Slate Post #2


 

 

 

Nursing Home Abuse

 

 

 

 

In my first Blog Post, I talked about the subject of my project, and what the task I was suppose to complete. The main subject I talked about was Nursing home abuse. I discussed how often these events occurred and what types of abuse could take place. I gave an image of the graph that provided the percentages of the types of abuse that take place. In my further research, I wondered what the consequences of Abuse of the Elderly in a Nursing Home. So I found a company that makes the consequences. This company can be called when a situation is found or seen.

I recently made a survey for people to take. The purpose of this survey is to give people who have an elder in a nursing home a heads up for something that their elder could possibly be experiencing these things. It was also to raise awareness to people who don’t have any elders in a nursing home and spread the word. The survey received 41 responses and the results were great.   

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You can take this survey if you would like to. I would love to get your results. As you can see, the majority of the people taking this survey do not have a Elder in a Nursing home. Either way, my goal of spreading the word is being accomplished. The next question of, “Do you trust Nursing Homes as a caring place.” The majority of the results were, i’m not sure. This tells me that people are unaware of Nursing home abuse and need to be informed. So my goal is also being accomplished in this question. The third question was for people to share the types of abuse that they think goes on in nursing homes. I was surprised of how much people knew. Obviously people put poor hygiene as what they knew occurred. The last question was, “How do you know that someone in a nursing home is being treated with care?” The majority of the answers were that, I don't know anyone in a nursing home. So again, I am achieving my goal by spreading the word, and I am giving people who do have someone in a nursing home valuable information. In conclusion, I am glad with my responses and I am glad I got so spread the word. I hope that everyone that took this survey, left with valuable information. I hope it made them more cautious of their Elders care. If you would like to know where I got my information from. All of my sources are linked below in the annotated bibliography.

 

 

Annotated Bibliography  

Wes Anderson's The Avengers

I want think about your favorite movie, a piece of art you know and love. Now I want you to step outside of you imagination comfort zone and if you can, imagine that beautiful movie being filmed in a completely different style. Whether the genre has been replaced with another type of film that is completely different, or the director has been replaced by an auteur whose style is very unique and completely recognizable, and nothing like the original director, the original film you love has been drastically changed.

What if for example, Wes Anderson, the genius behind Moonrise Kingdom, Fantastic Mr. Fox and The Grand Budapest Hotel among others directed Joss Whedon's the Avengers. Since these two directors both have their own very unique styles and because their styles vary drastically from one another, I thought it would be interesting to try and compare these two directors in a film featuring writing by Mr. Whedon, and Directing by Mr. Anderson, with some minor edits by myself and my partner Shane. We had already study a work by Anderson. We watched The Grand Budapest Hotel which is a great example of Anderson's style of directing and how the camera work, turns and moves through the scene. Each scene seems very choreographed which is what we tried to capture. The actors walking into the scene at around the same time and the camera does a few one hundred and eighty degree turns. The camera work in Anderson's films are very deliberate and we tried to mimic that in our film.

Another thing that is very prominent is Wes Anderson films is symmetry. He loves when shots are very symmetrical. For example to people walking to the same spot in a scene or objects behind the actors having symmetry. As something my partner and I recognized in his film, we tried to mimic that as well. There are some parts of my film the involve at least some symmetry, unfortunately because the world isn't quite symmetrical and we didn't have enough time to build our own set there isn't too obvious. Although if you look hard enough you will find some things symmetrical about the way we shot our scene.

The final aspect that we decided to capture, among the many aspects that make something a Wes Anderson film, or that are well known from him, is the close up. It was noticeable that Wes Anderson like to use close ups quite a bit so we decided to put a few in there

Some examples of camera work you will see in this film is one hundred and eighty degree turns of the camera similar to the very blocky way that Anderson likes to turn rotate or move his camera. You will also see a ninety degree turn of the camera in a similar block fashion. There are some deliberate moments with the camera moves forward toward a character while saying a line to create a close up shot. We tried to make it seem as if there was a choreographed feel to the camera angles and movements as well as the slight movement of each character. And Finally we also went for symmetry as there were railings on each side of us and symmetry when we both walk into the shot.

Unfortunately actors such as Bill Murray, Owen Wilson, and Jason Schwartzman could not be present for the making of this film but we made due with what we had.

Artist Statement Q4

My first art project involved using an online editing tool to alter images I had found on the internet. The second one involved trying to draw the figure of a man in a photograph using only lines and curves. Next, I used an online drawing tool to create some images of my own. Following that was a series of drawings that projected an illusion of space. I was supposed to create drawings that were designed to think there was more space in the backgrounds of the images.​ The penultimate drawing involved creating a copy of a still-life and adding texture to the drawing. Finally, I had to create a single drawing that incorporated all the elements of art that I knew of (i.e. color, texture, lines, dimensions).

