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This Is How We View It: Act 3
“To be or not to be” Act 3, Scene 1, line 58
Hamlet loses his cool with Ophilia regarding his love for her. Act 3, Scene 1, around line 100
Claudius and Polonius spy on Hamlet. Act 3, Scene 1, lines 150-190
Claudius reacts to knowing the Hamlet knew that he kid the former King. Act 3, Scene 3, lines 1-50
Hamlet won’t kill Claudius until he is actively sinning. Act 3, Scene 3, end
Hamlet’s treatment of his mother. Act 3, Scene 4, lines 1-20
Hamlet kills Polonius. Act 3, Scene 4, lines 22-29.
He hides Polonius’ body and won’t say where it is. Act 3, Scene 4, end
Podcast 2: Giggling and Gabbing- Literacy Lenses
Olivia: Concepcion, Theresa. "Supporting #MeToo shouldn't mean dismissing Junot Diaz's rape trauma." The Washington Post, The Washington Post, 25 May, 2018, https://www.
This article was about how Junot Diaz was raped as a child and accused of sexual misconduct by several women later in life, and that his trauma may have affected his life. She doesn't claim that it excuses his actions, however. This had me thinking about how his view on women, which may be skewed, evidenced by his actions, may have been manifested in the female characters in his book. He writes a lot about sex from the women's perspective in the book and how this has negatively affected their lives. He may avoid writing about how it affects Oscar because it could remind him of his childhood.
Eric: Vitzthum, Virginia. “Junot Díaz's Pro-Woman Agenda.” ELLE, ELLE, 9 Oct. 2017, www.elle.com/culture/books/reviews/a14353/junot-diaz-interview/.
In an interview with Junot Diaz, Elle magazine asks Diaz about his book, "The Brief Wondrous Life of Oscar Wao" Diaz talks about how he wanted to relate his ideas of feminism and masculinity into the book and how they affect the relationships that Oscar has. In the interview, Diaz explains firstly how Oscar was written to not have emotions in a way or at least he doesn't try to show these emotions to other characters too often because men are asked not to be vulnerable. He states that men are expected to cheat in a lot of relationships and this has become a societal norm. Diaz describes that he always tries to incorporate some sort of concern in his book about racism, genocide and in Oscar Wao's case: sexism. Diaz is an activist and leans more towards the left side of the political spectrum. "If you have a book that represents a bunch of sexist, rapist lunatics and they all end up being awesome and wonderful and winning everything and the book is clearly affectionate to them, then this might be problematic. On the other hand, if a book has some pretty average guys, and their way of thinking about the world, about women, and their habits around intimacy and relationships don't produce positive results for them or for the women in their lives, that that is not problematic." This quote demonstrates Diaz outlook on not only modern-day literature but on how he believes that male characters need to have some growth with their sexuality or sexual behavior in order to show their growth as a character. This article helps shed light on how Diaz views sexism and relationships after writing Oscar Wao.
Cynthia: Lee, Sarah. “Junot Diaz: a life in books.” The Guardian, Date Published Fri 31 Aug 2012, https://www.theguardian.com/books/2012/aug/31/life-in-books-junot-diaz
In this article, the writer talks about how all of the books that Junot Diaz have published relates to his life living in the Dominican Republic and in the States. This has provided insight into both the novel and the feminist lens by Junot Diaz had been rape when he was eight. This relates to why he writes about how women are sexually assaulted in his novel. This allows him to reflected himself in that situation and also give closure to himself. Each of the characters relates to Diaz in a certain way, especially Yunior with appearance and experiences. This is a quote that Junot Diaz mentions in an interview is "I'm of African descent and my sister looks completely black, but I didn't look black. I was the super-nerdy kid who was also willing to fight. I love comics and SF but am hopeless with technology. I am still better with a pick or shovel, even with my bad back, than I am with computers."
Eye of the Tiger Podcast #2
Sarah Berg
Marxist
The White Tiger
“The Poverty of Indian Ideology.” Jacobin, jacobinmag.com/2013/12/the-poverty-of-indian-ideology. Accessed 7 Jan. 2019.
