacket. It represent how a scorpion acts in it's smart and sneaky ways. He had the jacket on during most of the film. The jacket was also a motif because it's the main symbol that represents his character.
A few scenes I enjoyed was the elevator scene because the lighting told Gosling's feelings towards Irene while they were kissing and the music was building up when he did the thing with his jaw, letting Irene know he's about to show his true colors and kill the man in the elevator in order to save her. Another is when he meets Bernie. The angle I liked didn't show his face, but showed his shoulders down as he reached his hand to shake Gosling character's had. His line was "my hands are dirty" I believe. It seemed powerful in my opinion. The first 10 mins of the movie was one of my favorites because there were no camera shots from outside of the car during the chase. Another is when he went into the dressing room. It was when the guy was on the floor and Gosling's character was standing over him conversing with Nino. He had the weapon in his hand gripping it tight. That type of angle looking up at Gosling showed that he had authority at that moment. The very last was after Irene and Gosling's character was hanging out for the day. They were talking while they were near the window. The way they were looking and smiling at each other was amazing. There wasn't much dialogue but their face told it all.
The only thing I didn't like in the movie was around the end when Bernie and Gosling's character was talking. They were talking about the movie and it had clips of what happens while they were discussing it. I wanted to predict what was going to happen while they were talking. I didn't want it to show me while they were talking. Other than that, the movie was great, detailed, and I loved how the different storylines depended on each other.