Book Club Final Project (TeMiSaJoRu)

The following song is called I Want You. It was written and performed by Josiah Mast, Sarah Son, Micah Carrera, Ruby Ginsburg, and Teyonna Little. It is based on the book Looking For Alaska by John Green.

When writing this song, we thought of the relationship between the book's main character, Pudge, and a girl named Alaska. Throughout the story, Pudge talks about Alaska’s beauty and likeable personality. This inspired us to write a love song that--like the novel--is written from Pudge’s perspective. The song conveys Pudge’s strong love for Alaska, and how he hopes to someday marry her. Enjoy!


Katarina Backo Capstone

I always dreamed of becoming an architect. My Capstone process was supposed to reflect how an architect gets an idea and goes from the idea to the design of the building. First step is to find who needs the design and what needs to be designed. When the need is identified next steps involve choice of tools and personalization according to the clients’ needs. Finally, design choices should be made such that design looks pretty, but it is also functional, safe and realizable.

 

I thought that interning in architectural company would give me a better idea for all the steps in the project. In parallel with finding the internship I researched the designs, tools, and ideas for my project. I was surprised that neither internship nor research were the inspiration for my final idea, but rather a lunchtime conversation.  I learned that my friends wished for more quiet places at SLA. Therefore, I decided to make redesign of my school's building as my Capstone. Instead of an internship I read a lot of architectural books and websites. I decided to use Floorplanner software, did a lot of editing and redesigning things over and over again. I made a survey for students and teachers to understand what they all wanted in our school.  My Capstone taught me that I have to be open to different possibilities and not always take the path that everyone else follows. If I had the chance to do it again, I would enjoy the process more.


Bibliography:

https://docs.google.com/document/d/1IK6z0cjX6TqARZIckIcS3g_NAwtkSyi2cv-VnYM88ko/edit#heading=h.7xo9c5vk8icl



First Floor
First Floor
Entrence
Entrence
Lobby
Lobby
Lobby
Lobby
Office
Office
Office
Office
Principal's  office
Principal's office
Kichen
Kichen
Cafeteria
Cafeteria
Lounge
Lounge
Second, Third, Forth, and Fifth Floor
Second, Third, Forth, and Fifth Floor
Hallway
Hallway
Classrooms
Classrooms
Classroom
Classroom
Classroom
Classroom
Staff Bathroom
Staff Bathroom
Bathroom
Bathroom
Bathrooms
Bathrooms
Sixth Floor
Sixth Floor
Nurse's Office
Nurse's Office
Game Room
Game Room
Game Room (Pool and Hokey)
Game Room (Pool and Hokey)
Game Room (Games and Chess)
Game Room (Games and Chess)
Game Room (Football Tables and TV Section)
Game Room (Football Tables and TV Section)
Library and Stage Room
Library and Stage Room
Library
Library
Drama Studio with Piano
Drama Studio with Piano
Seventh Floor
Seventh Floor
Gym
Gym
Gym
Gym
Locker Room
Locker Room
Showers and Bathroom
Showers and Bathroom
Pool and Changing Rooms
Pool and Changing Rooms
Pool
Pool
Pool
Pool

Grand Budapest Hotel//Tim Burton style

Group members: Me

Movie: Grand Budapest Hotel  


The Grand Budapest Hotel is a wes anderson film that hold both literary and cinematic merit. This movie is brilliantly colorful, symmetrical and accompanied with a soundtrack that ties everything together. All of these things of course styles and methods that Wes Anderson is known for, so why not turn everything on it's head by doing something that is the complete opposite. For example give the entire film a Tim Burton makeover.
Tim burton's auteur is the dark, gloomy and strange looking characters that everyone loves because of how gothic everything looks. To me it seemed to be the perfect contrast to all of the colors seen in the grand budapest hotel. It would be interesting to see what the movie would be like with a dark tone but the contrast alone is not why I chose to recreated a scene in Tim burton's art style. 
Many reviews of the movie state that this movie is a dark comedy. This basically means that it's a funny way to tell a rather tragic story in my opinion. I feel like there's no better way to convey than with Tim burton's style. All of his stories are about misunderstood characters and find ways to deliver tragic messages and storylines in a way that doesn't make them seem so bad. 
With all that being said I created a storyboard using the very first scene in the movie which is the young girl leading all the way up to the author introducing the main part of the movie. When you look at the storyboard I attempted to recreated Tim Burton's famous characters where everyone has sunken eyes and large head on rather tiny bodies but that didn't quite work to well. I have to be honest even though the style seems simple there are the little details that make it work and scream "Tim Burton" . 
I focused more on the people themselves rather than the background because to me the background would most likely be the same but instead the color would only range from whatever is on  he monochromatic scale. Other than the turning this live action movie into an animated one I changed nothing that has to do with the original screenplay. The one other thing I change may have been the music but that was because the music in the original movie doesn't fit with Tim Burton's auteur and I feel like eerie music is more of the route that should be taken with this one. Overall I think that if the Grand budapest hotel was redone this way then the only possible outcome would that the narrative of the story would be enriched. 