This article by Yahya Chaudhry is a review of The Indian Ideology by Perry Anderson. It describes how despite corruption, poverty, and violence, Indian intellectuals continue to spout exceptionalism and deem their country an example of democracy, and that meanwhile, Westerners largely ignore the religious divide in the country. Chaudhry summarizes Anderson’s argument as “India’s secular democracy, which is eagerly marketed as the world’s largest and most diverse, but in reality is soiled and riven by chauvinistic politics, religious parties, a calcified caste system, and the ongoing catastrophe of Kashmir.” Anderson selects the leaders of Gandhi and Nehru as examples of Indian leadership that fed into this problem. He argues that Mohandas Gandhi valued religion over politics and democracy, so much so that he defended the caste system. He helped Hinduism dominate India’s political world rather than focusing on secular anti-colonialism when forming a national Indian identity. Anderson paints him as a hypocrite for championing liberal ideas but not acting on them due to his extreme passiveness. Anderson points to Nehru as a privileged leader who bowed to Gandhi’s authority. He worked to persecute Muslims and socialists. These arguments are incredibly relevant to The White Tiger because the novel centers on the themes of India’s corruption and attempts of appearing as a democracy while silencing oppressed voices and relying on a strict caste system. The main character, Balram, struggles with transitioning from a lower caste to working a respected job for members of the higher caste, and recounts his experiences interacting with members of both castes. He also is largely critical of the Indian government and its masquerade as a democracy.
Colin Taylor-McGrane
Marxist Lens
White Tiger
Goodman, Peter S. “Investors Are in Retreat, and the Poorest Countries Are Paying for It.” The New York Times, The New York Times, 21 Dec. 2018, www.nytimes.com/2018/12/20/business/federal-reserve-india-interest-rates.html.
This article is talking about how in developing countries such as India, many wealthy investors are moving their money to developed nations such as the United States, causing massive inflation in India widening the economic inequality there. The relation between this article and the story is the fact that the much of the narration in the story reflects upon the differences between the rich and poor people in India. This article gives insight into how the wealthy elite members of Indian society are in many ways responsible for the growing income inequality plaguing the nation.
Ariana Flores
1. The Marxist Lens
2. The White Tiger by Aravind Adiga
3. Slater, Joanna. “India's Pollution Refugees: People Are Fleeing Delhi Because of the Toxic Air.” The Washington Post, WP Company, 16 Nov. 2018, www.washingtonpost.com/world/asia_pacific/indias-pollution-refugees-people-are-fleeing-delhi-because-of-the-smoggy-air/2018/11/15/26dc1250-e1f1-11e8-a1c9-6afe99dddd92_story.html?utm_term=.eff17f61dbb5.
4. This article brings to light the dire state that New Delhi's air quality has come to and emphasizes the idea that not everyone has the money to buy air purifiers or facemasks to make it through the “pollution season”. This emphasizes the advantages of the upper class in The White Tiger because they contribute to the air pollution where their automobiles, but they are not the ones who feel the effects of those negative contributions. There is a world beyond the tinted window, but the wealthy choose not to look into alternative energy resources. Although workers may die off, they are replaceable, which perpetuating the cycle of servanthood.
The Club of Eden
McCormack, Aidan. “The Truth Can Get a Little Hairy: Reflections on Body Hair, Feminism and Trans* Identity.” The Body Is Not An Apology, 21 Dec. 2018, thebodyisnotanapology.com/magazine/hairy-truth-trans-identity/.
“Portrayal of Women in Literature.” Romanticism: Background, Main Features, Romantic Authors from Crossref-It.info, crossref-it.info/articles/322/portrayal-of-women-in-literature.
The first article is a personal statement from a transgender man regarding his relationship with his gender and his hair/physical appearance. I chose this article to explore how Catherine's perception of her gender and sexuality affects her relationship with David. I'm not sure if this really works with the feminist lens since it is more about gender but I think it will add a lot to our discussions.
I also included a second link which discusses the depiction of women in text throughout history. We can think about the relationship with the author and Catherine and how he chooses to give her basically no personality or interests. This was inspired by the question from OWL, "what does the work say about women's creativity?" Looking back in history and exploring the relationship between Hemingway and Catherine will create a commentary on the feminist lens.
