I wanted to make a collage of something/or someone that I love. I’ve always loved Audrey Hepburn and so I decided to make a collage about her. Before making my collage I did a little research on Audrey Hepburn and discovered that she was born during the time of Nazi Germany, but the most interesting fact I learned was that she at bulbs of Tulips to stay alive and so I decided to make the shape of my collage a tulip bulb.
For the draw fabric assignment I decided to draw a gown. I’ve always loved and been interested in fashion and so this was my favorite assignment in quarter 2. Before I started drawing I did some research on what draw fabrics looked like. I found a lot of images of what looked like to be drawing of a big sheet or clothing.
The picture I chose to edit is of my sister and I. I chose this photo because this is one of my favorite photos of my sister and I. This photo was originally taken in color.
I based my illustration off of a Shel Silverstein poem called: Early Bird. The first poetry book I had had this poem in it. It’s also where I learned the phrases: early bird get the worm. I decided to draw a picture of a bird because it’s the main subject of the poem.
My goal for this podcast was not sit down and get to know my great grandmother more and also receive some elderly knowledge. I think some of our youth could use some of this knowledge and use it throughout their life.
what went well with this podcast was my grandma responded to the questions I asked well and she also elaborated good too she made it somewhat easy to interview her . what was challenging about this podcast was I used my phone so I had to keep switching my phone from her mouth to mine and some times I would move the phone before she finished speaking and I got stuck in between questions so I would start stuttering too much.
Overall, I can honestly say I enjoyed working on this project. I learned a lot about my sister and her experiences, and also about different definitions of identity and belonging. The checkpoints were really helpful for me, although they were frustrating. The first interview I did with her was a failure, it related to identity but was not what I pictured my final product looking like. So, after I redid the interview I was very satisfied and looking forward to editing and showing her the final product. I really did like this project, though, simply because light was bought to my knowledge and I was definitely enlightened.
Throughout current culture in America, and arguably all over the world, communication is constantly evolving, and so are the mediums we all choose to express ourselves. Instead of walking up to each other and establishing a connection, or explaining to each other why we like the things we do, we just read it, maybe in the 140 characters of a tweet, or the 150 characters of an Instagram bio. The information we choose to post or the media we share with our followers is our definition of ourselves, ‘This is what you see, and that is how I want you to see me.’ In other cultures names or titles define who people are, what relationships they will have, and can convey storybooks worth of information, with just a few syllables. For the purposes of this paper the culture that will be examined is that of Bengali individuals and their lives portrayed when immigrating to America in the book, The Namesake written by Jhumpa Lahiri.
The main character, Nikhil Gangoli spends the entire book agonizing over his name, torn between his inherited Bengali culture, and his born to America lifestyle he spends all his time letting his name define him. He thinks people don’t take him seriously because of his name, originally Gogol, when he finds out, or rather as the reader you find out the only person not taking him seriously, or constantly doubting every move he makes, is himself.
“He is afraid to be Nikhil, someone he doesn't know. Who doesn't know him...It's a part of growing up, they tell him, of being a Bengali.” (Chapter 3 Paragraph 13) This quote taken from The Namesake is from Gogol’s early youth, when he gets renamed from his pet name, Gogol. Originally he is not fond of this name, because it is unfamiliar and uncomfortable for him to change what everyone calls him, his life title. So as a young boy, he chooses to stay Gogol, which later on he regrets, thinking his pet name is stupid, and changes it back to Nikhil. This back and forth struggle over, what people will call him, how people will view him, and the struggle of defining himself through a title that, at the end of the day doesn’t matter is the biggest theme of the book, and for many throughout their entire lives.
Through the way media has evolved, to include every part of our lives, people no longer know what it is to define one’s self, everyone simplifies and belittles what and who they are, to be interesting at a glance. This makes everything less meaningful, when people throughout the world should be able to just embrace their complexities. In a recent podcast titled, Finding the Self in Selfie (This American Life, 2015) a few teenage girls were talking about their experiences and familiarity with the rules of interacting on Instagram, and what it means to comment or double tap.
“Especially because we, like just started High school, so we’re meeting a lot of new people, so you would comment on someone’s photo who you’re not really super close with or that you don’t know really well, and it's sort of a statement, like, ‘I wanna be friends with you’ or ‘I wanna get to know you’ or like, ‘I think you’re cool’. If someone that you don’t know very well commented on your photo, it's sort of like an unspoken agreement that you have to comment back on their photo. Like when you’re making new friends, if they comment on your photo, you comment on their photo.”
Almost to say that the way to meet new people and force friendships is through your online persona, how you present, or even more to the point, sell yourself. Later in the interview the incoming freshman girls admit, that the way you present yourself online, is almost like you’re marketing yourself, like you are the product, manager, and the marketing team, trying to keep people interested and concerned with knowing about you and your life. Squeezing anything cool or notable about yourself into an Instagram bio, or caption, and sticking a filter on a group picture of your friends having “Tons of fun!” being the only thing keeping us, in this generation current. And beyond that, people making friends and even romantic partners or hookups in the private message sections, or DMs of Instagram.