storyboard is down below.
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Aldo Caushaj Capstone

​My capstone was to teach a small law class to kids at my former middle school. I choose this for my capstone because during my junior year when I started doing my ILP I was given the opportunity to take an intro into law class. Everything that I received from this intro into law class was more than I had thought before, I went into this class thinking that it would be another lecture or presentation that I would have to attend and leave not receiving anything, but I would just end up watching somebody teach me from a script that they had created for a mass group, but not an individual. As soon as I started my first class though I quickly learned that everything that I had presumed about this group would be turned on its head and tossed out the window. We were given a blank slate and encouraged to take control of our learning our mentors encouraged us to ask questions and ask them what we wanted to learn about and what kind of laws that we wanted to discuss. I wanted to replicate the experiences I had in that group with the students at my middle school I taught two classes there one to students that were in 8th grade going to high school and the other to ESOL students they were mixed with 7th and 8th graders I wanted to have a Lesson with them because I used to be one myself and wanted to show them that even if you don't have the same advantages as the other students born here it just means that you need to work harder and you need to achieve more than those around you. In each class thought the one thing that I wanted to leave kids with was not that they needed to peruse an education in law I wanted to leave them with knowledge of knowing your rights and the core values that our school offers  Inquiry, Research, Collaboration, Presentation, and Reflection. 

Link to Presentation: 

https://docs.google.com/presentation/d/1b_Zr5M2YqcsPbt5l4Vr2vc9-fnI36rdL6ymwZTsLaoE/edit#slide=id.g1f532d24c2_0_0

Luke W-S and Lukas S-A Blade runner x Usual suspects


Lukas S-A and Luke Watson-Sharer
 
In our final English benchmark ever at SLA, Lukas and I wanted to do something entirely original and creative. We decided to mashup the movie the usual suspects and the blade runner. We saw the blade runner in the class, a sci-fi film about detectives with the responsibility of eliminating replicants from society. The usual suspects is an entirely different film. The movie is a suspense film with a crazy twist on a con man. The films due to their obvious contrast and differences made it an interesting concept to mix.
 
The main character of the blade runner was Rick Deckard, he’s a blade runner in LA in the year 2019. The man is responsible for deactivating replicants and is considered to be the best at it, It’s an interesting character that I played(as any blade runner) because I adopt the desire to separate the replicants but also try to maintain order. Lukas plays infamous character Keyser Soze. A demented and devilish character who plays the victim originally to the detective. We wanted Lukas to get more aggressive and devious as the scene went on. He lightly said “I’m a nobody” and then continued to get aggressive saying “I ain’t no rat”. With both characters who are very goal driven it made their differences outside of that something to shed light on.
 
Once we figured out how we wanted to mash it with what movies we decided to throw it into the world that Rick Deckard lives in. In our film, Keyser Soze is a replicant who wishes to end humanity and bring a replicant revolution. It becomes the job of the unnamed new blade runners to end this. They have a few issues though. They don’t know what he looks like. Keyser Soze originally in the usual suspects is a no face criminal that sells dope and kills for fun. We adopted the stance that we don’t know what he looks like to add suspense. 
 
The unprecedented and nearly inevitable replicant revolution caused two blade runners(played by me and my friend Cullan(not an SLA student)) had the goal and the job of stopping Soze by any means necessary. Soze who had sat beneath their nose is shown doing the same thing nearly that happened at the end of the usual suspects.
 
Our trailer is a play on the ending of the usual suspects. We chose this since it'd be a crazy start to a potential film involving the best of both worlds. The ending was the best beginNing for our film. We decided to play with the conversation soze has as he left with our detective. We removed the coffee drop and the board with an escalation of intentions on both sides. Our conclusion was that Soze had escaped and cully and I would begin our hunt for him to end the revolution.
 
We originally didn't know that we didn't need to do a redo scene but after our Lifting session, we decided to do one from the beginning of the film. As they lined up they had the line “give me the keys you fucking cocksucker”. Extremely explicit we decided to say it in the way the film had where laughs were and the lines exactly. We played throughout the film The Godfather theme and eye of the tiger to help add a tone that escalated but also smooth. 
 