Amelia’s Article:
Gerdeman, Dina. “Why Employers Favor Men.” HBS Working Knowledge, Harvard Business School, 11 Sept. 2017, hbswk.hbs.edu/item/why-employers-favor-men
This article written by Dina Gerdeman from Harvard Business Center unpacks the struggles women experience in the workforce. The overall reasoning the article centers on is that employers prefer men not because they are prejudiced against women, but because they have the perception that men perform better on certain assignments. This piece references the published book "When Gender Discrimination Is Not About Gender" by Kathrine B. Coffman and Christine L. Exley, assistant professors at Harvard Business School. Gerdeman also includes direct quotes from both authors which sharpen the idea of statistical discrimination versus taste-based discrimination. This connects well to Ernest Hemingway's novel The Garden of Eden because in the marriage, only David, the husband, has a career as an author of two books. Even twenty chapters into the novel, the readers know nothing about Catherine's life, let alone her career. It is constantly brought up that David writes books for a reason which bring in the money for the house, yet Catherine constantly mentions how rich they are. Do males have a better chance at finding a life career than women? Does this affect who brings in the income in the marriage?
Alex Rivera
Manders, Kerry. “Beyond the Narrow Expectations of Gender.” The New York Times, The New York Times, 16 Oct. 2018, www.nytimes.com/2018/10/16/lens/beyond-the-narrow-expectations-of-gender.html.
I believe that this would be a good source for our group to use because it describes the categories people are placed in and the amount of room they are given with gender roles and sexuality. This is written from the point of view of people who have and are going through this. this will help my group explain to the reader more to get an understanding throughout the book, because even throughout the book we found ourselves coming into our book group confused and Catherine wanting to be a boy sometimes and a girl the next, saying she didn't want to kiss Marita and she does and likes it and what that difference between Catherine kissing Marita and David kissing Marita. This article brings up the fact of non-binary people not being accepted because it's hard to understand for people who are not and so its looked at as wrong. This helps with our lens because it shows feminism in a different way exceptionally the 1st wave of feminism back then when this book was written.
Christina Santana
Bayley, Mireia Pavón. The Devilish Ways of Catherine Bourne: Breaking Heteronormative Gender Roles in The Garden of Eden by Ernest Hemingway. Universitat Autònoma De Barcelona, June 2016, ddd.uab.cat/pub/tfg/2016/169521/TFG_mireiapavon.pdf.
This analytical essay unpacks the ways in which Catherine, one of the main characters in Ernest Hemmingway’s The Garden of Eden breaks the sterotype for Heteronormative Gender Roles. In the article, the author speaks about how Catherine’s androgynous appearance, gender fluidity, and exploration of her sexuality are parts of her attempt to break free from the concept of normality and heteronormative rules. She writes that “The aim of this paper is to prove that her [Catherine] behavior does not breed from mental illness but rather from frustration and a will to break with the binary terms of gender because she is unable to feel fulfilled in a traditional wife role.” This is an interesting idea because it presents an argument that the reader might not have focused on, and it provides reasoning as to why Catherine allows Marita to be the “wife of the day” in their essentially polygamous relationship with David. Overall, this article gives context and analytical reasoning in support of the gender roles and exploration of sexual identity in The Garden of Eden.
The Hydrangea Effect
Audio Silence (1984): Literal and Figurative
Group members: David, James, Kwan, Ayala, Eric
- pg 100 "Winston came across to...he did not remember the statue."
https://www.soundtrap.com/play/xN-r6ewgT9OfXWm7Lyh4mA/english-1984-pod-cast/
Mask Off
Introducing Hamlet: Act 1&2
Little Sister Podcast by Kamil, William and James(in spirit)
Episode 1: The Literal and the Figurative
This episode is about the novel 1984 by George Orwell. We begin the podcast by discussing the history of the creation of the novel and the inspiration for the novel. We continue by giveing a short summary about the sections of the novel we have read so far. Once all the context for the discussion is given, we begin by focusing on the character of Julia. We talk about her intentions and reasons for the commiting the actions she does. Moving on to the main character we begin a comparison of the two seeing how they are contradictory characters yet end up together in a relationship of sorts. Then we continue to talk about the language of the novel and how they are limited in their speech. The language of newspeak has a very limited vocabulary and character are never really able to truly express themselves. Lastly we end off the discussion by talking about the big oxymorons which are shown throughout the novel.