“...I tell her, don't you hate when you get screenshot, Bitch that DM wasn't for everybody, I love tha gram I love tha gram, I'm addicted to it I know I am...” A piece of a very popular rap right now, brought to us by Yo Gotti, who may not be a credible source at first glance, but as a voice for the young of this generation, and the behavior now known as normal, very trustworthy. People being debased to a steady photostream on their phones. This is being highly studied all over the world, and the impact of the internet in general on the mass public has been scrutinized by many since the mid 90’s, but the most powerful words, come from an actress, a media personality, and someone you think would be completely uninvolved in public speaking, Thandie Newton, who in her thirteen minute TED Talk addressed embracing self, and otherness.
“We each have a self, but I don’t think that we’re born with one...The fundamental state of ‘oneness’ is lost on us very quickly...it’s no longer valid, or real...” This transition from having a fundamental sense of ‘oneness’ to being completely withdrawn from everything comes quickly, almost without warning. Unfortunately though, most young adults choose to isolate themselves into different internet profiles in an attempt to recreate that oneness through a self-constructed image that in truth can never fully capture their entire presence. That being said, this trend will likely never end, but the self imposed need to sell ourselves on our media will hopefully be less impending through the different voices pointing out this almost self destructive behavior.
Ghosts in the Machine, NY Times
Quotes from The Namesake
Thandie Newton: Embracing otherness, embracing myself. (TED Talk)
This American Life: Status Update
Yo Gotti, Down in the DM
For my art pieces I wanted to keep everything an action/superhero theme.
For my Art Collage, I gathered as many pictures I could fit of the Avengers in different poses and looks. I then went back and drew the Avengers logo. I didn’t really have a certain way I organized the pictures, I started with just placing them in the corners, then from there I just randomize it.
The next art piece is a Fabric. I wanted to stick to my theme of superheros, so I drew a cape and shaded shadows and the curves. Then I drew a mesh shirt under it.
For my following piece, I edited a picture I took near 30th and market. To further my theme of action, I tried to edit the picture to look like a zombie movie.
My final piece is of the logo for one of my favorite shows, Video Game High School (VGHS), this show is full of action and I thought for my free draw it would be a good conclusion to quarter’s art pieces.
The passage below is what I believe was cut from McCarthy’s The Road:
I watched the boy, his words struck me, he had matured. I wanted to say something but I had no words. The boy wouldn’t talk to me anyway. I looked back the man was standing where I had left him, naked. Even from this far away I could tell how gaunt he was. I averted my gaze and looked at the boy who was now quietly sobbing. I wish he would stop. I continued to watch the boy as he slothed along. The man felt warm arm arise in his throat. He put his hand to his mouth trying to suppress the cough, but it only muffled it. His paced slowed.
“Stop trying to protect me and cough.”
By the time I removed my hand my cough had slithered back down my throat, all that was left was the blood on my hand. He knew. He knew I wasn’t doing well. I could feel the boy’s eyes watching me think. The boy wouldn’t last long after I was gone. Stripping that man’s clothing made me a bad guy in the boy’s eyes. We wouldn’t have gotten this far without being eaten or shackled if I thought/acted like the boy every thought, intention, tear based solely on others.
Here is the rationale for the choices I made
I placed my creative piece on page 259 on McCarthy’s The Road, right underneath the part when the boy says: I am the one. I chose this part of the book because this scene was so powerful to me. I want to go more indepth in showing how the boy and the man are so different, and how their means of survival differ. I wanted this scene to start off where McCarthy left off. In the beginning scene the father is contemplating his relationship with the boy after making that man strip down. On page 259 McCarthy shows the boy sobbing and looking back at the man and letting his father know that he was the one who has to worry, which I believe is the most powerful thing the boy said in the book. It lets us know that the boy is beginning to realize he is going to be on his own.
My essential question was: What does it mean to survive. This question had been something that I’d thought a lot about when reading The Road. Throughout the book we have seen the boy show compassion over and over again just as we’ve seen the man do whatever needs to be done to keep him and the boy alive. I thought it was interesting to see the boy stick up for the people his father was going to harm. I decided to elaborate on this scene further because it was in my mind a perfect example of the boy sticking up for the person his father was going to harm. I wanted to give more insight on the father's thoughts. I want to make sure that people understand the importance of this page, of this scene, and I thought that a good way to show this was by writing from the the perspective of the father.
I started my creative piece out with the father reacting to what the boy said: “I am the one.” I wanted the father react to what the boy said to the fact that he had show compassion again toward someone who had taken something from them. I wanted the boy to lash out to show that he didn't need his father to take care of him anymore, to let his father know that he could take care of himself. I noticed that McCarthy didn’t have the father express his feelings or opinions on the boy’s compassion in the book that often and that is something that I would have liked to see more of. I had the boy lash out at his father in my creative scene.