Overall I believe our mashup between both films could be very really interesting and that mixing two very different movies together is hard but with the usual suspects ending alteration being the beginning of the next film there are endless possibilities.

Benjamin Brandt's Miracle Cure-All

I couldn't find a way to embed the code for this video (sorry about that), so here are two links for it, which I shared with Ms. Giknis. The story I told is a collection of journal entries telling the tale of how a doctor uses genetic modification to create a miracle cure-all that essentially ends diseases worldwide.

Link: https://drive.google.com/file/d/0B5LIfR6xx4NZdURoazVhemd0Y00/view  
Link for part 2: chrome-extension://mmeijimgabbpbgpdklnllpncmdofkcpn/app.html#/files/3cbd4f39-f027-436d-y0a8-9a57460917b6

DC Presentation

Two recent projects. One from Pre-Calculus, modeling with transformation of trigonometric functions using two sets of data. And another one from English, showing the science fiction present in the book, War of the Worlds, and how it influences the theme.
Pre-Calculus Benchmark
War of the Worlds

How bad catcalling is

Catcalling is a form of street harassment that should not be tolerable, it is impolite and rude.

When women get catcalled they think that it’s vulgar and it is degrading. However some women like the attention. Unlike women, most men think that it is a compliment and when they don’t answer back there are a slut. When men do this they are looking for a women with low self esteem and problems so that they can get sex. My goal is to inform men what they doing to women and open there eyes to see how wrong it is.

An anti-harassment group took a survey about women and the age they were first catcalled. Sometimes they said over the age of 17, however most women said they were first catcalled between the ages 11 and 17. This is really foul not just because that it’s catcalling but that they are saying these things to teens. It scares them and makes them really nervous of what might happen. When a man catcalls it mainly means that they want something sexual from them. And when they do it to teens it makes it even more vile because they are saying they want something from the teens sexually.

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Catcalling has been around for centuries and dates back all the way to 200 B.C. However it wasn’t called catcalling but the wolf whistle. This term is carries a predatory connotation which acts as a symbol for wolves which is an example of male lust. The actual word catcaller started in the 1700s which was a way for people in the theater to express the disapproval for the acts on stage. They would sneer and whistle and the actors to show this. The way the catcalling is used in a sexual manner didn’t actually start until the 20th century.

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A reporter from Australia named Eleanor Gordon-Smith is interviewed by a woman named Ira. Smith talks about her experience with being catcalled and her stories when she confronted the men about it and got there thoughts. Her goal was to find out why these men did what they do. One of Smith’s story is about how she confronted her catcallers Mike and Zack  and how she tried to convince them to not catcall ever again. During their conversation Zack says that he does it because it makes women feel good while in reality it doesn’t. He also admitted to smacking a girls ass if they are in a group but only in a group, never alone. She keeps trying to convince him that women don’t actually like it and the only reason why the smile and act like they like it is because it is a defense mechanism. They do it to prevent it from doing anything physical to them such as rape. In the end she convinces them to no longer smack a woman's ass.

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Throughout the years catcalling has been happening everywhere and dates back to 200 B.C. However it has been used in different form, it was first used to show male lust, then it was used to show anger at the actors at a show, and finally it is used to call out at a girl to show interest in her. It is happening to people as young as 11 years old which is very vile. Men typically do this to complement a women and to say hello or it means that they want sex from them. They get the feeling that women like it because they smile but this reaction is only a defense mechanism to keep anything violent from happening.

 

 

 

 

Bibliography

Exercising the public



Exercising the Public

 

So last time I talked about the general idea of exercise and why it was important. Now I have done some research of my own. I have sent out a survey to get everyones opinion on exercising. If you didn’t read my last blog or you’re just generally confused on what I am talking about or the purpose of this post read my first post. It’s really informative and will explain my topic well. You can also check out my annotated bibliography for all of my research and websites.

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As you can see, out of the 86 responses I got a majority of my responders are female. From that I can make educated guesses of of what gender said what in all my questions. So for rest of this blog I make guesses based on the amount of answers to question and my outside knowledge.

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Also, the age of my responders will also play a factor in my educated guess. If you have any thoughts on my opinion please let me know in the comments section of this post. Well I think I have explained how things worked enough now let’s get to these questions.