Evidence
“The eyes follow you about when you move” (1)
“The black mustachioed face gazed down from every commanding corner” (2)
“You had to live in the assumption that every sound you made was overheard and, except in darkness, every movement scrutinized” (3)
“FREEDOM IS SLAVERY. WAR IS PEACE. IGNORANCE IS STRENGTH” (16)
“DOWN WITH BIG BROTHER” (19)
Memory holes (39)
“I love you” (110)
Renting Mr. Charrington's room (142)
Julia brings luxuries that only the inner party gets access to (144)
Winston and Julia discuss Brotherhood (157)
Kurt's Krew: What's a Cat's Cradle?
This episode was a mish mash of all your initial thoughts on Cat’s Cradle by Kurt Vonnegut. Our episode focuses on the larger themes at play in the book. We discuss religion's role in the story and the interplay between truth and lies. We also attempt to decipher Vonnegut’s wild and unique writing style, which is as complex as a cat’s cradle. Thanks for listening!
“Call me Jonah. No Sam.” (page 1)
“All of the true things I am about to tell you are lies” (5)
“Anyone unable to understand how a useful religion can be founded on lies will not understand this book either” (6)
“That people were still superstitious instead of scientific” (24)
“I’m sorry to hear member of the Laboratory family…. They’re the very antithesis of magic” (36)
“It’s a cat’s cradle…… One of the olders games there is” (165)
Uptop Books Water for Elephants Podcast #1
- The name of your podcast
- The names of the group members
- The title of the episode
- The podcast logo
- A brief blurb (a paragraph) about your episode
(make sure this includes the title/author of the book)
- A list of the evidence used (with page numbers) for listeners to locate as desired
- A streamable link to your podcast recording that is publicly accessible (10ish minutes)
(YouTube might be the easiest option here)
The Immortalists - Podcast #1
The Jash: Episode 1
Children of the Night Podcast
Purple Table Talk- Episode 1- Aysha, Mindy, Autumn, Sharron, and Alan
Literary Dynamite --- Podcast #1
Yaa Gyasi’s 2016 historical fiction work Homegoing is a tale of two alienated Asante sisters, one who becomes enslaved and one who marries a slave trader, and the collaterally damaged generations that follow them. In following the stories of these characters, Gyasi makes visceral statements about the unbending truths of colonization, slavery, and the dehumanizing effects of these systems. In this episode of our podcast, we dive in depth to types of figurative and literal languages and images in the book and how they affect the storytelling. We talk about nuanced epithets, metaphors, connections. Observing that certain images and constructs appear in motifs, we investigate both their literal and hidden figurative meanings.
Types of figurative language: simile, metaphor, conceit, allusions, hyperbole, personification, metonymy
Mango -- image of vitality, exuberance → used to describe Effia and Esi
Desperation ---> described as the “fruit of longing”
The word “fire” is used both figuratively and literally ---> Effia has a “fire” inside of her (passion) but was also born on the night of a huge fire that ravaged her family’s yams.
Words used to describe women are minimizing: meek, servile, obedient
Words used to describe men are aggrandizing: big, strong, warrior
Black stone ---- gift to Esi and Effia from mother ----> black stone may represent the importance of ancestors and hope → Esi refuses to lose it throughout her course of enslavement
Storytelling is a big aspect of social identity. In the book, some important stories are told in order for characters to impart an important point (Fiifi with the birds, page 53) or simply just for entertainment (Anansi, page 30)
Benzini Bros
Recap and First impressions
impressions of the love triangle
Also impressions of old Jacob vs young Jacob
The reason for Jacob going to the circus
First impression of camel and the rest of the circus
Prostitution
Impressions of auggies different sides or personalities
Pg 94 “he continues to stare into her face… Marlena’s eyes grow wide. She tries to step backward, but he catches her chin with his hand.”
Literary Elements and techniques
Setting, plot, characterization, themes and conflicts
Takes place on the Benzini Brothers Most Spectacular Show on Earth
Pg. 28 “you done jumped the FLying Squadron of the Benzini Brothers Most Spectacular Show on Earth”
Conflict: Age, animal cruelty
Figurative Stuff
Symbols, language choices and motifs etc.
Irony was used a lot throughout the book to make light of intense situations. Examples consist of feeding Rex and Jacob meeting him for the first time. “He’s just a widdle kitty cat” pg. 85. Pg 111. “The sky the sky, the same as it always was” Pg. 115 “You should take it up, it’s good for your health”
Pg 13 Ghost haunting him