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As you can a majority of my responders are active but a big portion is not. Judging by the average age of my responders I conclude that it's the more older people who are less active than the younger, which is not surprising. As you age you start to gain responsibilities and new ways to occupy your free time. Eventually if not committed to having that perfect body you start to lose interest and stop exercising. I believe that’s one of the reasons that obesity is more common in adults over 20 then in the age groups under it. Obesity is the condition of being grossly fat or overweight. Obesity often results from taking in more calories than are burned by exercise and normal daily activities. Obesity occurs when a person's body mass index is 30 or greater. The main symptom is excessive body fat, which increases the risk of serious health problems.The mainstay of treatment is lifestyle changes such as diet and exercise. For more information on Obesity go to this site and read up.

 

After I received my response I used my results and made my conclusions about people  in general. As you age exercise becomes less and less of an everyday activity. I’m a very active person and I’m 16 and I don’t see that part about me changing so that’s not true for everybody. For those of you it is, please join a gym or try to get into some type of regular exercise. If you need help starting one or just need a jump start please let me know and stay tuned for my agent of change which should aid with that.


Adil Shamsuddin poema

Adil shamsuddin

yo soy el hijo de una madre árabe y padre negro.

Tengo 7 hermanos y 3 hermanas de todos juntos. Mis padres han estado juntos durante 5 años.

Mi hermano asistió community college por 2 años, y mi otro hermano no ir.

Hablo árabe, inglés y un poco de francés.

Mi padre nació en el norte de Filadelfia, donde mi madre nació en ultramar en Marruecos.

Mi papá estaba en el ejército, luchó en algunas guerras y ha viajado por todo el mundo en barcos. Mi padre también saltó de aviones fueron aterrizó seguro y listo para moverse.

Mi familia es propietaria de una casa de playa en una ciudad en África, me voy a la playa casi cada 3 años, lo que es realmente divertido.

Me enseñaron árabe a la edad de 3 años, fue difícil al comienzo mi mamá me dijo, me quedé en Marruecos durante 2 años. Fui a la escuela y aprendió árabe

tengo una familia muy linda, me encanta.

Payton McQuilkin Poema

E1 U5

 

Payton McQuilkin

Soy yo

La hija de madre e padre

Los padres estar separdo

La madre el niño la hermana e el hermano

 

Veo el abuelo vacaciones casa

Saboreo la abuela cena

Huelo la madres galletas

Oigo el padre gritante

Toco la hermana ropa

 

Vengo desde Filadelfia

Me gusta comer

Me gusta ir de compras con mi familia

Me gusta escuchar música

 

Somos producto Filadelfia

Somos irlandesa

Vivimos en America

 

 

 

 

 

 

 

 

 

 

 


Work for no Reward -blog post 2

When I gave out the survey I thought  people would  go more towards the popular opinion that  students athletes should not be payed. But from what I got from my survey I was wrong. Most people thought college athletes should be compensated for the money they earn for the NCAA and colleges. I think this happened because for students taking the survey they can understand why for the athletes with no steady source of income and still putting in the same work as professional athletes why compensation would be needed. Something I found surprising is the people that took the survey didn’t realized how big the NCAA is and and how much of the income comes from just the athletes.  Another thing I found interesting is that people though the athlete got at least 10% of what they make for the NCAA back in but this isn’t true the college student athletes that make 12 billion dollars for the NCAA make 0% back. To clarify the NCAA isn’t an evil organization that is hates the college athletes, the money goes to an assortment of other things but still for a major source of income to not get anything in return is not fair in any form.

As a student athlete myself people that don’t play sports may think that it is just you running around on a field for an hour  but it is something that is hard and takes lots of time and effort to get good at the sport. So for college athletes the work they do is triple what normal student athletes put in so I can understand what they have to go though and the importance of them getting something for all the blood, sweat, and tears they give to their schools. I want to get more people to take my survey so I can get more detailed responses but from what I read I think that the topic of student athletes getting compensated is a fight worth fighting and is something that needs to happen.


Camp Rock: A Film Noir

Just imagine, Joe Jonas as a teen detective, and the love of his life (Demi Lovato of course) goes missing. Yes, we know, we just might of made your childhood a tad bit better because yes, we made Camp Rock a film noir.

To begin, we will explain why we chose to create a trailer. Our goal was for our viewers to imagine the entire movie as a film noir, and the only way to do that was through a trailer. A scene would only allow our viewers to enjoy a single segment of the movie, prohibiting their imagination to go beyond that one part. What a trailer does, is touch many parts of the film to create a visual story with little to no detail. That not only intrigues viewers to watch the whole thing, but it is also a way to leave the movie up for interpretation because everyone has different viewpoints.

A film noir cannot be described with just one thing. What makes noirs so magnificent is that they are filled with the unexpected, whether that means the storyline, or just the question as to why it rains 365 days out of the year. When making the trailer we made sure to include one aspect that every noir has, and that aspect is no color, just black and white. After changing the color of the film we watched many noir trailers, and found that light music played in the background the entire time. We chose the song we chose for our trailer because of how soothing yet mysterious it was. We also made sure to use a limited amount of dialogue because emotion, reaction, and expressions are important in noirs. Sometimes a reaction can say way more than just a simple “Wow!’. Let’s not forget the love interest too. We get a glimpse of that love between the Detective and Mitchie, but we’re careful not to show too much because we still want some of it to remain a mystery. Unfortunately, we couldn’t add the magic 365 days a year rain. What we did instead, is make the film a bit darker so viewers can at least get the feeling that it was about to rain in every scene. At first, the trailer might seem too dramatic, but what film noir isn’t over dramatized?

In our opinion, our noir trailer is much better and more entertaining than the regular Camp Rock trailer. In the regular trailer, you are given several story lines that you have to follow in just the trailer. It becomes unclear as to what the main character is looking for. In this trailer, you are given one story line, Mitchie is missing, and only one person can find her, Detective Gray. Also, let’s not forgot all the different songs that are played in the original trailer. In our noir trailer there’s only one song that plays in the background the entire time. The goal of a trailer is to leave you wanting more. We add mystery and excitement in our trailer. So many questions are left unanswered and people have to watch it if they want the answers. It’s just as simple as that.

 

Trailer Link: https://www.wevideo.com/view/933996725


Addy Gonzalez and Hanna Dunakin


Rockets Power Comeback for 4-3 Walk-Off 9th Inning Thriller; Win AAA Championship & Advance to PA-State Playoff Tourney

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Nearly a year ago a horrendous series of events unfairly ended the Rockets second consecutive undefeated season prematurely. For all involved time has stood still, but the family that started crystallizing four seasons ago never stopped working. 

A Top 4 finish in the Public League's most talented division had everyone believing 2017 was the year of the Rocket! Yet, after an early exit from the City Tourney, courtesy of a team fired by an almost identical will to win, the Rockets took the field in search of redemption, a crack at an elusive AAA Championship and a bid into the PA State Post Season Tournament. 

The Rockets quickly found themselves down 2 to a fiery String Theory squad on a couple of unearned runs. But Captain Lukas Supovitz-Aznar came in to pitch in the 3rd, shut down the Knights and helped claw back into the game with a Double in the 4th, plating Ijustice Avery to make it 3-1. 

Aznar shut String Theory down, striking out 8, surrendering just 2 hits and 1 unearned run over 5 innings to keep it close. 

In the 6th a scary moment turned the tide. 

Senior Leon Finney was drilled in the back of the head with a wild fastball by Borgesi. After coming out of the game to see the trainer, the Rockets manufactured. Avery got another hit, Ben Simon drew a walk to load the bases and Senior Jason Greene drew another walk to make it 3-2. 

Aznar and the defense worked out of a jam in the top of the 7th as the Knights stranded the bases loaded, setting up magic hour. 

Senior Aaron Watson-Sharer battled and eventually laced a single to right field, then Sophomore Avi Cantor ripped a monster Double into the gap in right center. Sharer came in to score all the way from 1st, tying the game at 3.

Sensing the game slipping away, String Theory's coach intentionally walked Tony Brown and Avery after Leon Finney came back into the game to move Cantor 90 ft away from a win. The gamble worked for the Knights as the Rockets weren't able to get the winning run to cross, forcing extra innings. 

Finney struggled with control in the 8th, loading the bases by hitting three batters. Suddenly the momentum was in Theory's corner, but Finney reached down and found some electric stuff and struck out the side, keeping it knotted 3-3.  

SLA had another chance after Senior Arsenio Gomez worked a huge Base on Balls, but Theory's reliever Pratt got out of the jam and pushed the game to the 9th. 

Finney was dialed in. Striking out the first batter on three pitches, he then induced a slow roller to a charging Aznar at Short who made a smooth back hand and fired across to Sophomore Leo Cassel-Siskind for the 2nd out. Finney fell behind the next batter but battled right back, striking him out on three straight laser beams.

And so the stage was set for another chance to walk off their home field in Mt. Airy as winners one last time. With one out Junior Tony Brown smacked a hard single to right field and stole 2nd two pitches later. Ijustice Avery, who had been intentionally walked in his last at bat, came through with his third hit of the day, sending Tony Brown to 3rd. Avery stole 2nd on the next pitch, and the Knight's coach intervened again by intentionally walking Aznar to load the bases and pray for a double play.  

Having finished his pre-at bat ritual of wiping both hands in the dirt, Ben Simon stepped into the batter's box and locked in. The next ten minutes felt like a hundred as Simon dug in for one of his signature battles, fouling off pitch after pitch and working a full count. Then disaster struck when Simon popped up sky high along the first base line. The ball disappeared into a blinding gray sky and the Rockets bench erupted when Theory's First Basemen lost it. As the ball harmlessly landed on the grass just foul, Leon Finney screamed "They don't want it!" and Junior Alex Gomez declared "My man here, he's gonna get a hit. You watch!"

Simon stepped back in.

This is what childhood dreams are made of. 

Bottom of the ninth. Tie game. Bases loaded. Full Count. Championship on the line. Both benches screaming. An outfield of Mt. Airy Little Leaguers chanting "SLA, SLA, SLA!"

Pratt delivers the pitch and everyone takes a collective gasp.... 

The crack of the bat. The ball screaming toward the outfield. Simon punching the air as he sees it reach the wet grass. Tony Brown crossing the plate with the winning run. SLA's bench clearing and mobbing Ben "Big Daddy" Simon half way to 2nd.

As he disappears beneath a pile of humanity, the dream is reality. 

A Walk-Off Win. 

AAA Champions. 

An official bid into the PA State Playoff Tournament. 

But most importantly, Seniors- Arsenio Gomez, Jason Greene, Leon Finney, Colin Pierce, Ben Simon, Lukas Supovitz-Aznar and Aaron Watson Sharer- get a chance to wear the Rockets blue as a family again. 

After gaining composure, lining up to shake hands with a solid String Theory squad, talk almost immediately turned to getting ready for States. 

But First, "No matter what happens next, no one can ever take this away. You earned this. This is yours. This is yours for life!!!" 

VIDEO HERE

THE MOTIVATIONTHE HIT and THE WALK OFF

Next Up: District XII Championship vs AAA Catholic League Champ Conwell-Egan (Thurs, 6/1 @ Archbishop Wood HS, Warminster, PA- 1st Pitch 1pm).

El Blade Runner: A Western

By Colin Pierce, Ali Driggers, and Ben Fink.

Our original script

The goal of our project was to reshoot Blade Runner as an Italian spaghetti western, since we saw both Blade Runner and The Good, The Bad, and The Ugly recently. We thought that both movies had flexible enough settings and plots that we could combine the two easily.

We chose the scene where Deckard is infiltrating the nightclub towards the beginning of the movie, trying to determine whether or not Zhora is a replicant. It wouldn't make much sense for an android to be hiding in the old west, so instead we made Zhora into a generic outlaw who is hiding from Deckard, who is now a sheriff, by posing as a bartender. The scene starts with Deckard bluffing his way into Zhora's dressing room by pretending to be from an organization that helps performers, and he starts checking the room for holes and cameras. We thought that the most likely comparison to the wild west (without getting too lewd) would be having a health inspector check a saloon for health problems. Deckard also asks if Zhora's holographic snake is real, to which she says "Of course not, do you think I'd be working in a place like this if I could afford a real snake?" The closest comparison we could find was the price of wood in the old west, so we had Deckard ask about the quality of the wood in the saloon instead.

After this point we kept the basic outline of the scene almost identical to the original. Zhora becomes suspicious of Deckard and fights him with some kung fu moves before running away and eventually being shot by Deckard. In our scene the same thing happens, except Deckard has an uzi since it was all that we could find. It is still an older gun than what Deckard had in the original Blade Runner, so the idea still stands.

While we were recording, we realized that the phone we were using wasn't recording any audio for some reason. At first we were going to use another phone, but then we remembered that many westerns were originally recorded in Italian before being dubbed over by English voice actors. Because of this, we decided to to keep our old silent footage and dub over it.

A Dogs Purpose: Horror Film

A Dog’s Purpose directed by Lasse Hallstrom is a fantasy/drama film that follows the story of a dog who is reincarnated several times until he ends up with his original owner. This film definitely falls under the umbrella of a feel good, family movie. We decided to recreate its trailer as if it was a horror film that could make even the strongest and fearless person scared of a chihuahua.

The first choice we made was to start the trailer in color and change to black and white when the scary and evil side of the dogs started to come out. This choice was made based on how older horror movies were made, like Psycho and Night of the Living Dead. The black and white gives the previously colorful trailer an eerie and lifeless vibe. The color change alone helped make this children's movie a lot spookier.

We used shorter shots when showing the dogs to confuse the audience. This way, there would always have something to look at but not enough time to completely react to what they just saw because the next shot would already be on the screen. By having these quicker shots, people aren’t focusing on the details in the shot as much. This gives a sense of urgency and suspense. Horror movies are known for being liked by “adrenaline junkies,” so that’s what we attempted to do with this. Some shots of the dogs were also reversed to mess with the audiences head. Even the slightest change, although not noticeable, could still catch someone's eye and be the shot that is remembered.

We also decided to keep the original song but gradually slow it down. This made it sound like the slowed down childrens lullabies used in a lot of horror movies. In general, deeper and more negative sounds increase the fear in people. The gong like sound that occurs when the audience first sees the dogs become evil is used throughout the trailer to bring the viewers back to that original fear of when they first heard it and didn’t know its meaning. We did the same thing with the line, “Maybe you should teach him some manners,” but instead made it come back in a more echoey sound so that it was like a memory. Having the change of shot on beat with this sound as well, connects what the audience is seeing and hearing. We added extra dog barks over top of the slowed down music to make the dogs seem more ferocious and gruesome because they originally were not. It makes it seem like there is more of a threat and something to look out for.

Our final product can be compared to many horror movies like The Birds or any zombie movie. It follows the trope of “attack if the killer whatever,” which in this case are dogs. The color and sound effect change makes it so that this originally light hearted movie hits you heavy and has you second guessing the saying, “dogs are a mans best friend,”

Link to trailer: https://www.youtube.com/watch?v=5O5ZgryzstY

Zoe Andersson and Indee Phillpotts

Eraserhead as a Romantic Comedy

For this project, we cut scenes from Eraserhead into a trailer one might see for a more traditional romantic comedy. Our take on the surrealist classic was very much inspired by the trailer for the classic De Niro vehicle Meet the Parents, a romantic comedy wherein a hapless fellow (Ben Stiller) meets his dearly beloved’s rather quirky parents. The trope of the “love interest with a catch,” often found in romantic comedy, lends itself well to Eraserhead, particularly in the organization of the dinner scene. The catch in Eraserhead is that the love interest has birthed a mutant; for the purposes of a romantic comedy, pregnancy itself was enough of a catch, and so simple fatherhood was an angle we chose to magnify. This scene also contains shots similar to those used in Meet the Parents, with cameras placed to fit whole families sat at a dinner table in frame, as well as rom-com appropriate lines like our protagonist oh-so-awkwardly stammering to Mary’s mother that he loves her daughter. 
In our conversion, sound reigns supreme. Cheesy canned voiceovers provide setup to scenes that are in fact, quite unlike what is described. Obnoxious voice over work is a trope of the genre’s trailers and even of trailers in general. Though it’s near-impossible even for us to tell, Harry and the writer of this sentence actually alternated each voiceover segment. When coupled with the Hyrule Castle Courtyard theme from The Legend of Zelda: Ocarina of Time, the voiceover work creates an (in)appropriately whimsical and cheery atmosphere for the story. Another trope of the rom-com trailer is the sudden rock song, and it usually comes into play when a central tension of the plot is first revealed. We cut off our Zelda music with a cheesy record scratch, only to have our sudden rock song drop in the form of Fugazi’s “Waiting Room.” The recurrence of “Waiting Room” is used to frame the trailer, as snippets are played at the beginning, middle, and end.
Yet another rom-com trailer trope is emotional music that indicates the characters in the film will have character development and emotional experiences. Modest Mouse’s “Workin’ on Leavin’ the Livin’” fit the bill perfectly, as the majority of the song is based off of the “Lady in the Radiator Song,” originally composed for Eraserhead itself. It is perfectly ironic that a song about suicide and drunk driving should be used in the place of an uplifting song here, as it is totally conceivable that a rom-com trailer editor would expect so little of their target audience as to include so dark a song in this role.
In this trailer, what was originally played for discomfort or general oddness is played for laughs. For example, Mary’s father Bill’s quirkiness makes him seem like a classic sitcom dad instead of a lunatic who makes squirting chickens and makes sure pipes don’t grow [or makes sure that people know that pipes don’t grow. It’s left up to interpretation]. His more peculiar lines are edited out, and his quip of “This dinner’s getting mighty cold!” serves as an entertaining callback to the beginning of the trailer (when Mary first says “dinner’s almost ready”) rather than a bout of acute tone deafness. In a romantic comedy, directors are expected to keep things light and playful, and small jokes like this serve to maintain that tone. Our group not uses that trope and also subverts it by including the surrealist imagery of Henry tearing apart his offspring and being torn apart. Henry’s introduction to Mary’s parents is a cordial, if awkward, welcome, appropriate for greeting the parents of a love interest, whereas in the original film, bleak silence could occupy minutes of time before statements were responded to. Now? All that is left is rom and com.